As is the case in English, the Japanese language is chock-filled with portmanteaus. There is kopipe（コピペ）for "copy-and-paste" and the now-extinct pokeberu（ポケベル）which used to represent the pre-cellphone technology of a pocket bell or as it was properly called, the pager. This morning, I learned a new Japanese portmanteau via NHK: supepa（スぺパ）which stands for space performance...along the same lines as cost performance. Basically, it's the economization and more efficient use of limited space in the big cities of Japan due to the lack of it in houses and apartments. The above video by the YouTube channel "Never Too Small" gives a fine example.
The video is actually a couple of years old and I don't think the concept of supepa is a new one since cities like Tokyo have always had a battle within for space for domiciles. Plus, a few years ago, I used to subscribe to a Japanese YouTube channel which focused on the more unusual residences for rent within the nation, so I used to see my fair share of supepa places. By the way, supepa can also extend to the furnishings and appliances that could go into such a residence. I used to have a rather cute and petite fridge for my own Ichikawa 2K apartment although in comparison to some of these supepa apartments, my abode was absolutely massive.
Anyways, being a perverted fan of the terrible pun in both English and Japanese, I would have taken this opportunity to segue masterfully to the Pink Lady hit "Pepper Keibu" (ペッパー・警部) by referring to a supepa advisor as a "supepa keibu", but I will save you from that monstrosity because I had already written about "Pepper Keibu" all the way back in May 2012. In fact, it was the second Pink Lady KKP article that I posted.
However, I can go on ahead with the B-side to this No. 4-ranking success for Mie and Kei, "Kanpai! Ojou-san" (Here's To You, My Lady!). Created by the same duo behind "Pepper Keibu", lyricist Yu Aku（阿久悠）and composer Shunichi Tokura（都倉俊一）, the melody and arrangement have that very familiar Pink Lady disco aidoru sheen but Aku's lyrics are notable in that they actually treat the autumn as the perfect opportunity for love to bloom and continue forth. Usually in the kayo kyoku realm, the fall is the time for love to fall and break into a thousand pieces, but apparently such isn't the case in the Pink Lady universe. Good for them!
Pink Lady always seemed to have some awesome timeless outfits; in fact, most would look great even today. I love the power of 乾杯!お嬢さん and Pink Lady’s energetic performance of it.
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