I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Well, out of curiosity, I wanted to see if there were any singers out there whose birthdays were on July 29th today, and sure enough, I could find one chanteuse. Japanese-Brazilian bossa nova singer Lisa Ono（小野リサ）celebrates her 64th birthday so many happy wishes upon her.
To commemorate this day, and on a Hump Day which might have been rather stressful thus far being the day farthest away from weekends, I should find something that is quite soothing. Ono has often provided the musical balm in that respect. And so I provide her cover of the classic "Moon River" which was originally made in the early 1960s by Henry Mancini and Johnny Mercer for the film "Breakfast at Tiffany's".
With a fan wafting some needed cooling air into my otherwise stuffy room and the sun beginning to set into the horizon, Ono's "Moon River" is just the tonic for a Wednesday. The only thing missing is a Brown Cow on my desk. Anyways, her version is included in the March 2002"Ono Lisa Best 1997-2001".
Holly Cole has graced the pages of "Kayo Kyoku Plus" before when I introduced her via her seasonal "The Christmas Blues" which she released back in 1989. In fact, it was through a ROY article that she got through and once again, I'm giving her the same treatment here and now.
As I said in that article, in terms of Canadian jazz singers, before Michael Bublé and before Diana Krall, there was Holly Cole. I mentioned there that I had been back in Toronto on vacation during my time on the JET Programme, and most likely through Canada's MuchMusic video channel, I'd seen Cole for the first time through a music video whose song title I couldn't remember at the time.
Well, I remember now. I mean, I certainly remember the video with Cole looking like the ultimate torch song singer in a dramatically black strapless gown on a dimly-lit soundstage as she cooed the song into our ears while backed up by a classy combination of pianist and wood bassist. That song was "Talk to Me, Baby" which was originally written and recorded by singer-songwriter Johnny Mercer and composed by Bobby Dolan back in 1964 for the Broadway musical "Foxy". Cole's sultrier version was recorded onto her 1st full album"Girl Talk" from 1990.
Also, listen to Mercer himself take on his creation. His take has a bit more of the swing orchestra behind him.
Well, since only a year was given for the release of Cole's "Girl Talk", let's show the usual Japanese comparison with a few of the winners at that year's Japan Record Awards -- Pop/Rock Division.
Yup, I bought "The Best of Henry Mancini" CD when I was still living in Japan. I figured since I enjoyed a lot of his theme songs for movies and television, it would be nuts to miss out on the opportunity. Plus, it didn't cost too much at all.
So, for this week's Reminiscings of Youth, I've decided to piggyback one Mancini onto the other with this one, "Charade", being included although I had yet to be born when the Stanley Donen film was released in 1963. Up to this point, I've only seen certain scenes from this rom-com thriller flick but since it entered the public domain, I've witnessed at least one YouTube channel that has put the entirety of "Charade" onto the platform, so one of these days, I'm going to have to see the whole thing. After all, it has Audrey Hepburn and Cary Grant...two of my favourites from old Hollywood.
However, I have to admit that I've seen the opening credits to the movie several times since it is so cool. Just start the whole ball rolling by throwing the first murder victim off a speeding train without so much as a how-do-you-do, and then launch the rotating arrows (by Maurice Binder, the fellow behind 007's gun barrel sequence in those opening credits) and the percussion before Mancini's main theme gloriously rolls in.
"Charade" is described as a sad Parisian waltz, and I think that there was a sung version which reflected that sentiment, but the one used in those opening credits is definitely oomphed-up to a Mancini-esque creation of romance and thrills and adventure, perfect for the movie. The tapping percussion and drums sound like an alert to danger before the French-sounding version of the theme enters the scene with that feeling of danger. Then, the swinging jazz orchestra follows up with its own take on the chorus followed by a soaring romantic sensation. I'm always going to prefer the one used for those opening credits over the single version since the latter makes a definite finish instead of the fadeout of the former as if the theme had been meant for the credits of a TV show.
Now, it's time for some Mancini magic when I was in existence. NBC's "Sunday Mystery Movie" was one signal to me and my brother that the beloved weekend was once again coming to an end, and so at the time, we weren't too fond of it. But the sequence was memorable for the desert-setting mystery man off in the distance walking toward the camera as various photos of the detectives involved in this wheel series popped up.
One of those detectives was "Columbo", a fictional hero who has enduring popularity here in North America as well as in Japan despite the fact that actor Peter Falk passed away over a decade ago. Although some of the other detectives on "Sunday Mystery Movie" had their own theme tunes such as "McCloud", "Columbo" never did but I think that a lot of folks on either side of the Pacific have pretty much accepted the "Sunday Mystery Movie" theme as the theme for "Columbo", especially on the Japanese side because those famous opening credits never showed up; the broadcasting Japanese network simply went directly into the latest episode of "Columbo" and then had the ending credits roll by as the "Sunday Mystery Movie" theme played.
And for me, whenever that lovely Mancini theme plays, I'm always going to think of "Columbo", not "McCloud", "Banacek", "McMillan and Wife" or "Hec Ramsey". This is even though it's hard to imagine a self-effacing and shuffling police lieutenant with a Noo Yawk accent being given such a grand song with a bit of country-western and romance accompanied by a whistling synthesizer (apparently a Yamaha CS-80 according to this exchange on "Film Score Monthly").
Come to think of it, I guess Mancini was a composer who just loved to insert a bit of sex appeal and romance into many if not all of his theme songs. They couldn't be all about the intrigue and derring-do.
Well, although the Wikipedia entry for "Sunday Mystery Movie" just listed the premiere year as 1971, I can assume that it could have started in September because back then, the advent of autumn meant the advent of new TV shows. As such, what kayo was being released at that time?
