I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Knowing that I have mentioned curry-based kayo in the past, I have waxed philosophically on the type of curry I like. First off, I was weaned on the Japanese style of rice curry through the good folks at S&B but going into my university years, I did discover the varieties from other nations such as India and Thailand. I also discovered the limits of my gastrointestinal tract (but they were all tasty, I assure you).
Back in 2015, the Okinawan-based rock and hip-hop band Orange Range gave their tribute to one particular dish "Sushi Tabetai"（SUSHI食べたい）with help from a fellow named Soy Sauce（ソイソース）who's a guitarist from the band NAOTO. Over a decade later, the collaboration came up with a sequel in July of this year titled "Curry Tabetai" (Wanna Eat Curry). With a bit more rap and a tongue pressed further into the (curry-laced) cheek in addition to an even more deranged video, the boys focused their voices and stomachs on the wonders of the Japanese style of curry.
Well, whaddaya know? There was a method to the madness!
It was around a couple of weeks ago that I posted up "Those Sad and Lonely Tunes", an Author's Picks highlighting songs with titles that featured sadness or loneliness including Hibari Misora's（美空ひばり）classic "Kanashii Sake"（悲しい酒）.
Well, I may have stumbled across a cousin to "Kanashii Sake", and I believe it was sung on an episode of "Shin BS Nihon no Uta"（新BS日本の歌）recently. "Akachochin no Onna" (Woman of the Red Lantern) was enka singer Mieko Makimura's（牧村三枝子）7th single from March 1976.
Written by Hikaru or Ko Yabuki（矢吹光）and composed by Kiyoshi or Yo Maki（真木陽）, it actually starts out feeling a little scary or chilly because of that organ. If it hadn't been for the warmth of the bluesy guitar accompanying the organ, I might have given up on the song altogether but I'm glad that I didn't. But indeed, it is a sad song about a woman who's eking out her living at what is probably a forlorn drinking establishment (a lot of watering holes in Japan are symbolized by a red lantern). Yabuki's lyrics only consist of three 3-line verses but they give an adequate description of a lonely proprietress who hasn't spoken with loved ones in the longest time (out of shame?) and may have ended up at the bar due to romance trouble.
The song is given further pathos (and this could be important information for those karaoke singers out there) from Makimura's measured and seemingly defeated/exhausted delivery of the words.
My family has often wondered whatever happened to Makimura since she hasn't shown up on any kayo kyoku shows in many years. According to her J-Wiki article, she actually appeared on an interview show in 2023 and revealed that she had been battling cancer that arose around a decade prior. There's no mention on whether she was able to defeat it but she ended up moving from Tokyo to Shizuoka Prefecture where her relatives reside nearby.
As a PS for the songwriters' names, it doesn't happen often but occasionally, I come across names that I can't definitively identify and this time, it has occurred with both the lyricist and composer. If anyone can confirm or deny my attempts above, please let me know.
Tokyo Cheapo on YouTube has presented the wonders of Odaiba (Rainbow Town) on Tokyo Bay. I've been to the area many times while I was living in Japan and it's chock-filled with stores, restaurants and places to see. But what makes things rather sobering is what is written on every signboard talking about Odaiba in Odaiba: if there's a huge Shindo 7 earthquake, the ground will tend to liquefy because the area is built on reclaimed land and garbage. Enjoy your visit!
It does make me wonder what that area by Tokyo Bay looked like back at the turn of the decade going from the 1970s to the 1980s. Was it basically like Toronto by Lake Ontario at around the same time when there was nothing but industrial factories and millions of dead fish floating on the water? Well, many years later, the waterfront of my hometown became the tourist spot of Harbourfront and obviously Odaiba popped up for Tokyo also as this very attractive place to live and visit.
At that turn of the decade, singer-songwriter Yuko Shibuya（渋谷祐子）released her 1980 album"Made in Japan", an LP that I've referred to a few times already including for one track "5AM wa Violet Pink de"（5AMはバイオレット・ピンクで）. I also have this track from "Made in Japan" titled "Sail Away" which is this welcoming City Pop song with flying disco strings as Shibuya invites listeners to take off on a pleasant tropical cruise with her. As the strings do a whirlwind effect at the end, there's even a trombone solo to bring some of that old-fashioned romance into the proceedings. Shibuya provided the melody while Machiko Ryu（竜真知子）was the lyricist.
When I was listening and reading up on this song, my mind made its own associations and my brain materialized that summer pastime in Japan, going to the rooftop beer garden among the skyscrapers. I'm basically a teetotaler but I had been to a few of these with friends and there is something appealing about having a mug and fried chicken under the stars. By the way, the above was provided by Samurai Junjiro Channel.
I guess all this beer garden on the brain is due to me coming across this latest album by the City Soulband Penthouse's latest album"Neon Garden" which was released on July 29th this year. One of the tracks here is the rapid-fire "Koi Suru Kamisama" (God of Love) that was written by vocalists Shintaro Namioka（浪岡真太郎）and Maho Ohshima（大島真帆）and composed by Namioka. It's quite the sangria of genres: technopop, jazz, soul, City Pop and all that as a young lass is going a little crazy about falling for a guy and asking for divine help to get her out of a sticky situation. Unfortunately, the titular deity probably has to deal with tons of other people in similar circumstances.
Just to let folks know, the above is an official music video for "Koi Suru Kamisama" and not a creditless anime opening or closing sequence, although seeing how polished and adorable it is, I wouldn't be surprised if fans are wondering if there shouldn't be an anime created because of it. Apparently, the story played out here has a more self-assured couple than in the lyrics.
I've got the fan on in my room, my feet are slightly achy and I'm feeling a bit tired for a fellow in his 60s with his aging bones. One reason for this: I went downtown earlier this morning to see what was up with the annual August Fan Expo which started officially last night and will be continuing until Sunday evening. I hadn't been there in over a decade so it was something to see that the anime section has ballooned over the past ten years and the number of visitors has done the same thing.
Anyways, I wanted to start with something peaceful and I remember yesterday putting up Early Byrds'"Ocean Song" and then Naomi Sugimura's（杉村尚美）"Tasogare ni Last Scene"（黄昏にラストシーン）with their jazz-fusion and bossa nova respectively. Well, I got a song there that combines the two genres. It's called "Dream Away" and it's available on the November 1978 record "Sunny Place Carnival" by the band Samba Carioca (although the debut album has a misspelling on the cover). "Dream Away" is the aural salve to heal me of my aches and pains...well, some of them anyways.
The band got its start in 1975 when they were backing singer-songwriter Kiyoshi Hasegawa（長谷川きよし）at the Shimo-Kitazawa and Shinjuku branches of the Loft live houses as they played monthly in their Sunday Samba Sessions. In the beginning, there were flutist Nozomu Nakatani（中谷望）, bassist Toru Hirano（平野融）and percussionist Yuuji Yoshikawa（吉川祐二）before drummer Antonio Ishida（アントニオ石田）and guitarist Masami Sato（佐藤正美）joined. In 1977, Hasegawa broke up the band but they almost immediately reintegrated, taking on the name of Samba Carioca（サンバ・カリオカ）, a unit that would focus on samba and bossa nova. They would continue releasing several albums up to 1984 during which they reduced their name to just Carioca.
A few days ago, I posted a Higurashi（日暮し）song on the blog for the first time in a while titled "Odayakana Gogo"（おだやかな午後）. Then, I checked vocalist Naomi Sugimura's（杉村尚美）file on KKP and I realized that I hadn't put up anything from her solo career in about six years!
The last article that I had put up was her final single from June 1982, "Kaze no Naka no Melody"（風の中のメロディー）. A couple of months later, she released her third and final original album which had the same title. From there, I give you "Tasogare ni Last Scene" (Last Scene at Sunset). Written by Akira Ohtsu（大津あきら）and composed by Tsunehiro Izumi（和泉常寛）, it's one of the more fleet-footed bossa nova tunes that I've ever heard. Sugimura also gives her usual lovely light touch in her vocals.
It was a couple of months ago that I introduced the jazz-fusion band Early Byrds and their special guest Kyoko Kimura（木村恭子）through their 1981 album, "Up and Coming". I focused on the opening track "Galaxy Special" which was an instrumental punctuated by Kimura's scatting.
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Well, this time I'm going with the last song on Side A of the original album, "Ocean Song". Starting out with the calm blue ocean sloshing against the shore, we get to hear Kimura voicing some soothing quotes such as "You're just an ocean away". Along with the aural massage, Early Byrds provide that laidback cocktail-sipping melody which will have you aching to head out to some beach somewhere or at least leave you living the tropical dream vicariously.
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