Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Monday, March 25, 2019

Masako Mori/Nobue Matsubara -- Namida no Sanbashi(なみだの桟橋)


Masako Mori(森昌子)retiring? Now, where did I hear that before? Actually, the veteran singer did retire once before in 1986 after entertaining people for about 14 years when she got married to enka singer Shinichi Mori(森進一). I remember the 1986 Kohaku Utagassen when Masako crumpled into tears at the end of the program while a bombastic chorus heralded the supposed end of a career.

What I hadn't realized was that the former aidoru-turned-enka singer stayed away from the microphone for 20 years while she raised a family but when she got divorced from Shinichi in 2006, she made her return to show business. Now, this morning, I got the news that she will be retiring once more at the end of this year.


Allow me then to pay appropriate tribute to Mori with her 23rd single from August 1977, "Namida no Sanbashi" (Wharf of Tears). From the title, it's pretty obvious that the lyrics by Norihiko Sugi(杉紀彦)will not be the happiest as the singer relates the loss of romance through the typical kayo setting of a pier. Shosuke Ichikawa(市川昭介)provides the dramatic and nostalgic music of strings, guitar and light crystal keyboard. This sounds like the perfect karaoke song.


In performed versions, that wailing guitar seems to have been replaced by a trumpet in fanfare mode. "Namida no Sanbashi" got as high as No. 28 on Oricon, and earned her an invitation to the Kohaku Utagassen that year for her 5th appearance in as many years.


Around the time that Mori was retiring the first time in the mid-1980s, enka chanteuse Nobue Matsubara(松原のぶえ)practically begged the singer to allow her to cover "Namida no Sanbashi", and both Mori and composer Ichikawa were more than happy to give their approval. Matsubara's version was released in May 1987 and has a more elegant and regal arrangement. There is no mention about how it did on Oricon, but Matsubara did get her own 3rd invitation to the Kohaku to sing this very song.

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