Shoko Sawada -- Tokaijin（都会人）

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This is the eighth article for singer-songwriter Shoko Sawada（沢田聖子）on KKP, and when it comes to her music, my memories always drift to the first song I ever heard from her, the warm and folksy "Ochiba no Heya"（落葉の部屋）from 1981, thanks to that listening on "Sounds of Japan" many moons ago.

On the other hand, Sawada's 11th single from April 1984, "Tokaijin" (Woman of the City) is quite different. For one thing, she had nothing to do with its creation; instead, it was written by veteran lyricist Masao Urino（売野雅勇）and composed by Eiji Nishiki（西木栄二）. For another, it's a rumbling pop/rock song about a young lady who gets seduced by the night life of a metropolis despite her friend's increasingly angry and desperate warnings. Although I think Sawada handled the song ably enough, I couldn't help but feel that "Tokaijin" was perhaps not the most perfect fit for her and maybe the powers-that-be above her had wanted to put a bit more boost in her variety of music. Mind you, it's all speculation from me but I also thought that this was something that an aidoru like Akina Nakamori（中森明菜）would have tackled with more energy. The song was also placed as a track on the singer's 6th album "Kaze no Yokan"（風の予感...Presage of the Wind） which was released a month after the single.

Satoshi Kishida -- Sunshine Superman（サンシャイン・スーパーマン）

 

"Supergirl" came out today after waiting about a year since she made her rather explosive and drunken cameo on "Superman". I've heard mixed reviews about it, but I still would be interested in catching the flick sometime in the next few weeks.

As such, I thought I would end this edition of Urban Contemporary Friday on KKP with something that has a fleeting connection with "Supergirl", and that would be Satoshi Kishida's（岸田智史）"Sunshine Superman". I re-discovered it on the "Beams" CD of the "Light Mellow" series recently.

I've really known the singer-songwriter's 1979 hit, the tenderhearted and folksy "Kimi no Asa"（君の朝）, and so to hear "Sunshine Superman", which was originally a track on Kishida's October 1977 2nd album "Citron"（シ・ト・ロ・ン）, is quite the revelation. Written and composed by him, it's the bouncy City Pop or J-AOR song of the 1970s with the hazy effect of the synthesizer, the jazzy play of the electric piano or Fender Rhodes and the happy-go-lucky rhythm. There's also something about Kishida's vocals that reminds me of the dulcet tones of Goro Noguchi（野口五郎）.

Also as a PS, I heard about the strong earthquake that shook Yamanashi Prefecture earlier today. And this following a similar tremor up in Aomori has probably gotten citizens a little nervous. Hopefully, that will be the brunt of it and everyone can settle down back into their usual business in the next few weeks or so.

Hirosuke -- Summertime Blues（サマータイム・ブルース）

 

All these years, whenever I've heard the title "Summertime Blues", I would always fondly remember Misato Watanabe's（渡辺美里）classic song from 1990. Well, now, it's got company.

Indeed, a decade before Misato's "Summertime Blues" came onto the scene, singer-songwriter Hirosuke（ヒロスケ）wrote and composed his own "Summertime Blues" as his 2nd single in 1980. As an aside, perhaps his "A-re-ka-ra"（あ・れ・か・ら）was his debut single from the same year.

Compared to the sunny and upbeat "Summertime Blues" by Misato, Hirosuke's "Summertime Blues" is a prowling nocturnal animal hitting the main streets and side streets of the city. Still plenty hot at night in Tokyo. "A-re-ka-ra" was a theme song for a cop show. Why not this one as well? Kimio Mizutani（水谷公生）took care of the City Pop arrangement.

Early Byrds feat. Kyoko Kimura -- Galaxy Special

 

Well, summer is officially here and the World Cup is well under way with both Canada and Japan heading into the knockout rounds. And of course, next week, both my nation and the United States will be celebrating their respective birthdays, so a holiday mood is most likely pervading all throughout the land.

On that vacation-minded note, let's have a listen to "Galaxy Special", the first track from fusion band Early Byrds and Kyoko Kimura's（木村恭子）1981 album "Up and Coming". It's a most upbeat and summery groovy instrumental punctuated by Kimura's vocal scatting. You can shake those cocktails on the Lido Deck while listening to this one.

There isn't a whole lot of information on Early Byrds aside from the lineup within the band. They are Hiroshi Nakanishi, Hiroyuki Fukue, Kunihiro Tsuji, Shingo Kanno, and Tsutomu Wajima (sorry, I couldn't find their kanji or what instruments they played). According to Discogs, they released two more albums in 1982 and 1986. As for Kimura, she has a J-Wiki profile which shows that she was active from the early 1970s in at least a few groups and that she was also getting into the Yamaha music contests a fair bit. Until her untimely passing at the age of 61 in 2013, she had also composed, narrated and recorded a vast number of commercial jingles to the extent that she had been called the Beethoven of Naniwa, to reference her home region in the Kansai area of Japan.

punipunidenki x Kan Sano x Shin Sakiura -- Gakugeidai-mae（学芸大前）

 

In the late 2000s, I was teaching a couple of students privately in the western end of Tokyo so I took the Toyoko Line to the tony Den'en-Chofu district, and each time I headed out there, the train passed through Gakugei Daigaku Station which had been built about a century ago right by Tokyo Gakugei University. The university itself though was uprooted and moved off a fair bit away in 1964 so that the station isn't anywhere near the campus anymore but the name of the station remained...maybe just to confuse newbies. While researching about the song here, I learned that the area around the station has become one of the trendier neighbourhoods west of Shibuya along the lines of Jiyugaoka and Shimo-Kitazawa. I never got to stop off at Gakugei Daigaku Station but we can all travel there vicariously through the video above.

And speaking about that song, I'm talking about "Gakugeidai-mae" (In Front of Gakugei Daigaku Station), a collaboration among those Neo-City Pop hipsters punipunidenki（ぷにぷに電機）, Kan Sano and guitarist/music producer Shin Sakiura. Released a few months ago, I'm now pretty confident that the title is referring to the Toyoko Line station rather than the actual university itself. From what I've read of the explanation underneath the music video at YouTube, it all revolves around the lyric "I wanna meet you, darling, at Gakugeidai at 9 tonight" and has other enticing phrases such as "the lights of a small bar," "that song from the 80s," and "magical clichés". Melodically, there are some nostalgic chord progressions that personally take me back a bit to the original City Pop days. Meanwhile, punipunidenki and Sano trade vocals in a give-and-take between the one who is courting and the one who is being courted (and who's playing somewhat hard-to-get).

To finish off, here's a video on the actual Tokyo Gakugei University, just so that it doesn't feel left out. As well, there is a 2024 KKP article focusing on punipunidenki and Kan Sano and an earlier collaboration.

Izumi Sara -- Spacy Love（スペーシィ・ラブ）

 

Back in the spring of 2023, I posted an article on a very obscure singer, Izumi Sara（沙羅いづみ）, and her B-side "Heartbreak City"（ハート・ブレイク・シティ）which was a pretty amiable disco City Pop tune.

Well, today to start off this edition of Urban Contemporary Friday on "Kayo Kyoku Plus", I have the A-side this time, "Spacy Love" which seems to amp up the disco and the brass. Along with the disco, there is the City Pop and maybe even some exotic kayo in the intro. Written by same duo behind "Heartbreak City", lyricist Fumiko Okada（岡田富美子）and composer/arranger Kunihiko Suzuki（鈴木邦彦）, the writer on Hip Tank Records gave their assessment of the song (translation by Google Translate):

"...a charmingly unpolished cult Japanese disco track—a medium-tempo, spacey disco number with a melody that evokes an oriental atmosphere...".

Perhaps there is a bit of a backhand swing in that compliment but I think that brass has some Yuji Ohno（大野雄二）or Spectrum vibes, and to be honest, I sometimes feel that the horns came in from a particular Ryohei Yamanashi（山梨良平）tune from the future or were inspired by Maynard Ferguson. Hip Tank Records also treats "Spacy Love" as one of those rare cult singles so if any of you City Pop fans can get a copy of it anywhere, consider yourselves fortunate.

Airport Kayo

 

I was once asked by one of the commenters about an Author's Picks regarding airports. After all, in terms of an old kayo kyoku, the airport serves as a setting for romantic farewells and (rarely) greetings. Plus, they can also be the launching point for adventures abroad. Now, I believe that I had yet to post such a list of airport-themed songs so I'm going with this one today to finish my trio of articles.

(1974) Teresa Teng -- Kuukou （空港）

(1975) Hi-Fi Set -- Doyoubi no Yoru wa Haneda ni Kuru no（土曜の夜は羽田に来るの）

(1984) Akina Nakamori -- Kita Wing （北ウィング）

(1987) Kye Eunsook & Keisuke Hama -- Kita Kuukou（北空港）

(2013) Keisuke Yamauchi -- Kushiro Kuukou （釧路空港）