Japanese Pop Music x Bon Odori（盆踊り）

 

Being summer, it's festival season in Japan and I know that it's in full swing whenever I hear about or see Tokyo's Sumida River Fireworks Festival on the final Saturday of July. I've seen it on television from the air-conditioned comfort of my Ichikawa apartment and around thirty years ago, I actually saw it with my own eyes from the apartment of a student who generously invited teachers and fellow classmates over for a fireworks party. We were very fortunate in that the apartment was right by the Sumida River in Asakusa where I used to work, so the fireworks literally exploded right over our heads. Getting back home, though, was quite the adventure in time and physics.

Festivals in Japan also mean bon odori...the great communal dance around the raised stage all draped in red and white like the colours of the Japanese flag. Nothing says the dog days of summer than doing those rhythmic steps while sporting a colourful yukata and geta while a min'yo is being sung and performed on stage.

However, in the last several years, there has been some relaxation of the rules in terms of the music, so instead of the traditional stuff, examples of kayo kyoku and J-Pop have been used to get the crowds all roused up and dancing. Thanks to an NHK report yesterday, I was rather inspired to put up this list that I got from a far bigger list on Line Music. Yes, you can dance to these in the Bon Odori style!

(1984) Ann Lewis -- Roppongi Shinju （六本木心中）

(1985) Yoko Oginome -- Dancing Hero （ダンシング・ヒーロー）

(1993) Pizzicato Five -- Tokyo wa Yoru no Shichi-ji (東京は夜の七時）

(2001) B'z -- Ultra Soul

(2013) AKB48 -- Koisuru Fortune Cookie (恋するフォーチュンクッキー)

P.S. They could even make a Bon Dance out of this classic!

J-Canuck's Four Favourite Songs by Original Love

 

For the Friday edition of NHK's "Asaichi"（あさイチ）, we all got the delight of being serenaded by Takao Tajima（田島貴男）, aka Original Love. It was a reminder of how great a singer he has been for well over thirty years. Ever since I first heard one of his tunes on my friend's car radio, I've been hooked by his distinctive voice and his happy adoption of various genres including jazz, rock and soul.

Much to my surprise, I realized that I had yet to provide a Favourites list regarding Original Love so here it is to finish today's cadre of urban contemporary on KKP Friday! Have a great weekend!

(1993) Seppun (Kiss) （接吻）

(1993) Sunshine Romance (サンシャイン ロマンス)

(1994) Asahi no Ataru Michi （朝日のあたる道）

(1996)  Primal

Junichi Inagaki -- Blue Jean Pierrot（ブルージン・ピエロ）

 

Nothing like a cool City Pop ballad to add that sensation of drama and urban contemporary refinement to any commercial about tires...in this case, Yokohama Rubber (try 1:50 of the above video of TV ads). Well, after all, tires are integral parts of cars and cars are literally the vehicles for some good City Pop.

I'm talking about Junichi Inagaki's（稲垣潤一）"Blue Jean Pierrot" (A Clown in Blue Jeans). His 8th single from March 1985, this is a downright bitter ballad about being tossed aside from a relationship with the paramour feeling like the title. It's too bad since the song has a cool and measured tone before the flowing chorus...something good for the highway. Written by Kazumi Yasui（安井かずみ）, composed by Kazuhiko Kato（加藤和彦）and arranged by Mitsuo Hagita（萩田光雄）, "Blue Jean Pierrot" reached No. 30 on Oricon. The song also found itself on Inagaki's May 1985 release "No Strings" which peaked at No. 3 on the album charts.

Sara Hamamoto -- Itsumo Eyes to Me（いつも eyes to me）

 

It's been a couple of years since we last saw model-turned-singer Sara Hamamoto（浜本沙良）, so let's have her back onto the blog. I first started her file on KKP with her "Follow Me" from the July 1994 album "Puff" and immediately enjoyed it for its sophisticated pop feeling.

Well, another track from "Puff" is "Itsumo Eyes to Me" (Eyes to Me Always) which continues that particular vibe. Right from the get-go, there is that feeling of 1960s swinging British soul, something that Swingout Sister was famous for when they premiered back in the mid-1980s. There is some fine sinuous groove in this one and the impression that one doesn't have to move around at the speed of a Bullet Train to enjoy the city life. 

As was the case with "Follow Me", lyricist Seriko Natsuno（夏野芹子）and composer Hitoshi Haba（羽場仁志）were behind "Itsumo Eyes to Me" which was also a coupling song on Hamamoto's debut single "Sayonara wa Tenshi no Hajimari"（さよならは天使のはじまり...Goodbye Means the Start of an Angel）. The late Nobuo Ariga（有賀啓雄）was the arranger here.

Yuji Ohno -- Wavelet（ウエイブリット）

From Amazon.jp

Whenever I think of canine heroes, my memories reveal "Lassie" (Rin Tin Tin was just way before even my time) from the 1960s. I remember watching some of the TV series as a kid and though I can't really remember the theme song, I can make out enough of it that it was an instrumental with a faintly classical arrangement.

In 1976, novelist Jugou Nishimura（西村寿行）wrote "Inubue"（犬笛...Dog Whistle） whose plot entailed a child kidnapping and the father who used his trusty dog via a dog whistle to track down his kid and the dastardly folks behind the crime. Apparently, the novel had quite the legs since it would be made into a movie in 1978 followed by three television adaptations in 1978, 1990 and 2002. Unfortunately, I couldn't find any footage from any of those TV shows or the movie so the poster up at the top is the best I could do.

For the 1978 TV adaptation that was an 8-week summer series on NTV, the recently departed Yuji Ohno（大野雄二）was placed in charge of the music. I'll do the official ending theme by him next month but for today, I'll go with the B-side of the single, the shibui "Wavelet". The first time I heard this, I thought that this was awfully urban and urbane for a thriller that seems to take place in the deep woods, and it's not everyday that an adventure involving a kid and a dog sounds like something from "Lupin III". But hey, it's Ohno and he was the master of the jazzier side of City Pop, so if the kid and the dog wanna hit a Shinjuku hotel top bar for mocktails (I wouldn't dare say cocktails) after filming, I'm not judging. 👍

Seri Ishikawa -- Panorama Heaven

 

Yeah, I was being a little artsy with this shot. It's the front of the Bic Camera store right by JR Mito Station. 

It was about a couple of months ago that I included a track from Seri Ishikawa's（石川セリ）September 1985 album "Rakuen"（楽園...Paradise） titled "Desire". Well, I've got another track from that release titled "Panorama Heaven". Short and sweet, it was written by Moro Fukuzawa（福沢もろ）and composed by Makoto Yano（矢野誠）as an intriguing mélange which begins with a languid City Pop vibe before hitting a chorus containing a reggae/technopop rhythm. Ishikawa sounds especially ethereal thanks to that haunting echo effect. "Panorama Heaven" indeed.

Olivia Newton-John -- Twist of Fate

By Alan Light via Wikimedia Commons

The last time I brought Olivia Newton-John into Reminiscings of Youth was a little over a year ago when I wrote about her early 1970s ballad "I Honestly Love You". When I look back on her career from that time forward a decade, it's amazing how much she changed her style. And yes, I'm well aware that we are approaching the 4th anniversary of her passing.

From a well-scrubbed country lass back in those 1970s to a New Wave diva of the early 1980s (and a disco gamine in between...along with her time in "Grease"). Yep, I'm referring to the above music video for her October 1983 hit "Twist of Fate" which I saw a lot on the video shows. I'm not sure whether a lot of folks actually watched the movie that it was attached to, the 1983 "Two of a Kind", starring Newton-John and her old buddy from "Grease", John Travolta, but the song and the video sure were popular. 

As I mentioned, "Twist of Fate" was a synthpop/New Wave-y concoction produced by David Foster and created by Steve Kipner and Peter Beckett that was catchy and pretty much screamed "I'M OF THE 80'S!" in its arrangement. Maybe it could have gotten folks onto the dance floor as well. But it was the music video that got my attention at least with a glammed-up Olivia strutting into a seemingly futuristic court. I swear that she looked halfway to becoming a live-action version of Memphis Group art. I think even the singer mocked herself in a later interview about how much lipstick she spackled onto her mouth for the video, although I thought she looked dang hot to be honest.😉

In Canada, "Twist of Fate" reached No. 5 on RPM while in the United States, the song peaked at No. 5 as well. So, what was up on the Oricon charts on October 24th 1983, a few days after the release of this OJN hit? Just for fun, let's go with Nos. 18-20.

18. Tomio Umezawa -- Yume Shibai （夢芝居）

19. Yuki Katsuragi -- Bohemian （ボヘミアン）

20. H2O -- Omoide ga Ippai （思い出がいっぱい）