Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Thursday, March 23, 2023

Akira Fuse -- Ochiba ga Yuki ni(落葉が雪に)

 

Well, we woke up to a balmy 7 degrees Celsius this morning, but unfortunately it was raining up a storm and the winds were whipping up something similar, too, which meant that it sure didn't feel like spring by any stretch of the imagination. However, things have lightened up considerably in the past few hours. Moreover, one of the chief weather guys for the nation has predicted that the summer will be warmer than usual this year which gives everyone some hope.

I guess then that it's heck of a time to be putting up this particular song by singer-songwriter Akira Fuse(布施明)under Makoto Kawaguchi's(川口真)arrangement. His October 1976 single "Ochiba ga Yuki ni" (Fallen Leaves Into Snow) is a sad kayo about a fellow who feels stuck in one place while nature and presumably people have all changed and gone off into different directions. At first, after reading that title, I had naturally assumed that "Ochiba ga Yuki ni" was going to be another love-gone-wrong song but the theme is quite a bit larger here.

"Ochiba ga Yuki ni" had originally been created by Fuse for singer-entertainer Jun Inoue(井上順)to record but when Fuse sang it for a Suntory commercial (yes, that's right...drown one's sorrows in drink), it got quite the positive response so with its release, it hit No. 1 on Oricon. In fact, it not only became the 45th-ranked single of the year but it showed staying power to the extent that it ended up also as the 83rd-ranked single for 1977

On a television show, Inoue even asked Fuse "Did you actually expect me to sing that song?". Fuse, tongue-in-cheek, responded "If you had sung it, it would either have been shelved or discontinued!". 

Carly Simon -- Nobody Does It Better

 

Welcome to another Reminiscings of Youth to start off Thursday. Y'know...I mistakenly thought that Carly Simon's big hit "Nobody Does It Better" had been used as a commercial jingle for Heinz Ketchup when it had actually been Fleecy Fabric Softener which got the song (strangely enough, it was Simon's "Anticipation" which got the ketchup gig). There was some vague remembrance that "Nobody Does It Better" was used to hawk some household product, and I think that it was the first time that I had ever listened to the hit.

I can imagine that as a kid I must have done a double take when I found out that "Nobody Does It Better" had actually been a theme song for the third of Roger Moore's James Bond outings "The Spy Who Loved Me" which was released in July 1977 in the UK (August in the USA). The first 007 flick which I ever saw on the big screen was Moore's final outing as the superspy, "From a View to a Kill" in the mid-1980s so anything before that was simply through reruns on television. With the usual rule of motion pictures finally hitting TV perhaps three years following their initial run at the theatres, it would have been around 1980 that I finally got to see "The Spy Who Loved Me", so maybe around the same time that I first saw the Fleecy ads. It's ironic then that a song that was used to hawk softener had once been used to advertise a spy whose hidden weapon often...well, you get the picture.😱

Getting back to "The Spy Who Loved Me", it has remained my favourite of the Moore Bond outings, partly because of Simon's theme but also because of 007's Lotus Esprit, the final battle against villain Stromberg, Jaws, and that opening sequence before the credits. I heard that British audiences had gone absolutely gangbusters when the parachute opened up into the Union Jack.

"Nobody Does It Better" was released as a single in the same month as the movie by Simon with lyrics by Carole Bayer Sager and music by Marvin Hamlisch. It's been one of the better-received Bond themes and it's one of my favourite Bond songs as a work that has been reflective of how a lot of those 007 themes were going for the more contemporary sounds of that decade compared to the swinging jazz of the 1960s including the James Bond theme itself. The combination of piano and strings of that time, which was also part and parcel of "Nobody Does It Better", has always struck me with the label of "POWER BALLAD OF THE 1970s" and I think that Japanese pop music picked up on that, too.

Apparently though, somebody did it better than "Nobody Does It Better" since despite the fact that it had been nominated for awards such as an Oscar and a Grammy, it didn't win anything. Still, I cherish it much more than those winners. It hit No. 2 on both the charts in America and Canada.

So, what was getting out in July 1977?

Momoe Yamaguchi -- Imitation Gold (イミテイション・ゴールド)


Hiromi Iwasaki -- Nettaigyo(熱帯魚)


Nanako Sato -- Subterranean no Futari Botchi(サブタレニアン二人ぼっち)in "Funny Walkin'" (June 25th 1977)

Wednesday, March 22, 2023

Kessoku Band -- Nani ga Warui(なにが悪い)

 

Well, I've just finished watching the 11th and penultimate episode of rock music-based anime "Bocchi the Rock!"(ぼっち・ざ・ろっく!)and I've been having a ball with the cringe comedy at the expense of the title character. Plus, the animators have definitely been pushing the envelope on how they've wanted to present some of the gags including what I will "Nice Dam".

My anime buddy told me that during its initial run in Fall 2022, guitar brands such as the Gibson Les Paul and the Yamaha Pacifica were selling out like hotcakes. According to Wikipedia's article on the show, fans were also making pilgrimages to the bohemian area of Shimo-Kitazawa in Tokyo where it's set including the live house SHELTER which was the inspiration for the live house STARRY where the girls work and perform.

As opposed to the opening theme of "Bocchi the Rock!", "Seishun Complex"(青春コンプレックス), which has stayed constant throughout the twelve episodes, there have been four ending themes. The fourth ending was only used for the final episode but Episodes 8 to 11 have been using one which has stood out in my mind as my favourite since it is quite melodic. "Nani ga Warui" (What's Wrong?) was written and composed by Yuuho Kitazawa(北澤ゆうほ), the vocalist for rock band the peggies.

A statement on love for one's music, the vocalist here is the character of Nijika Ijichi(伊地知虹夏)who's usually the ever-upbeat drummer and mild disciplinarian for Kessoku Band(結束バンド). She's played by Sayumi Suzushiro(鈴代紗弓)who I've recognized as the same seiyuu for Kei Shirogane(白銀圭), Miyuki's snarkily rebellious sister on "Kaguya-sama wa Kokurasetai"(かぐや様は告らせたい) and the athletic Uruka Takemoto(武元うるか)in the comedy "Boku-tachi wa Benkyou ga Dekinai"(ぼくたちは勉強ができない).

I've heard that the manga is still rolling along so I'm hoping that maybe a second season will come to pass in the next few years.

Goto Tsugutoshi Band -- Okore Kyodai!(怒れ兄弟!)


 https://twitter.com/makaroni1986/status/1442836902600609806

Unfortunately, the above tweet only has a sound-less video of a commercial for this NTV 1979/1980 crime show called "Okore Kyodai!" (Get Mad, Brothers!) which features an older brother who's the chief detective at a police station and a younger brother who's a reporter under the hard thumb of an editor played by veteran singer Akiko Wada(和田アキ子).

Sadly, it's the only visual evidence that I could scrounge up for the show but before I knew that it was even a show, I'd come across its theme song. Naturally titled "Okore Kyodai!", it was whipped by bassist and composer Tsugutoshi Goto(後藤次利)for his unit, Goto Tsugutoshi Band(後藤次利 BAND). There's some down-and-dirty fusion happening here almost to the point where I was not sure if I would place it under the City Pop (a little too gritty?) banner, but I finally relented.

"Okore Kyodai!" was released as a single that year and then it got onto a 1980 Goto album, "Beyond the End Mark" with the group then being called Goto's Team.

Suiyoubi no Campanella -- Himiko(卑弥呼)


Studying Japanese history was not my strong point. I did my fair bit of dozing off in lectures and I paid the price for my afternoon slumber in tests. However, there were some names that I do remember, one of them being Himiko who had been a shamaness-queen in ancient Japan although where her direct domain was situated has been of some academic debate.

I'm not sure whether the track "Himiko" on Suiyoubi no Campanella's(水曜日のカンパネラ)first digital download album "Neon"(ネオン)from May 2022 illuminates the historical perspective any further, but vocalist Utaha(詩羽)and company sweetly and technologically have listeners imagine the ruler as a contemporary weather forecaster for Japan. Well, I figure that since Himiko was a shamaness, weather forecasting was a part of her duties back then, too, although I'm not sure if she ever focused on the cute animal of the day or foodie photos.

Fair warning though that some of the above video has some rapidly flashing images. I'd probably want to view this in a well-lit room.

https://www.youtube.com/shorts/A4xcY6ZB2RQ

Tuesday, March 21, 2023

Tokyo Ska Paradise Orchestra feat. Haruko Nagaya -- Aoi Haru no Etude(青い春のエチュード)

 

No "Uta Con"(うたコン)tonight due to probably the fact that Japan is celebrating yet another national holiday in the form of the first day of spring today. However, going back to an episode a couple of weeks ago which had more than the usual number of interesting songs, I've got yet another here.

Tokyo Ska Paradise Orchestra has always been fun to have on a show for something that's bouncy and bopping. On "Uta Con", for instance, whenever there is a heartrending enka ballad leaving folks in tears, then maybe TSPO can be the one to liven up those happy thoughts once more. Indeed, they showed up on the March 7th show but they had an extra member on loan for their new song.

Vocalist Haruko Nagaya(長屋晴子)of the pop band Ryokuoushoku Shakai(緑黄色社会)has made a guest vocal (and extra trombone [she used to play it in junior high school]) appearance alongside TSPO to perform the band's collaborative digital download single "Aoi Haru no Etude" (Green/Blue Spring Etude). To be frank, I've always wondered about the colours aoi(青い...blue) and midori(緑...green) as they apply to nature. I've heard that aoi can also mean to be green for those first signs of spring on the trees and other flora. As it is, though, I did see a translation of the title (but not the lyrics) show up on "Lyrical Nonsense": "Etude of Adolescence", and that suits me fine because saxophonist Atsushi Yanaka's(谷中敦)lyrics talk about a teen struggling through their feelings of love for someone...an existential rubber band, so to speak. 

But obviously there's nothing maudlin about "Aoi Haru no Etude" since bassist Tsuyoshi Kawakami(川上つよし)keeps the TSPO tradition of keeping things jumping and lively. Hey, spring is coming...nothing should be sad or depressing at this time. The single came out a couple of weeks ago and it's also on the band's mini-album which came out on the 15th titled "Junk or Gem".

Mariya Takeuchi -- Crying All Night Long

 

"HOW COULD YOU FORGET, J-CANUCK?! AFTER ALL THESE YEARS!"😭

All right, mea culpa from me. I had forgotten about Mariya Takeuchi's(竹内まりや) birthday yesterday until I saw one of my fellow Twitter buddies mention the fact. But in my defense, I did remember a day ahead of schedule last year when I put up her "Kanashiki Night & Day"(悲しきNIGHT & DAY). And let's be honest, I was never good with birthdays outside of the members of my own family.

Regardless, a Happy (Belated) Birthday to Ms. Takeuchi! As such, I am going with the B-side to her September 1981 8th single "Special Delivery", "Crying All Night Long". The singer came up with the all-English lyrics about a woman doing some heavy-duty expulsion of lachrymal fluid since her guys may have decided to leave her for another woman. Meanwhile, singer-songwriter Ginji Ito(伊藤銀次)came up with the interesting mix of country and perhaps some disco-infused pop. I'm getting some Melissa Manchester vibes from this one. 

I'm now going to Gibbs slap myself upside the head with one of her pictures.

From japansmusic.com
(This was the only thing close to angry
Mariya I could find.)