Tomoyo Takayanagi -- Mugen（∞）

 

I've mentioned about sentimentalism a few times over the past few days, and yesterday was a prime example. As some of you know, I used to have a biweekly Sunday anime + food outing with my anime buddy for about a decade but when COVID stopped those plans, we never really got around to picking things up again. 

However, yesterday, a few of us did get together for some lunch at our favourite diner and then for dinner, we grew our group by three times to make the annual Shinta run, and what I mean by that is that every year around this time, we all get together at our favourite yakiniku restaurant, Shinta, up in Richmond Hill for tons of meat for an hour and a half, and then a fair amount of creme brulee and soft-serve ice cream to cool us down. Man, I sure don't eat as much as I used to. 

We did plug in some anime between meals though. But as a bit of backstory, allow me to explain. In the pre-COVID era, my buddy and I did watch the first season of what has become a successful video game-to-anime adaptation of a franchise called "Uma Musume: Pretty Derby"（ウマ娘 プリティーダービー...Horse Girls）, all about horse girls who vie to become the very best at their craft. The characters have been named after some of the finest true-life thoroughbreds that have ever raced in Japan over the last several decades, and it seems like the characters have been portrayed by pretty much every female seiyuu that has gone behind the mike. 

It was a fun first season and I did watch some of the episodes of the subsequent seasons, but I never really got all that excited about the various theme songs used at the beginning and endings of each episode.

Well, yesterday, I got to see the first few episodes of the second separate anime from the franchise. "Uma Musume: Cinderella Gray"（ウマ娘 シンデレラグレイ）which had its run throughout much of 2025 last year. Again, it has that feeling of The Little Train That Could as the button-down but brilliant Oguri Cap（オグリキャップ）begins to make her mark on the racing world in Japan while making friends and even making enemies into friends (or frenemies).

Oguri Cap (1985-2010) was indeed a legendary racehorse whose popularity loomed so large that he was dubbed "The Idol Horse". I was never a big fan of horseracing myself although I remember my parents taking my brother and I down to the old Greenwood Racetrack here in Toronto to watch some of the races. Making origami cranes out of the thrown-away ticket stubs was more our thing between races. However, even I had heard of Oguri Cap via television; it would be hard not to forget with that name.

Anyways, the anime version of Oguri Cap as played by seiyuu Tomoyo Takayanagi（高柳知葉）actually got to sing the first ending theme for "Cinderella Gray", and it's the first acknowledgement of a "Uma Musume" theme song on KKP. "Mugen" (Infinity) has a nice indies pop sound to it which is reassuring to hear, especially if things get a little too intense by the end of an episode, and I have to say that Takayanagi has some fine vocals to the point that I wonder if she has released some non-anime albums. The song was written and composed by Honoka Takahashi（たかはしほのか）, one-half of the pop-rock duo Regallily（リーガルリリー）.

What I had also forgotten was that Takayanagi already has standing on the blog since she was part of Coro Machikado（コーロまちカド）, the seiyuu quartet who came up with the beefy bass-heavy "Yoi Machi Cantare"（よいまちカンターレ）for the anime "Machikado Mazoku"（まちカドまぞく...The Demon Girl Next Door）.

Shoko Minami -- Tamerai no Whisper（ためらいのウィスパー）

https://www.flickr.com/photos/imuttoo/245850109/

Being a Sunday, I should be my usual more relaxed self but right now, it's the final day of the Winter Olympics and of course, that means that the Gold Medal game for Men's Ice Hockey is happening as I type this. Canada and the USA are battling it out and currently they are tied at 1-1. Canadians have confidence in their team but a few of them have also admitted to some jitters. What I wouldn't advise though while standing among a horde of hockey-crazed Canucks watching the game is whispering doubt along the lines of "But, what if we lose?". It won't look pleasant.

That's quite the segue into this song titled "Tamerai no Whisper" (Hesitant Whispers) which was sung by Shoko Minami（南翔子）, a name that I haven't talked about for a few years...at least, not since I posted her 1985 "Nagisa No Separation"（渚のセパレーション）. That had a rock vibe along the AOR side of things but "Tamerai no Whisper" which appeared on Minami's 3rd album from November 1986, "Sophisticated", is, as the album title would suggest, a more refined slice of sophisticated pop on the City Pop side of things. 

One commenter for the above video mentioned that as soon as they heard the intro, they figured that it was the Kisugi siblings, lyricist Etsuko and composer Takao（来生えつこ・来生たかお）, behind the creation of the song. I actually saw the songwriting list first but I still went "ah, naruhodo" on seeing those two. Those guys were indeed the masters of the smooth and refined melody that hint at champagne and caviar in Tokyo. Kimio Mizutani（水谷公生）also has to get his accolades as the arranger. Considering the year of release, "Tamerai no Whisper" sounds like the typical City Pop song of that time of the Bubble Era.

Well, back to the hockey game.🏒

Miki Matsubara -- Soushite Watashi ga（そうして私が）

Amazon.jp

When it comes to those B-sides, they are often decent enough songs by the artists but of course, when the A-side is a huge hit, those songs on the other side disappear within a huge shadow. Can you imagine Miki Matsubara's（松原みき）monster single "Mayonaka no Door ~ Stay With Me"（真夜中のドアー）when it first got out in November 1979? I can wonder why another song would be placed on the flip side.

But then again, that B-side isn't too bad at all, and it feels as if the songwriters were paying a bit of tribute to the intro of Peaches & Herb's "Reunited" which had been released several months earlier that year. "Soushite Watashi ga" (And Then I) is a musical musing regarding a lady pining over a guy who hasn't quite noticed her yet. The lass wishes she could be a bird or a flower so that she can surreptitiously look over the fellow and hope that he can do the same.

Written by the same duo behind the more famous A-side, lyricist Yoshiko Miura（三浦徳子）and composer/arranger Tetsuji Hayashi（林哲司）have created a creamy and soulful City Pop ballad to contrast with the perky "Stay With Me", complete with those silky strings, keyboards and horns. Listeners can decide which of the two songs are the more poignant.

Iruka -- Juu-Nen Mae no Kimi no Machi（10年前の君の街）

From Wikipedia

Sad to say, but it's been a little over eleven years since I've visited my old residential neighbourhood surrounding the Tozai Line's Minami-Gyotoku Station（南行徳駅）. I dropped by there back in the fall of 2014 but didn't do the same for my most recent trip there in 2017. I wonder if there has been much change in the past decade in terms of stores and restaurants. I hope that the Tonki tonkatsu place is still there; that was always one of my favourites when I didn't particularly want to cook anything for dinner but wasn't in the mood for konbini bento. There was also the patisserie just down the subway mall that I often frequented.

The old neighbourhood in Ichikawa City, Chiba Prefecture was what I was thinking of as I was listening to singer-songwriter Iruka's（イルカ）adorable "Juu-Nen Mae no Kimi no Machi" (Your Old Town of Ten Years Ago). It's the folksy B-side to the City Pop A-side of her November 1980 15th single "Yoake no Goodbye"（夜明けのグッドバイ）. I figure that I first heard this most cordial country waltz on an episode of "Sounds of Japan" as Iruka reminisces about the ol' hometown and what/who has changed over the decade. The song also strikes me as one where the flute got a cracking solo.

The song was used for a commercial involving Sincol, a company specializing in indoor furnishings. However, the video above features the company using another Iruka song from a year later.

99.99 -- Through The Night, Toward The Light

 

It was at the end of 2022 when I posted the first article regarding the band 99.99...which is supposed to be called Four-Nine. Their April 1982 debut self-titled album "99.99" had a stylistic split with half of the tracks following a progressive rock/technopop line (Type A) while the other half was following fusion (Type B). The first track on Side A "Amazin' & Amusin'" sounded like Type B to me.

Track No. 4 is "Through The Night, Toward The Light" may have actually ended Side A so I gather that Side A was indeed the Type B side. Written and composed by keyboardist Masei Hattori（服部ませい）, it feels like a jam session being filtered through Steely Dan and Santana arrangements. Perhaps that is Hattori helping on the fleet-flooted vocals but I do believe that the female voice is being provided by Suzi Kim who was also behind the mike for "Amazin' & Amusin'".  I even think that the vocals are so nimble that I'm wondering if Hattori and Kim were going for their own form of vocalese.

Kingo Hamada -- Sentimental Moment

 

Well, this brings back some sentimental memories. The bunch of us often went to this combination of Hard Rock Cafe and Tony Roma's at the end of an alley off the main street of Roppongi in Tokyo. There was really no worry about the alley being dark; the neon firing away off the building housing the two restaurants was more than enough to light the way.

Back in 2024, I posted an article featuring singer-songwriter Kingo Hamada's（濱田金吾）fourth single from November 1981, "N.Y. City Marathon". If I ever do an Author's Picks based on New York City, this is one song that I will definitely feature. However, tonight's article and the last article for tonight is the B-side "Sentimental Moment". A happy-go-lucky song that contains some City Pop verses and an AOR chorus, this was created by Hamada with Kazuko Kobayashi's（小林和子）lyrics. 

Speaking about those lyrics, it seems to deal with a guy surprised (and probably secretly delighted) that a woman from his past that he's never quite gotten over has darkened his doorstep once more. A second chance and a sentimental moment. Judging from the very upbeat chorus, I imagine that the reunion has been successful and they're both bounding down the highway in a cherry-red convertible.

Yuiko Tsubokura -- Je t'aime（ジュテーム）

 

In the relevant J-Wiki article for this particular song by chanteuse Yuiko Tsubokura（坪倉唯子）, she sang this on TV Asahi's "Music Station" while still in her wild costume as the squeaky-voiced singer for B.B. Queens. Maybe they were reprising their hit song "Odoru Ponpokorin"（おどるポンポコリン）. Anyways, I would have loved to have seen the expressions on everyone's faces while she was creamily singing it. Well, we can all check the video below out.

No squeaky voice here for her 4th solo single "Je t'aime" which came out in January 1993 and definitely no hint of "Odoru Ponpokorin". This is a classy urban ballad that sounds as if it should have been the ending theme for a drama. Guess what? It was...it finished each episode of the NTV drama "Jealousy"（ジェラシー）. Written by Akira Ohtsu（大津あきら）and composed by Tetsuro Oda（織田哲郎）, this sophisticated pop song was Tsubokura's highest-ranking single when it hit No. 25 on Oricon.