Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Thursday, August 6, 2026

Timelesz -- Kakumei no Dancin' Night(革命のDancin' night)

 

Admittedly, I haven't had the sharpest eyes looking out for the STARTO (formerly Johnny & Associates) boy groups over the past few years, so I was a little surprised when a commenter informed me about this group called timelesz. I didn't know who they were so I looked them up on J-Wiki and Wikipedia and found out that they used to be known as Sexy Zone. "Kayo Kyoku Plus" has a couple of Sexy Zone's songs so with the new name change (which came into effect as of April 2024), I've made some adjustments to their Label on KKP as you can see at the bottom of the article. Their new name was formed from one of their previous incarnation's final songs before the 2024 change, "Timeless" and a fusion of the initials from Sexy Zone added onto the end of their new name. With the name change also came a fairly large change in the lineup which is currently numbered at eight members.

Moving on, the commenter also recommended one of their songs under the new regime, as it were. From their June 2025 album, "FAM", I give you the bouncy "Kakumei no Dancin' Night" (Revolutionary Dancin' Night). For me, it's been SOP that whenever I see any title containing the phrase "dancing night", I check it out for some of that juicy urban contemporary nature I've enjoyed in City Pop, R&B and the like. The commenter told me that there is some of that Neo-City Pop feeling in "Kakumei no Dancin' Night" and that's all probably due to the composer Umi Kinami(きなみうみ)who has had a love for AOR and Black contemporary music. There is also a quartet of lyricists on this one: Kinami, Yui Kimura(木村友威), EARSY and Shori Sato(佐藤勝利). 

As for "FAM", it went to No. 1 on Oricon and it also went Double Platinum.

Reiko Ohshida -- Dousei Jidai(同棲時代)

 

A couple of years ago, I posted "Onna no Gakko"(女の学校), a 1970 kayo kyoku and debut single by actress and singer Reiko Ohshida(大信田礼子)who had been in the popular action series  "Playgirl"(プレイガール). "Onna no Gakko" was a slithery and sexy song of the night that also probably summed up Ohshida's character in the TV series.

Ohshida released seven singles up to the middle of 1973 with her penultimate one being "Dousei Jidai" (The Time of Living in Sin) which came out in February that same year. Composed by Shunichi Tokura(都倉俊一)and arranged by Hiroshi Takada(高田弘), the melody sounds a whole lot more peaceful and innocent but the lyrics by Kazuo Kamimura(上村一夫)are quite the downer as a couple discovers that they can't live with each other and yet they can't live without each other. In fact, at one point, the woman had even considered killing her paramour and then killing herself. Talk about words and music going into opposite directions!

Interesting piece of trivia is that Ohshida actually ended up getting married to composer Tokura the following year, although she had apparently not gotten along with the man during the production of "Dousei Jidai". The marriage didn't last too long, however, since they divorced by 1978. As well, Ohshida had been classmates with Kenji Sawada(沢田研二)from elementary to high school in their native Kyoto.

Linda Ronstadt -- Just One Look

 

Not only did I hear "Just One Look" on the radio but I also heard plenty of it as a commercial jingle for cars. I just forgot it was for the Mazda. By the way, the actor speaking in the ad ended up becoming a doctor at "General Hospital". In any case, "Just One Look" renditions by different singers and bands were used in other commercials; that title was just perfect for selling.

But the first time was on radio. Didn't know at the time that this wasn't even an original by Linda Ronstadt but a cover version done by her, but it has been the one that I will always remember. Released as a January 1979 single, it's a tune that starts off country congenially but then becomes progressively buzzier with the rock edge. I also didn't realize that the main chorus is only heard once and at the end of this fairly short song at just a little over three minutes. Ronstadt's cover did modestly well on the Canadian and American charts by  posting somewhere in the 40s but in the former's Adult Contemporary chart, "Just One Look" placed in at No. 4 while on the latter's East Listening chart, it had a No. 5 ranking.

The original "Just One Look" was recorded by singer-songwriter Doris Troy for release in May 1963 with Troy and Gregory Carroll creating the song. It's an even shorter tune with the main chorus basically acting as a fadeout coda. 

We have here the Top 3 singles of Oricon for January 22nd 1979, a day before Ronstadt's cover was released.

1. Pink Lady -- Chameleon Army (カメレオン・アーミー)


2. Alice -- Champion (チャンピオン)


3. Godiego -- Gandhara (ガンダーラ)


Blogger Announcement: False Positives for "Malware and Similar Malicious Content policy"

 

Hello, folks. J-Canuck here and usually when I put up the apple pie photo, it means that I have an APB on an unknown song that we are searching information on. But this is not that sort of article but I needed to have something up, so I chose the apple pie.

Anyways, I wanted to inform readers and fellow bloggers on the Blogger platform that I received a message from KKP contributor Oliver Ebisuno92. Apparently for the past couple of days, there has been a rash of blogs getting flagged or even locked out due to Blogger automated systems going on a misguided search-and-freeze operation. From what I've read of some of the comments, it looks like any blogger on Blogger who has recently made any changes to the basic template may get smacked unfairly, although actual postings won't trigger anything. You can take a look at the actual announcement here.

Wednesday, August 5, 2026

"Summer" Songs

By Muke Tever from Wikimedia Commons

A little over a year ago, I put up "The First Day of Summer!", an Author's Picks consisting of all of those summery tunes with the explanation point being that all of the song titles contained the word "summer". Well, I figured that I would go for another similar posting but I've relaxed the rules slightly by also allowing the Japanese term for summer, "natsu". So, without further ado then, get into that hammock and pull up a citrus-y cocktail.

(1979) The Milky Way -- Kagirinaki Natsu(限りなきの夏)


(1982) Junko Yagami -- Summer In Summer ~ Omoide wa Suhada ni Yaite(サマー イン サマー 〜想い出は素肌に焼いて〜)


(1983) Yoshinori Monta with Junko Ohashi -- Natsu Onna Sonia(夏女ソニア)


(1984) Yukiko Okada -- Sayonara Natsu Yasumi (さよなら・夏休み)


(1987) Kanako Wada -- Natsu no Mirage (夏のミラージュ)


(1987) TUBE -- Summer Dream

Masashi Sada -- Kamisama no Iu Toori(神さまの言うとおり)

 

Welcome to Hump Day! And yeah, it feels even more like a Hump Day than usual. For one thing, I've been noticing for the past three days that our household has suffered micro-power outages of less than a second at around the same time in the morning. Now as I said, they are very short in duration so the power is back on lickety-split but it's enough to require me to wait five minutes for the Internet to return and I have to reset all of the clocks. Very annoying. I've sent our electric power company a letter of inquiry and complaint for which I've received a reply stating that it may take up to five days for a proper answer.

In any case, I've learned that people having a bad day tend to be more productive at work, presumably because they want to focus on anything other than the source of the bad day. Well, I'm focusing on this one here. And it has to do with a couple of observations regarding recent Japanese society. The first one is that Japan may have one of the larger populations of centenarians in the world and the other is that when the patriarch of the family retires from decades of work, he may tend to just lounge around the house with nothing to do all day which can aggravate the wife and perhaps even the children to no end. 

That seems to be the premise of the Japanese comedy movie franchise "Oshûkatsu Jukushun! Jinsei, Hyaku-nen Jidai no Sugoshi Kata"(お終活 熟春!人生、百年時代の過ごし方...The Final Years: The Golden Years of Maturity—How to Spend Life in the Era of the 100-Year Lifespan) that started in 2021. A third movie was released at the end of May this year. As to why I'm talking about this, well....last night, singer-songwriter and tarento Masashi Sada(さだまさし)appeared on "Uta Con"(うたコン)to sing this old-time jazzy number called "Kamisama no Iu Toori" (As God Says). I've heard Sada sing folk and City Pop but this is the first time that I've heard him sing anything jazz and this is where I found out that "Kamisama no Iu Toori" was the theme song for the third movie. Written and composed by Sada with Toshiyuki Watanabe(渡辺俊幸)handling the arrangement and the conducting of the orchestra, it's a sweet nostalgic tune that had Sada doing a bit of Vaudevillian soft-shoe on the stage and maybe the movie characters dancing cheek-to-cheek on the floor.

Tuesday, August 4, 2026

Nash Music Library -- BATTLE X

 

I really couldn't find an image that I already had on file that would match the tone of this song and it was quite the adventure to even find something appropriate on Wikimedia Commons. Finally, though, I could get this one by Spinnmaster for his Mutasect Core Ventus.

Considering my previous article based on the movie that I'd seen earlier today: "Spider-Man: Brand New Day", I figured that it was time to check out the good folks at Nash Music Library if they had something with a battle theme...considering there are quite a few of those in the Marvel flick. 

Well, it didn't take long to track one down. And I have to admit that even though NML has covered a lot of genres in its huge storehouse of music...everything from jazz to disco, this is the first time I've come across "BATTLE X" with its arrangement that reminded me of many a magical girl anime with battle scenes. Specifically, I was thinking of the "Pretty Cure" franchise with their music directors' love of injecting some thrilling rock shreds into their battle music. Not sure whether Michael Giacchino would do so, though. In any case, this piece comes from their 2003 album "Dead Heat".