Joe Hisaishi -- Hareta Hi ni...（晴れた日に...）

Try as I might, I couldn't find the original version of "Hareta Hi ni..." (On A Clear Day...) from Joe Hisaishi's（久石譲）soundtrack of Studio Ghibli's marvelous "Majou no Takkyubin"（魔女の宅急便...Kiki's Delivery Service）from 1989 on YouTube. The above abbreviated cover version is the closest to what I heard accompanying Kiki on her way to her new home in the movie.

I mean, there are plenty of wonderful cover versions with various instruments but there was just something with the original arrangement that made things so inviting for not only the teenage witch but also for us viewers when it came to the seaside town. Can't be sure whether "Hareta Hi ni..." was meant to be Kiki's theme song or the town's anthem, but aside from the opening and ending themes by Yumi Arai（荒井由実）, this particular track is the one other song that I've always associated "Majou no Takkyubin" with all these years.

There is something simultaneously friendly, majestic and adorable with "Hareta Hi ni..." which I see and hear as a piece reminiscent of a leisurely circus waltz. Again, referring to the Yuming（ユーミン）themes, through the blog, I've treated "Rouge no Dengon"（ルージュの伝言）and "Yasashisa ni Tsutsumareta nara"（やさしさに包まれたなら）as her classic 1970s New Music creations surprisingly grafted onto a Ghibli soundtrack, but "Hareta Hi ni..." is the song that truly belongs to the Kiki movie. The above version, by the way, is a jazz cover on an album called "Ghibli Jazz 2" by All That Jazz.

Yumi Arai -- Yasashisa ni Tsutsumareta nara （やさしさに包まれたなら）

One of my early blog entries was "Rouge no Dengon"（ルージュの伝言...A Message in Rouge), an early Yumi Arai (荒井由実） song that was the opening theme for the Hayao Miyazaki classic "Kiki's Delivery Service"(1989). It was one of Arai's early New Music hits which had this rollicking novelty 50s feel to it as Kiki made her way on her trusty broom to a prospective new city. I didn't find out while I was writing the profile on it that the lyrics were much more gleefully sinister.

No such case with "Yasashisa ni Tsutsumaretara nara"(If It Could be Wrapped in Kindness). Arai sings almost as if she were a little girl wondering if only love and kindness were tangible things to be stored. There isn't a single cynical word in this lovely song. And the melody...thanks to that steel pedal guitar, it has that innocent fresh country air. It made for a wonderful ending theme to "Kiki".

There are two versions to "Yasashisa". The album version appears on Yuming's 2nd album, "Misslim" which was released in October 1974, and this was the version which was the ending theme for the movie.

For trivia purposes, the bassist on the song was Yellow Magic Orchestra's Haruomi Hosono（細野晴臣）。

Actually, a bit of a correction. If you are looking for "Rouge no Dengon", look for the entry for Yuming's 3rd album, "Cobalt Hour"(1975). The track is in there.

Yumi Arai -- Cobalt Hour

  

Yumi Arai （荒井由実）had tracks on her first two albums, "Hikoki Gumo"（ひこうき雲）and "Misslim" that are still sung today, but it was her third album, "Cobalt Hour" that has been treated as her breakthrough release. Mark Schilling, wrote in "The Encyclopedia of Japanese Pop Culture"that "critics praised it as fusing the essence of contemporary American and European pop music, with echoes of American sixties pop, into an integrated whole that was unmistakably Arai." And I think  record buyers certainly agreed; the album became the 2nd-highest LP of the year in terms of sales.

Released in June 1975, "Cobalt Hour" included "Sotsugyou Shashin"(卒業写真...Graduation Photo) which has already been posted onto the blog, and the above song. The title may not be familiar to you: "Rouge no Dengon" (ルージュの伝言....A Message in Rouge), but for anyone who has ever seen the Studio Ghibli classic "Kiki's Delivery Service", you heard it right at the beginning when Kiki takes off on her odyssey of self-discovery. Although on its initial release as a single in early 1975, it only went up as high as 45 on Oricon, Hayao Miyazaki's decision to include it in the movie in 1989 pushed up its popularity. Schilling's comment about the album having echoes of American sixties pop particularly applies to this song since it does sound like something Connie Francis would've sung. It was said that Yuming had an eye and ear about future pop trends...a few years later, a lot of Japanese pop music would be picking up melodies along those lines by groups such as The Chanels and solo artists as Eiichi Otaki（大瀧詠一）。

The irony about having "Rouge no Dengon" placed into a movie as breezy and innocuous as "Kiki's Delivery Service" lies in the lyrics: a wife who knows her hubby is cheating on her is heading off on a train to tell all to her mother-in-law. The message in rouge refers to the lipstick message she gleefully left on the bathroom mirror for her husband to read about her intentions. Instead of the "woe is me" theme that such a plot could have in an enka song, Yuming plays it like a comedy of revenge....calling Sandra Bullock and Meg Ryan. Perhaps Meg could play the older and more embittered Kiki in the live-action version.

BTW, the chorus backing Yuming is an all-star group which includes Tatsuro Yamashita（山下達郎）, Taeko Ohnuki（大貫妙子） (the two vocals of Sugar Babe) and singing legend Minako Yoshida（吉田美奈子）。

(karaoke version)

Another track is "Nani mo Kikanaide" (何も聞かないで...Don't Ask Me Anything) which also happened to be the B-side of the single release of "Rouge no Dengon". The song might actually be the more serious subplot for the latter song, since the lyrics are told from the other woman's point of view telling the guy not to ask her anything about where's she from or what's she done...just enjoy the moment while it lasts....until Mom and wife get their hands on him. The tune has a more adult bluesy vibe.

But when listening to this classic album, you'll know that this is neither enka nor aidoru. And it's not even folk...which was a prevailing musical trend in Japan at the time.

I've got a follow-up on the album.