Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Friday, March 28, 2025

Makiko Imai -- Ten Years After

 


As I was sitting around in the waiting room while a family member was going through some medical tests which I mentioned about in my first article today, I whipped out my issue of "Obscure City Pop CD's ~ 1986-2006". Knowing that I had my usual quintet of articles to post today, I wanted to see if I could find something from the book.

Well, as it turned out, one singer in the book has already been given some coverage here on KKP. Makiko Imai(今井麻起子)is someone that I had mentioned about for the first time back in 2019 for her "Belly Roll ~ Kaze no Josoji"(ベリー・ロール -風の助走路-)from her debut album "Ciao!" from February 1988. The impression about her was that she was quite the perky pop star along the lines of Misato Watanabe(渡辺美里).

In "Obscure City Pop CD's", attention was paid to her 2nd and final album "CANDY A GO GO!!" which came out in March 1989. Track 2 was readily available on YouTube. "Ten Years After" continues the upbeat good times of Ms. Imai but this time, there is some more robust funk in there. Written by Shun Taguchi(田口俊)and composed by Noriko Nigo(仁後典子)and Kazuo Horiguchi(堀口和男), it's a story of some mild admonishment as a 1999 version of a young lady goes back in time to warn her younger self that she's letting a romantic opportunity go to waste, although it may already be too late (although knowing a sliver of temporal mechanics, I'm not sure how that could happen).

I have to say that though Imai only released two albums, those covers are among the more standout examples that I've ever seen. My compliments to the designers!

3 comments:

  1. I am not sure how obscure Makiko Imai was/is but I sure have never hear of her or her songs before. However, "Ten Years After" has a melody and beat that would have sounded contemporary in the mid or late 1980's hip hop scence. It reminds me a little of whatever the genre of El DeBarge's "Who's Johnny"? and his "Rhythm of the night" & maybe Deniece Williams "Let's Hear It for the Boy".

    ReplyDelete
    Replies
    1. Hi, Brian. I wouldn't be surprised if the songwriters had kept their ear to the ground for what was hot and cool in the United States. Speaking of which, I haven't done a ROY article on DeBarge recently.

      Delete
    2. Now, you have made me curious, after all not having done an article on DeBarge recently, means that you must have done one ore more in the past. Looks it time for me to do a bit of searching.

      Delete

Feel free to provide any comments (pro or con). Just be civil about it.