I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Yep, as a high schooler, three of my high school friends and I played gin, poker and blackjack for penny ante stuff. I don't recall making it big even with the chips and pennies...which has also informed my luck on lotteries.
Strangely enough, I find this "Black Jack" a whole lot more soul-satisfying. Sung by Yuki Kato（加藤有紀）, for one thing, it's got a great rumble of a rhythm...like taking a good ol' strut around Shinjuku or Roppongi. This was a 1983 single for the singer although I'm not sure whether it preceded or followed her other single "Nazo wa To-ka-na-i-de"（謎はと・か・な・い・で）from that same year. For some reason, there's also something oddly 60s about "Black Jack", as if a potential protagonist could be an adventurous spy who doesn't take himself too seriously like Matt Helm or Derek Flint. Well, Las Vegas had quite the scene back in that decade.
Kato herself was responsible for the lyrics which she delivers in quite the coquettish purr. Meanwhile, Tsunehiro Izumi（和泉常弘）took care of the cool City Pop melody. And according to Hip Tank Records, the fusion band Parachute was backing Kato up in the recording booth.
The above is the famous gyoza statue just outside of JR Utsunomiya Station in Tochigi Prefecture. Utsunomiya City is one of the big places for the cooking and consumption of those plump and delicious gyoza dumplings. I actually transited through the station on my way to other farther places in Japan at the time, but sadly, I couldn't partake in any of the gyoza places there (although I ate a truck's worth of the dumplings during my 17 years in the nation).
Now, the reason that I started out with one of the big symbols for Utsunomiya is that the lady for this article hails from there. I'm talking about singer-songwriter Midori Hara（原みどり）who has been mentioned twice in the blog. One article featured her 1987 debut (and what a debut!) single"Tsugunai no Hibi"（償いの日々）which was also a debut with Tulip lead singer, Kazuo Zaitsu（財津和夫）. If anyone asked me what an 80s power ballad sung by Japanese artists is like, I would point to this one.
I also found out that she had been the first female vocalist for the long-running eclectic band SPANK HAPPY from the early 1990s. And in those days, the band took on a rock flavour with Hara taking on a katakana-ized form of her name（ハラミドリ）and a certain timbre that reminded me of another rock vocalist, YUKI from the band Judy & Mary. And it was then that I assumed that Hara was really about that pop-rock sound.
Well, how wrong I was. I had a bit of a taste of her debut album from June 1987, "MiDo", and the songs sounded like a playful funk-pop. And then for the Holidays, I was able to pick up a few albums, one of which was her second album"KO・KO・RO・NOTE" (Heart Note) which was released in March 1988. If I'm not mistaken, Hara took care of all of the songs' words and music while both Hara and Masahiro Ikumi（幾見雅博）were the album arrangers.
"KO・KO・RO・NOTE" is quite the revelation. If the aforementioned YUKI had been asked to tackle a City Pop or generally adult contemporary project, this album would be what I had envisioned. It all starts with "Pajama no Mama de STEP!"（ぱじゃまのままでStep!...Dance About In Your Pajamas!）which has a battery of synths and horns coming together to provide some of that Bubble Era champagne-and-caviar urban sound. The singer even sounds a bit like Janis Joplin having some real vocal fun with the breathy and propulsive delivery and scatting. I can imagine her dancing in her PJs when she was a teen...and getting yelled at by her parents.
"Uchuu Kuukan Yuuei"（宇宙空間遊泳...Spacewalk） is the second track and this one hit me very hard when I first heard it because of the really smooth City Pop vibes here. The groove and romantic sax solo provided by arranger Ikumi rolls in like a large ripple of velvety-smooth chocolate syrup. There are some big names of the genre helping out as well such as Shin Kazuhara（数原晋）on flugelhorn, Shuichi "PONTA" Murakami（村上ポンタ秀一）on drums, and Hiroshi Sato（佐藤博）on piano (you can see the full list underneath the video at YouTube). It's been a while since I've heard something this City Pop and at the same time, I also got those early 80s Manhattan Transfer vibes.
Track 3 is "Kannazuki no Omoi"（神無月の想ひ...October Memories） which is even more laidback and languid than "Uchuu Kuukan Yuuei" but this is more of a Latin-tinged pop ballad. Time for a twirl around the dance floor at 10 pm here.
"Kokoro no Juunan Taisou"（Ko・Ko・Roの柔軟体操...Calisthenics of the Heart） has her bringing more of the old-timey-wimey jazz although the song is more of a fusion effort between it and pop...nice to bring this in when we've completed the first century of the American-born genre. I don't get to hear clarinets so much in jazz anymore so it's nice to have the ol' licorice stick back, especially I used to bring that home almost every night during junior high school.
The last one for Side A and the last one for Part 1 is "Itami"（痛み...Pain） which is a gently lilting ballad with a bit of a gospel blues touch. It makes for a nice contemplative cool-down track to end the side. Speaking of which, I'll bring Side 2 next Friday.
Much as singer-songwriter and actor Gen Hoshino（星野源）has been doing for the past several years, a few decades ago, Senri Oe（大江千里）was the guy making merry with the hook-laden Japanese pop songs. One can almost taste the Oe style in his songs whether they be for some other artist such as Misato Watanabe（渡辺美里）or for himself. The songs are so upbeat in an 80s West Coast AOR sort of way.
Case in point: the track "Dear" on his 9th album"Apollo" from September 1990 (well, the song was also his 20th single which had come out a few months earlier). It had been a long time since I listened to an Oe tune but listening to this one had me snapping my fingers and going "Yep...it's an Oe!".
I can just see him standing at the piano while pounding those keys as I listen to "Dear". He may be hitting the black-and-whites very cheerfully but the melody is just like me after a satisfying trip to the buffet table: smooth and content and happy. Helping out Oe on words and music was Nobuyuki Shimizu（清水信之）who arranged everything. By the way, "Apollo" hit No. 1 on Oricon.
Young Mr. Oe was quite the popular guy in commercials, I see. Wasn't aware of that. In the above video, his "Dear" was used to sell the Suzuki Cultus at 2:41.
It's been a while since I posted anything by the dynamic contemporary aidoru (or should I say song and dance?) group TOKYO GIRLS' STYLE（東京女子流）, and I was surprised to realize that it's been a dozen years since I put up their first KKP article for their "Partition Love". They have had the lasting power of any of the alphabet aidoru groups and Morning Musume（モーニング娘。）, but I've just read on their J-Wiki article that their show's going to be ending this year.
Their 35th and most recent single as of this writing was released in June 2025. "Doukasen, Flashback" (Fuse, Flashback) is a fairly smoking and funky tune which sounds like something that was arranged in a K-Pop vein. Written and composed by Umi Kinami（きなみうみ）, there is a certain nocturnal panther-like quality to this one. Strangely enough, I had been under the impression that there were a lot of members in TGS so to see just the four on the cover of the single was a bit jarring, but actually it's only been one member that had dropped out from the original five.
Interestingly for Reminiscings of Youth this week, this particular ballad had been mentioned years before I even decided to start the ROY series. When I wrote up Saburo Tokito's（時任三郎）"Kawa no Nagare wo Daite Nemuritai"(川の流れを抱いて眠りたい）back in 2012, I noted that it sounded just like Michael Johnson's "Bluer Than Blue".
"Bluer Than Blue" hit the record shelves and radio stations back in April 1978 and it's one of the first songs to stick in my head as perhaps a prelude to my opening up to music in general going into the 1980s. I hadn't heard of Johnson before and I haven't really listened to anything else by him since but "Bluer Than Blue" contains this beautiful combination of gently rolling piano and shimmering strings that frankly entranced the heck out of me any time I heard it at home or in the car. Randy Goodrum was the one who created this quiet masterpiece and perhaps I can thank him for planting the seed to enjoy AOR/soft rock ballads. I didn't really pay much attention to the lyrics but I'm rather glad that I'm putting this one up this week rather than next week which gets really close to Valentine's Day as a man tries and fails to rationalize his new existence without his old love.
As I said, I used to hear this on the radio all the time so I was surprised to realize that there had been a music video. In fact, this wasthe eighteenth videoplayed on MTV on its opening day of August 1st 1981. Wow! I know it was the debut day but I hadn't even thought that a video of a 1970s AOR tune would ever appear on the music channel. In Canada, "Bluer Than Blue" hit No. 6 while in the United States, it reached No. 12.
Well, let's see. What was up at the top of the charts on April 3rd 1978?
It is a whimsical Wednesday here on "Kayo Kyoku Plus", so to alleviate the usual things about Hump Day, the windmills of my mind rotated rather furiously. As a result, in addition to the internal hemorrhaging, I was able to realize that a fair number of the songs of note in our humble little blog often have titles containing variations of personal pronouns whether in English or Japanese or other languages. Here are just a few of them.
As I mentioned in my thoughts on the most recent Kohaku Utagassen, Japanese rock legend Eikichi Yazawa（矢沢永吉）made his third appearance on the NHK special for the third time (his other appearances were in 2009 and 2012), as he sang his new song before going for that "Kohaku B'z" shot and coming up to the main stage to perform his old hits.
That new song was "Shinjitsu"(The Truth) which was released in September 2025 as part of his 35th album "I believe" which hit No. 1. First and foremost, it's a love ballad and judging from the official music video below, it seems to be addressing the love between a couple that's been around for quite a while. Written by Yukinojo Mori（森雪之丞）and composed by Yazawa, I actually threw the YouTube link for the above video into one of those AI music analyzers which got me the result of folk rock. I know that the 76-year-old is a rocker at heart but I'm not quite sure that "Shinjitsu" would rate as a rock song...more of a pop ballad that sounds like it came from yesteryear; maybe it's even got some blues in there.
"Shinjitsu" was also used as the theme song for a Fuji-TV live-action drama adaptation of the novel "Saigo no Kanteinin"（最後の鑑定人...The Final Appraiser） that had its run between July and September 2025.
