Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Wednesday, October 14, 2026

Mako Midori -- Onna wa Kanashii(女はかなしい)

 

I don't know that much about actor Renji Ishibashi(石橋蓮司)aside from the fact that he's been often cast as tough guys and high official types. At 178 cm tall, he may not seem all that tall in America but he has likely cast a very long and intimidating shadow in Japan since his career began in the middle of the 1950s.

One thing I definitely didn't know about Ishibashi was that he's been married to an actress by the name of Mako Midori(緑魔子). Born in Taiwan as Yoshiko or Ryoko Kojima(小島良子)in 1944, Midori started her time in show business in the mid-1960s in front of the camera, but she also had her time behind the recording microphone beginning in 1967. In fact, here is her second single from September of that year, "Onna wa Kanashii" (Women are a Miserable Lot). A particularly smoky Mood Kayo written by Haruki Tango(丹古晴己)and composed by Minoru Yoshikawa(吉川 実), it is also a cynical song about one woman's opinions on her lot and perhaps a lot of other women's lot in life in the big city...nothing but one-night stands and goodbyes, and maybe those are the high points. Midori puts so much ennui and disdain in her vocals that they make Momoe Yamaguchi(山口百恵)in the last half of her career a decade later sound like the most cheerful girl skipping in the meadow.

Stardust Revue -- Thank You

As an old fan of those Warner Bros. cartoons, I remember one such cartoon titled "What's Up, Doc?" which was basically the biography of one Bugs Bunny. There is one segment in there which shows Bugs first cutting his teeth in show business as a member of the welcoming chorus boys for each and every Broadway musical.

I get the same vibe from the band Stardust Revue's (スターダストレビュー) "Thank You" which is the title track from their March 1985 3rd album. Not that I'm slamming the band here; Kaname Nemoto(根本要)and his guys are marvelous and I make this comparison because they seem to have this wonderfully old-fashioned style of welcoming and thanking listeners and audiences with their upbeat pop and vocal harmonizing.

Keyboardist Yasuhiro Mitani(三谷泰弘)took care of both words and music here for this contemporary version of the welcoming chorus boys in "What's Up, Doc?". I was actually recommended this by fellow KKP contributor and podcaster Rocket Brown after he'd taken a gander at the "Thank You Songs for Thanksgiving" article I posted back on Monday; there's always room for another thank you song here and I thank him for the recommendation. As well, regular commenter Brian Mitchell reminded me of pop band Ikimonogakari's(いきものがかり)"Arigato" (ありがとう).

Tuesday, October 13, 2026

Chiharu Matsuyama/Ayako Fuji -- Gin no Ame(銀の雨)

 

Early this morning, I went off to the nearby clinic to get some blood work done. The weather was and is unusually warm for this time of year with the temperature currently at 25 degrees Celsius; we should be talking about Wind Chill Index right now but for today, we're back to the Humidex which feels like 32 degrees! Glad that we haven't uninstalled the air conditioner quite yet and the fan in my room is back on full speed. We even had some thunderstorms earlier as I left the clinic; saw some trifurcated lightning bolts crack along the sky.

It was raining but it wasn't too hard though the drops were steady for about a half-hour or so. We're back into sunny weather again. Speaking of rain, here is a Chiharu Matsuyama(松山千春)song titled "Gin no Ame" (Silver Rain). A B-side to the folk singer's sophomore single "Kazaguruma"(かざぐるま...Pinwheels) from June 1977, this has absolutely nothing to do with Noriko Miyamoto's(宮本典子) "Silver Rain", her City Pop song from 1981. Just so you know.

To wit, Matsuyama's "Gin no Ame" is a melancholy folk ballad about a man who finally realizes that the lady of his dreams simply doesn't reciprocate his feelings and so he has pulled himself away. Of course, the meteorological setting for all this is a lot of silver rain. I'm gonna have to ask about what silver rain means in significance regarding sad situations. Maybe the precipitation (and feeling of sadness) is so heavy that it's taken on that shiny gray colour? 

In any case, along with the guitar, I enjoy those sweeping strings that swoop in during the chorus. Matsuyama took care of words and music while Tadashige Matsui(松井忠重)arranged everything. "Gin no Ame" also ended up on Matsuyama's debut album that was released in the same month as "Kazaguruma", "Kimi no Tame ni Tsukutta Uta"(君のために作った歌...The Songs I Made For You). It broke into the Oricon album chart at No. 8 and became the No. 29 album for 1978 and even went up ten ranks to No. 19 for 1979.

Enka singer Ayako Fuji(藤あや子)provided a much different cover version of "Gin no Ame" when she released her June 2017 album "GENTLEMAN ~ Watashi no Naka no Otoko-tachi"(私の中の男たち...The Men Around Me). Her version speaks of smoky jazz in a nightclub environment.

Shion Tsuji -- Take Me Home

 


The fascinating thing about looking at singer-songwriter Shion Tsuji's(辻詩音)album cover of her May 2010 debut album "Catch!" is how much the lady from Yokohama resembles 1990s pop sensation hitomi. But Tsuji herself was born in 1990, so we're talking about a generation's difference between the two. However, I have to admit that Tsuji's full name has almost every romaji letter to spell out hitomi. Things that make one go Hmmmm, eh?

Anyways, let's sidle away from conspiracy theories here and settle on the fact that I've enjoyed listening to Tsuji's track from "Catch!", "Take Me Home". Originally a coupling song on her 2008 debut single "Candy Kicks", I'm assuming the above is the album version of "Take Me Home". It's a soothing indies-sounding pop/rock with the jangly guitar and the laidback tempo. Tsuji could have busked this on some street in Shibuya and would have drawn an admiring crowd. As for "Catch!", it made it No. 31 on Oricon.

Monday, October 12, 2026

The Manhattan Transfer/Depeche Mode -- (Get Your Kicks on) Route 66

 


It's time for a special holiday edition of Reminiscings of Youth and it's a bit of a doozy this time. I was hoping that I would get a scene of a particular character on an old program that I used to watch as a kid, "Emergency!", which involved the life of a Los Angeles fire station and a hospital. The character that I wanted to show was Dr. Joe Early, played by the late Bobby Troup, but instead of the usual scenes, I've had to settle for bloopers.

What I wouldn't realize for some years after "Emergency!" had finished its five-year run in 1977 is that Troup and co-star and wife Julie London had been jazz and standard singers from way back when. What actually felled me was that Troup was the guy behind this famous standard.


"(Get Your Kicks on) Route 66" was a song that I got acquainted with over the radio and various music-variety shows on the telly for years and years, but I had no idea that Troup was the guy who created this standard that has been covered by so many other singers and bands. One of the most famous versions was the 1946 version by Nat King Cole.




However, the gold standard for me will always be the cover by The Manhattan Transfer which got its time in the sun in 1982 as a single. Just that arrangement and the usual scintillating harmonies by the guys will always do it for me. It didn't get too high on the Billboard rankings, scoring in at No. 78, but it won a Grammy Award for Best Jazz Vocal Performance, Duo or Group. And it will always be one of my favourites among favourites by the group. 


I knew that I would be talking about "Route 66" sooner or later on Reminiscings of Youth so the byline would have both The Manhattan Transfer and Depeche Mode. Still, I get quite a kick (ha, ha) on seeing those two groups side by side. Depeche Mode is another one of my beloved bands from the 1980s as you know, and I was surprised back then to find out that even these guys were willing to take on "Route 66" as a rollicking part of their "Behind the Wheel" single when it was released on December 28th 1987. With The Manhattan Transfer's version, I think of sophistication and class within a top-floor hotel party room, but regarding Depeche Mode's grinding and rocking take, I imagine this fronting the soundtrack of a David Lynch or Quentin Tarentino movie. I think I may have even been dancing to this at one of the JCSA parties back then.

So, what was at the top of the December 28th 1987 Oricon chart when Depeche Mode's "Route 66" was released? I have Nos. 1 and 2.

1. Hikaru Genji -- Glass no Juu-dai (ガラスの十代)


2. Yukari Morikawa -- SHOW ME

Thank You Songs for Thanksgiving

 

In keeping with the Canadian Thanksgiving theme for today, and after having done last week's ROY on Styx's "Mr. Roboto" which has plenty of this special expression, I decided to write up this Author's Pick with the theme of songs that contain words of thanks in the title and/or the lyrics. On this holiday, I'm certainly thankful for my health and the health of my family and friends. As well, I'm thankful that I've had this blog along with my fellow contributors and commenters for the past decade plus. Without further ado, then:

(1971) Jun Inoue -- Osewa ni Narimashita(お世話になりました)


(1975) Momoe Yamaguchi -- Arigato, Anata (ありがとう、あなた)


(1989) Kaori Kuno -- Thank You for You


(1995) Dreams Come True -- Thank You.(サンキュ.)


(1997) Yosui Inoue & Tamio Okuda -- Arigato (ありがとう)

Zunou Keisatsu -- Ochiba no Sasayaki(落葉のささやき)

 

Well, it's Canadian Thanksgiving so I hope everyone in the Great White North is enjoying the holiday Monday with loved ones over the usual turkey and pumpkin pie. Won't be having that here since I'm practically the only one who likes turkey in my family. Meanwhile, I hope that folks in Japan enjoyed their Sports Day through the appropriate activities, and for those who participated in the school Sports Day events, maybe they had their fun at the drinking parties afterwards.

A few days ago on Urban Contemporary Fridays on KKP, I posted an article regarding PANTA's "Laser Shock"(レーザー・ショック)from 1982 which was this New Wave rock tune. I also mentioned that PANTA had been one-half of a folk-rock duo (plus others) called Zunou Keisatsu(頭脳警察...Brain Police) in the early 1970s. He and partner Toshiaki TOSHI Ishizuka(石塚俊明)apparently gained some notoriety during their stage performances (I'll probably have to see whether I can see some of that via YouTube).

Furthermore, their band name had first struck me as something rather psychedelic but this particular song, "Ochiba no Sasayaki" (Whispers of Fallen Leaves), from their 6th album released in November 1974, "Akutare Kouzou"(悪たれ小僧...Mischievous Brat) is anything but. Sounding like their band description with perhaps more emphasis on the folk part, it's a very calming tune that comes across as something very seasonal and singalong during October...maybe something to be performed around the campfire on a cool night with s'mores being the dessert of choice. According to JASRAC, the songwriter was Pantax's World which I assume is just another name for Zunou Keisatsu.