Koshi Inaba -- Touch（タッチ）

From TorontoGuy79 of Wikimedia Commons

 

Millions of people watched the most recent edition of the World Baseball Classic last month. What I hadn't known was that while I was in Japan, the 2009 edition had at least some of its games played in Toronto's Rogers Centre...although I still prefer to call it the old name of Skydome.

What I also didn't know? Japan Netflix's own broadcast of the WBC this year had one eye boggling and mind-blowing campaign song. Imagine Koshi Inaba（稲葉浩志）of the kickass duo B'z doing a cover of Yoshimi Iwasaki's（岩崎良美）most famous song "Touch"? Well, we don't have to imagine it. It actually got recorded and then released as a single on March 6th. Perhaps a lot of people and their What Ifs were finally satisfied. Written by Chinfa Kan（康珍化）and composed by Hiroaki Serizawa（芹沢廣明）, the original guitar riff is back but instead of the ol' rock n' roll from Iwasaki's original, this "Touch" has got Inaba's arrangement touch for that B'z vibe. 

Kei Marimura -- Shiseikatsu（私生活）

 

I was in contact with a Kei Marimura（真梨邑ケイ）fan, Bree, in the last few days and that person mentioned the song "Shiseikatsu" (Private Life) which was a 1986 single for the jazz-and-City Pop singer who made quite the career turn when she also opted to become a hardcore porn actress. And yes, that also did pop up very briefly in the conversation.😎

"Shiseikatsu" was one of the first songs that I'd heard by Marimura and way back when, I couldn't find it at all on YouTube so it was a case of reluctant relinquishment and forgetfulness that the song left my memory. But Bree's contact got me back to this interestingly arranged song so I'm quite grateful and it's great that "Shiseikatsu" has finally made it onto YouTube. As for Bree, it was a case of falling for the song when first encountering it on J1Gold back in the pandemic days.

There are a couple of City Pop hands behind the creation of "Shiseikatsu". Lyricist Masako Arikawa（有川正沙子） weaves the story of a woman psyching herself up for a possibly sinful night with a fellow in a hotel room while Makoto Matsushita（松下誠）comes up with the melody that starts off with a keyboard sounding akin to a warning alarm (accompanied by some sexy sax) as if the lady is entering some mightily dangerous territory before the song jumps into a more relaxing warm bath of slow groove and sophistication (rose petals and candles optional). Even Marimura has this rather off-kilter bent to her vocals which may be reflecting the lady's trepidation; once she enters that suite, she's not coming back to her normal world.

Masaki Sato -- Snow Dancer

 

I'm sure that a lot of folks in my neck of the woods would greatly prefer not to hear the word "snow" for the next several months at least. It was a very long and cold winter and even now, things are still pretty cool although temperatures should be rising happily next week.

However, allow me this one. A few weeks ago, I introduced singer Masaki Sato（佐藤正樹 or 佐藤真紀）who wasn't the most prolific fellow with just two singles that I could find online thus far. I did cover his second single "Million Night" from 1983 which seems to cover a really rumbling City Pop drive down the urban highways. Well, this time, it's his debut single from 1982 which is a whole lot more congenial and jingly.

I don't mean "jingly" as in a Christmas jingle bells sort of way, though. It's more like this really does sound like a commercial jingle (and the lyrics do contain the corporate catchphrase "It's the No. 1 spirit!"). "Snow Dancer" was the 1982 campaign song for the sporting goods store Salomon, and I guess from the title, perhaps the company was aiming for the skiing set. Written and composed by the same duo behind the later "Million Night", lyricist Akira Ohtsu（大津あきら）and composer Kisaburo Suzuki（鈴木キサブロー）, the happy City Pop disco arrangement was provided by Kazuo Otani（大谷和夫）. No, perhaps there isn't a city involved with the ski resorts and slopes but skiing has been connected with the urban and urbane lifestyle for such a long time that we can give this one a pass. It's just too bad that I couldn't find the commercial itself on YouTube.

Hideki Saijo -- New York Girl

 

Yeah, I knew that Hideki Saijo（西城秀樹）had his City Pop phase going deeper into the 1980s but I didn't realize that it went quite this deep. Armed with a sparkling single cover by Hiroshi Nagai（永井博）, Saijo released his 57th single from May 1987 in the form of "New York Girl".

Beginning with a quiet intro that had me thinking of Earth Wind & Fire's "Fantasy" for a little while, "New York Girl" vaults into sultry urban dance pop action with Saijo yelling out the title throughout the song (bass addicts, you'll love this one, too). It seems the song was created for Saijo right from the start with keyboardist and record producer George Duke and Shalamar member Howard Hewitt creating the song while future AKB48 Svengali Yasushi Akimoto（秋元康）came up with the Japanese lyrics. "New York Girl" managed to peak at No. 50 on Oricon. The Japanese version is above while the English B-side is below. Its first appearance on an album was on the December 1987 version of "BEST PACK/Saijo Hideki".

Hiromi Ohta -- Unlimited（∞）

 

Hiromi Ohta's（太田裕美）trademark song will forever be "Momen no Handkerchief" (木綿のハンカチーフ）. It has that fresh countryside feeling of innocence and hope emanating from a young lady. Written by Takashi Matsumoto（松本隆）, composed by Kyohei Tsutsumi（筒美京平）and arranged by Mitsuo Hagita（萩田光雄）, one couldn't have asked for a steadier trio of song creators to weave this hit.

But guess what? I guess that young lady simply couldn't resist that pull from Tokyo or whatever huge metropolis was close to her small town. She finally relented and took the train and ran into the disco to dance out her passions. And that's where we are with "Unlimited" which is represented by the "∞" on Ohta's source album "Umi ga Naiteiru"（海が泣いている...The Sea is Crying） from December 1978. It also happens to be the final track on the album, so I guess Ohta wanted us to continue all of the nocturnal dancing.

The crazy and wonderful thing is that Matsumoto, Tsutsumi and Hagita were also all in on this number as well which had me thinking mirror ball, Bee Gees and flashing floor panels. But then again, back in those 1970s, when it came to disco stuff, Tsutsumi was the go-to guy for the melodies. That piano instrumental break followed by the electric guitar is absolutely sublime to me. Enjoy boogeying the night away!

Piper -- Sunshine Kiz

 

Y'know...taking a look at the above music video for Piper's 1984 single "Sunshine Kiz", I would have bet that this had been filmed almost a good half-decade earlier when the City Pop group led by vocalist Keisuke Yamamoto （山本圭右）had their Early Installment Weirdness phase with lots of sung songs. The video has a bit of that cringey factor with the members goofing around but it's not quite as eye-squinting as the music video for YMO's "Kimi ni Mune Kyun"（君に、胸キュン）which had been released a year earlier.

Still, "Sunshine Kiz" has that City Pop feeling of summery groove and good times from decades ago. The strange "ooh-wah-ooh-wah" vocalization aside, I will always welcome the boppy bass and the Fender Rhodes which practically demand an icy cocktail and a beach umbrella. The titular sunshine kids are probably around my age now and just about to get their retirement funds, but hey, they can now spend a lot of time by the sea.

Miho Nakayama -- Sweetest Lover

Happy Friday! We're at the end of another work week so as far as "Kayo Kyoku Plus" is concerned, it's time for some urban contemporary material. A few nights ago before I went to sleep, I decided to listen to the late Miho Nakayama's（中山美穂）"angel hearts" album from December 1988. 

I'd expected "angel hearts" to launch with a bang such as one of her dance-pop numbers created by Toshiki Kadomatsu（角松敏生）...although Kadomatsu had nothing to do with this album. Actually, the only biggest constant in the songwriting crew is Chinfa Kan（康珍化）, but for this first song, "Sweetest Lover", it was Miporin herself that came up with the lyrics of dedication to the love of one's life; mind you, she went under the pen name of Mizuho Kitayama（北山瑞穂）. The very tender soulful ballad melody was created by another singer-songwriter who also left us very prematurely, CINDY, with Ichizo Seo（瀬尾一三）handling the arrangement. 

"Sweetest Lover" sounds like a nice comfortable way to ease into the waters of "angel hearts" and the style of the song reminds me some of the balladry that was coming out back in those 80s in the States. I'll have to see if I can cover the rest of the album but I'll have to re-listen to it once more; it did too good a job of sending me off to La-La Land.