"Neuromantic" was released in May 1981, between YMO's "BGM" and "Technodelic". Though a solo album, both Haruomi Hosono (細野晴臣) and Ryuichi Sakamoto (坂本龍一) have participated in the production and composed a couple of the tracks, and YMO's regular session musician Kenji Omura (大村憲司) also makes an appearance there including this track. This one reminds me a lot of "Ballet" from "BGM", which (surprise, surprise) also happens to be composed by Takahashi. It could also pass as a Roxy Music number thanks to that smooth melody and arrangement and, of course, Mackay's presence. The video above is simple, stunning and a little weird at times. Those guys (and a girl?) in tailcoats get me every time. Hey, I spot Hosono there.
I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Sunday, August 4, 2013
Yukihiro Takahashi -- Drip Dry Eyes
"Neuromantic" was released in May 1981, between YMO's "BGM" and "Technodelic". Though a solo album, both Haruomi Hosono (細野晴臣) and Ryuichi Sakamoto (坂本龍一) have participated in the production and composed a couple of the tracks, and YMO's regular session musician Kenji Omura (大村憲司) also makes an appearance there including this track. This one reminds me a lot of "Ballet" from "BGM", which (surprise, surprise) also happens to be composed by Takahashi. It could also pass as a Roxy Music number thanks to that smooth melody and arrangement and, of course, Mackay's presence. The video above is simple, stunning and a little weird at times. Those guys (and a girl?) in tailcoats get me every time. Hey, I spot Hosono there.
Hey, nikala.
ReplyDeleteThanks for the article on "Drip Dry Eyes". Like you, I enjoyed the synths and drums, but there's also that twangy guitar I also appreciated. The video is pretty freaky in an avant-garde enjoyable way. I could imagine this could have come out on that old MuchMusic show, "City Limits" years ago.