That early 1990s City Pop arrangement for "Aikagi" made me wonder whether this could have also been an ideal song for someone like Masayuki Suzuki（鈴木雅之）back around the same time.
Martin also enjoyed having the synths around him as much as he did his horn section. However, "Aikagi" (Spare Key) belongs to singer Michiru Kojima（児島未散）. This was the opening track for her 6th album "Yorokobi no Asa no Tame ni"（喜びの朝のために...For A Joyful Morning） which was released in October 1992. I think the title itself springs off all sorts of ideas of intrigue and mystery and that melody by Kenjiro Sakiya（崎谷健次郎）with arrangement by Akihiko Matsumoto（松本晃彦）more than keeps up the pretense. Accuse me of having an overactive imagination but when I hear "Aikagi", I think that this could have been the perfect theme song for a Japanese legal drama in those early 1990s.
Lyrics are by former aidoru Mie Takahashi（高橋美枝）under her pseudonym of Miki Fuudo（風堂美起）, and she does weave a story of suspense and possible betrayal by a beau as a woman decides to drop the affair like a bad penny. Both Takahashi and Kojima collaborated on another track on the album "Bayside Blue ~ Yorokobi no Asa no Tame ni"（ベイサイド・ブルー〜喜びの朝のために〜）.
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