TPO Meets Linda Masters -- Rock the Hour

From Discogs

Well, if I'm going to jump and burrow down a rabbit hole, why not do it on a sunny Sunday afternoon? Plus, I also gotta shake off the post-lunch narcolepsy. All this began became I was scrounging around to sate my curiosity on other Japanese technopop bands; one can't survive simply on YMO alone. Then I found this 2025 album titled "Techno Kayō Vol. 1 - Japanese Techno Pop 1981 - 1989" which was produced in the Netherlands.

One track tugged at my ears and it was called "Rock the Hour" from the 1985 album "Linda". This was a collaboration that went by the moniker TPO Meets Linda Masters (getta load of that big 80s hair!). Neither band nor singer were familiar to me; from Gemini, I found out that Masters was an American chanteuse who was active in the 1980s synthpop and Hi-NRG scene, especially via Japan. TPO may have stood for Tiny Panx Organization and it was also active during the 1980s. Their membership included keyboardist Taku Iwasaki（岩崎工）who was involved with the technopop band FILMS and then much later got into the soundtrack for the 2013 anime "Gatchaman Crowds".

"Rock the Hour" isn't rock at all but it is a fascinating and catchy blend of City Pop and technopop with Masters' plaintive vocals that often get into some nice jazzy harmonies. It was noted that TPO had wanted to bridge the gap between YMO's technopop and the 80s dancefloor stuff, and "Rock the Hour" has been provided as one big example of this bridge. Plus, for all those pop culture nostalgia buffs, there is plenty of music (including orchestral hits) from those old-fashioned synths and drum machines. As well, I do love the design of the cover. The Memphis Group would be so proud.

Nash Music Library -- SC-1903

 

We don't have the autumn foliage yet but I think the above photo by Wolfgang Weber is suitable enough to describe a nice Sunday morning. I had to shake off some major post-Sunday breakfast drowsiness to get back into shape to get some grocery shopping done as well as the daily blogging.

Once again, I'm happy to have Nash Music Library pay a visit to our humble blog and this one sticks out for its very technical title of "SC-1903". It's not the first time that I've come across NML tunes that sound like starship registry numbers; there is "SC-4702", a rollicking piano and synthesizer tune. Another point that distinguishes this one is that it's actually quite long for an NML entry at a dozen seconds under five minutes.

Perhaps I can "humanize" this one here with a title such as "Whimsical Sunday at Home" instead of "SC-1903", because it does sound like a typically rumply yet comfy Sunday at home with Dad trying to read the newspaper on the sofa, Mom fleeing with her friends to the nearest cafe while the kids are arguing in their room upstairs. In fact, I'd say that there is something quite sitcom-friendly with the arrangement here. The track belongs to the March 1998 album at NML, "Long Size".

Hiroko Yakushimaru -- Sukoshi Dake Yasashiku（すこしだけやさしく）

 

Within our television viewing habits as kids, one of the genres we watched was nature programming. "Mutual of Omaha's Wild Kingdom" was must-see TV and every episode, we got to see Marlin Perkins, Jim Fowler and Stan Brock observe and occasionally wrestle the heck out of the bigger beasts. In fact, it was the running gag on the late-night talk shows that Jim would be getting mauled by a lion while Marlin was narrating the adventure while sipping on a martini.

Somehow, I get the feeling that Japanese TV coverage of animals has been far more docile. In fact, between 1983 and 1992, TBS had run a popular show titled "Waku Waku Doubutsu Land"（わくわく動物ランド...Exciting Animal Land） which combined a couple of TV show genres: the nature show and the quiz show. 

As for the ending theme, it's natural that the producers would have wanted an adorable voice singing it, and what more adorable voice was there at the time than the one belonging to actress/singer Hiroko Yakushimaru（薬師丸ひろ子）? So, she was tasked to record the cute march "Sukoshi Dake Yasashiku" (Just A Little Bit Nicer) as the co-A-side to the cool "Tantei Monogatari" (探偵物語）from May 1983.  Created by the same triumvirate, lyricist Takashi Matsumoto（松本隆）, composer Eiichi Ohtaki（大滝詠一）and arranger Akira Inoue（井上鑑）, this is a song so nice and kid-friendly that the animals themselves were probably prancing happily all over the field while listening to it.

Fuyumi Sakamoto/Ikuzo Yoshi -- Kumanoji e（熊野路へ）

From Nekosuki via Wikimedia Commons

 

Although I have visited Wakayama Prefecture which is the home of my ancestors, I have yet to visit its World Heritage Sites including roads and shrines associated with the Kumano Kodo（熊野古道）series of pilgrimage routes that are located in Wakayama, Mie and Nara Prefectures.

Enka singer Fuyumi Sakamoto（坂本冬美）is another star from Wakayama Prefecture, and as her September 2018 single, she released "Kumanoji e" (To the Kumano Road). Written and composed by fellow enka singer Ikuzo Yoshi（吉幾三）with Kei Wakakusa（若草恵）as the arranger, "Kumanoji e" launches with an epic intro that doesn't really sound like one for a conventional enka song. It sounds more like something for a pop/rock tune although it quickly settles down into an introspective set of verses before the dramatic chorus chimes in. Still, the instrumental bridge is just as epic as the intro and there's even some added oomph at the end of that bridge with what sounds like a thrumming synthesizer. Yoshi and Wakakusa really wanted to fortify this one. "Kumanoji e" reached No. 54 on Oricon.

Yoshi provided his own slightly quieter cover of the song in the same year.

Hiroaki Igarashi -- Hatsukoi no Machi（初恋の街）

 

Man, I hope he was able to steer that boat safely. Yes, I am talking about singer-songwriter Hiroaki Igarashi（五十嵐浩晃）. I have no doubts about his day job but I'm not sure how he did with the craft there.

But all that could have been just for the cameras when Igarashi and the powers-that-be were taking shots for the cover of his August 1981 3rd album "Sailing Dream". I'm assuming that the release was all about the City Pop and AOR. For example, one track "Hatsukoi no Machi" (The Town of My First Love) seems to be doing a split between jaunty pop and AOR. Written by Tetsuya Chiaki（ちあき哲也）and composed by the singer himself, it's quite the happy-go-lucky musical accompaniment of a man returning to his hometown after a while away (which apparently includes a synthesized version of an ocarina...maybe?) to see old buddies, and maybe that first girlfriend. He's being pretty coy about his intentions and putting on the strong front that he has no desperate need to see her but if this were a Japanese rom-com, I just know that he'll strain himself into all sorts of predicaments to see his old flame...without looking like he's trying to see his old flame. The song has that feeling.

JOE by JAYWALK

I’m currently writing a story set in Shōwa-era Japan, to get into the proper headspace, I’ve been immersing myself in everything Shōwa. Television shows, radio programs, movies, news—you name it. Most of my weekends now consist of watching reruns of Tantei Monogatari (Detective Story), reading about the Narita Airport protests, and eventually falling asleep to old broadcasts of All Night Nippon.

Naturally, all this research has also introduced me to plenty of new music.

One of my favorite feelings is discovering a new summer band to rock out to. This time, it’s J-WALK, the rock band fronted by Koichi Nakamura (中村耕一). J-Canuck previously wrote about their hit song “Nanimo Ienakute... Natsu” (何も言えなくて…夏), and it’s easy to understand why the song became so popular. I can already see it joining my summer playlist alongside TUBE, Omega Tribe, and, of course, Southern All Stars.

After hearing it, I decided to check out J-WALK’s self-titled debut album. I enjoyed the record overall. Nothing immediately blew me away, but it was consistently good from beginning to end. My favorite track was definitely the opening song, simply titled “JOE.”

“JOE” is the kind of piano-led rock ’n’ roll throwback that wouldn’t sound out of place on an Elton John album. It's about what you'd expect from a tune of this era polished ’80s sound that proudly wears its Western influences on its sleeve.

I have no idea who Joe is, but judging by the song, he sounds like a leather-jacketed greaser who rides a Harley-Davidson and thinks Saturday night’s all right for fighting. 

I should also mention how much I enjoy Nakamura’s gritty vocals. Like George Yanagi(柳ジョージ), he has a natural raspiness that gives the song an extra layer of bluesy swagger. A perfect match for the song’s rough-and-ready protagonist.

If you happen to spot J-WALK’s eponymous debut album sitting in the bargain bin at your nearest record shop, definitely grab it.

Milk Talk -- Milk and Honey

 

I'm coming at this from an unusual angle, and at the very least, you can watch an entire episode of "Space:1999", to boot. I remember "The Last Sunset" as the one where Moonbase Alpha and its residents actually enjoy a brief respite of terraformed paradise thanks to some seemingly benevolent aliens. However, thanks to some hallucinogenic food sources, one of the more dependable crewmen goes a little bonkers. One of the lines that still come to mind is when Paul Morrow ravenously spits out "...land of milk and honey".

Yup, that's a reference to the Bible and yep, I take it as paradise. Honey is good, by the way, and from what I've read and heard, it might be getting rarer and more expensive to get from the hives due to declining bee populations, unfortunately. I don't have honey a whole lot but I do remember making one delicious drink called Honey Hot Chocolate. Give it a shot.

It's been a couple of years since I've posted anything by the duo Milk Talk so I'm happy to hear that they've got a new 2026 single out called "Milk and Honey". Written and composed by the band, it's some intoxicating spacy funk in both melody and lyrics. Honey is quite the ingredient but the way Hair Kid and Q.i. put their sexy ways onto it instrumentally and vocally respectively, it can also be very dangerous and seductive.