Once again, we've reached Hump Day or the doldrums of a weekly Wednesday, so as such, I wanted to something a little different. I haven't done a Creator article since "The Works of Ayumi Date"(伊達歩)back last November, so I decided to go with that today. And today's Creator contribution will be on the works of singer-songwriter Koji Tamaki.
Of course, everyone has known him for decades as the vocalist of successful pop-rock group Anzen Chitai(安全地帯) and as a wonderful solo singer who has the ability to make granite weep. However, he has also provided many songs for other singers over the years as well. His band had developed a certain recognizable sound in their music in the early days but I've found that Tamaki the composer was more wide-ranging in the melodies that he has concocted for others.
(1983) Mariko Takahashi -- Gokai(誤解)
The second track from Mariko Takahashi's(高橋真梨子)"Garland" album, "Gokai" (Misunderstandings) wasn't a song that was a hit with me initially. I was still in my early phases of appreciating music from all over, and this mix of playfully sultry pop strut and light reggae was perhaps a little much for me at the time, but fortunately, time and experience have proven fruitful. I could easily imagine Tamaki handling this solo but he can still be heard backing Takahashi.
(1984) Akina Nakamori -- Southern Wind (サザンウインド)
To be honest, if you had told me in the old days that Tamaki had been responsible in creating the melody for one of Akina's(中森明菜)biggest early hits, I would have just scoffed. Perhaps it was due to the arrangement and of course the singer's then-high vocals, but it sounded like a typically dramatic aidoru tune and nothing related at all to Anzen Chitai. However, I've learned that being able to go beyond the sound that a singer has been recognized for and provide something that fits the other singer's style is an asset.
(1986) Yuki Saito -- Kanashimi yo Konnichiwa (悲しみよこんにちは)
I would have said the same thing that I did for the above Akina tune for one of Yuki Saito's(斉藤由貴)most famous songs, "Kanashimi yo Konnichiwa", and it also happens to be one of the most famous anison for one of the more beloved anime "Maison Ikkoku"(めぞん一刻). Mind you, the first few measures of the song has reminded me a bit of the old Anzen Chitai sound but the rest of it is pure breezy melodic optimism.
(1985) Seri Ishikawa -- Ai no Bunryo(愛の分量)
The technopop aside, there is something rather Tamaki-esque in the melody for Seri Ishikawa's(石川セリ)"Ai no Bunryo" (Amount of Love). In some of those Anzen Chitai songs and Tamaki's own solo discography, there have been signs of secrecy or sneakiness, and in fact, Tamaki's own countenance has had those certain saturnine qualities. I think "Ai no Bunryo" has a dollop of that as well as some of that racing guitar which reminds me of him, too.
(1993) Kaori Kozai -- Mugonzaka(無言坂)
Now, the whole impetus behind me putting up a Creator article for Tamaki is this song right here. When I was watching "Uta Con"(うたコン)yesterday, the show devoted some of its minutes on the Japanese utahime who included enka singer Kaori Kozai(香西かおり). Ironically, although the Kozai file on KKP is quite healthy, I realized that I had yet to include what is arguably one of her greatest hits, so here it is.
"Mugonzaka" (The Silent Hills) was indeed composed by Tamaki, so he can provide music for enka as well. And the melody is sweeping and earthy (perfect for a go-touchi song) as it envelops the lyrics of Mitsuhiko Kuze(久世光彦) (although he went by the pen name of Mutsuki Ichikawa「市川睦月」 for "Mugonzaka") who came up with them based on the hills within his hometown of Toyama City in Toyama Prefecture. Kuze's lyrics talk of a local romance that has gone so far off the rails that one can no longer go home again in all meanings of the phrase.
Released as Kozai's 6th single in March 1993, "Mugonzaka" won the Grand Prize at the Japan Record Awards that year as it hit No. 10 on Oricon. It would end up being performed five times at the Kohaku Utagassen between 1993 and 2007, and as the biggest tribute, "Mugonzaka" has been covered by a number of artists including Tamaki himself in his 2012 "Offer Music Box".
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