It's been a long while since the last Tomoko Koyano(古谷野とも子)article which was back in March 2020, just before COVID shut the world down for a couple of years. That was for "Yorisoi Nareta Ude no Naka de"(寄りそい慣れた腕の中で)and though the Koyano file on KKP is still not all that deep, I've gotten the impression that she's along the lines of fellow singer-songwriters Keiko Maruyama(丸山圭子)and Mieko Nishijima(西島三重子)with their mellow New Music stylings.
I found this track which shares space with "Yorisoi Nareta Ude no Naka de" on her 3rd album "Neutral Tints" from 1978. And "Shiawase Modoki" (Fake Happiness) may not titularly hint at good times within Etsuko Kisugi's(来生えつこ)lyrics, but man, right from the first several notes of the song, I do feel that Koyano's creation strikes me as something ahead of its time. The arrangement comes across as a lot more contemporary especially with the keyboard work (although that Fender Rhodes is a symbol of City Pop music, particularly in the 1970s). I could imagine "Shiawase Modoki" as having been created in the 1980s or 1990s even. Nice to have such a cool and good tune to finish off tonight's slate of postings, especially with that sax solo...gave me some Gerry Rafferty vibes.

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