Tontokoton Staff -- Maid Dai Kaiten（メイド大回転）

 

Well, we're just about halfway through the current anime season and that includes the gritty-as-sand but frilly-as-frills show "Akiba Meido Senso"（アキバ冥途戦争...Akiba Maid War）. The series has been following the pattern of a typical yakuza movie but instead of thugs, we have maids battling it out. At the same time, there has also been a goodly amount of fun music coming out of this as well. So far on the blog, it's been the homicidally hilarious "Junjou Maid Bukkoroshi Kiss"（純情メイドぶっころ主KISS）in the standout scene of Episode 1 and the ending theme "Meido no Komori Uta"（冥途の子守唄）which is in the same vein of the downtrodden-but-unbowed type of Mood Kayo of the late 1960s and early 1970s.

Now, let's tackle the opening. First off, those opening credits with all of us entering the tough-and-bloody streets of Akihabara communicate to us in those one minute and forty-odd seconds about what the whole premise is right down to the combination of aprons and arms and of course, the power walk of the staff of the Tontokoton Maid Cafe（メイドカフェ とんとことん）which ought to bring a smile to the face of Quentin Tarentino.

As for that opening theme, it's "Maid Dai Kaiten" (Giant Maid Slalom) by the Tontokoton staff themselves. We have Reina Kondo（近藤玲奈）as the scared newbie Nagomi (although after Episode 6, there may be changes ahead for her), Rina Sato（佐藤利奈）as the hardened warrior Ranko, Minami Tanaka（田中美海）as the alternately sweet-and-snarky Yumechi, Tomoyo Kurosawa（黒沢ともよ）as the gyaru maid Shiipon, Jenya（ジェーニャ）as the Russian battle maid Zoya, and Ayahi Takagaki（高垣彩陽）as the scheming manager Yasuko Yaegashi. Words and music were provided by SHIBU and Getamono Land Keiei Senryaku Shitsu（ケダモノランド経営戦略室...Beast Land Administrative Strategies Office）, the latter of which produced the show.

One YouTube commenter pointed it out well that "Maid Dai Kaiten" is a hard techno piece that seems to have come out of the "Matrix" franchise, and the contrast between those dark beats and the typical Maid Cafe patter works well, both as something oddly kakkoii and tongue-in-cheek. However, the main chorus then launches into something major chord upbeat and aidoru-esque. Maybe that means there is hope around the corner for the Tontokoton maids. Regardless, there are a couple of music snippets that have also popped up; I hope that they get their due as full-fledged songs soon enough on the soundtrack.