I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
All these years, whenever I've heard the title "Summertime Blues", I would always fondly remember Misato Watanabe's(渡辺美里)classic song from 1990. Well, now, it's got company.
Indeed, a decade before Misato's "Summertime Blues" came onto the scene, singer-songwriter Hirosuke(ヒロスケ)wrote and composed his own "Summertime Blues" as his 2nd single in 1980. As an aside, perhaps his "A-re-ka-ra"(あ・れ・か・ら)was his debut single from the same year.
Compared to the sunny and upbeat "Summertime Blues" by Misato, Hirosuke's"Summertime Blues" is a prowling nocturnal animal hitting the main streets and side streets of the city. Still plenty hot at night in Tokyo. "A-re-ka-ra" was a theme song for a cop show. Why not this one as well? Kimio Mizutani(水谷公生)took care of the City Pop arrangement.
Another happy discovery on YouTube, this was the first ending theme for a TV Asahi Japanese cop program with a difference called "The Hangman"(ザ・ハングマン)which had a good long run from 1980~1987. It is interesting since anyone who wants to become a member of this elite force basically has to die...or at least give the impression that he/she passed away.
I've tried to read through the J-Wikiarticle on "The Hangman", and it seems to be a mix of a typically shibui Japanese cop show, the Arnold Schwarzenegger flick "Eraser", the 80s TV version of "The Equalizer" with the late Edward Woodward, and perhaps even "Charlie's Angels" (there is a recurring mystery man at the top of these hangmen). My assumption is that the members provide their own special brand of justice to criminals who would otherwise be out of reach of the usual long arm of the law. One line in the J-Wiki article has described the show as an updated version of the "Hissatsu"(必殺)series of jidaigeki shows which feature assassins with their own particular sets of skills.
Anyways, I first cottoned onto "The Hangman" when I discovered the ending theme for the first season of the show in 1980. Titled "A-re-ka-ra" (Since Then), it's sung by Osakan singer-songwriter Hirosuke(ヒロスケ), or Hirosuke Fumita(文田博資), who was most active in the 1980s. The nocturnal City Pop is overflowing here although I can pick up a sense of 1960s Henry Mancinijazz in there as well. My exposure to "The Hangman" has just been limited to the top video but perhaps there is a bit of classy style combined with the street grittiness in the show as a reflection of the song. The characters could hang out in a non-descript hole-in-a-wall while listening to "A-re-ka-ra". Mind you, when I hear it, I think about heading over to a Renoir cafe in Tokyo.