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I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Hikota Aoi. Show all posts
Showing posts with label Hikota Aoi. Show all posts

Wednesday, June 2, 2021

Hikota Aoi -- Yaesu no Sakaba(八重洲の酒場)/Iwashigumo(いわし雲)

 

Is that Agatha Harkness in the photo? Not sure but the above is actually a shot of Roppongi during Halloween night 2009. There are plenty of areas in Tokyo which have their various drinking establishments and certainly Roppongi was one of them. Although I was never much of a drinker, I did go with the gang to Shinjuku, Shibuya, Yurakucho, Shimbashi, and yes, Roppongi for the rounds at the local izakaya or even the odd Irish pub.

I can honestly say, though, that my shadow never frequented a bar in the Yaesu area which is right by Tokyo Station, although I came fairly close with that visit to a Yurakucho hole-in-the-wall one night. And that is my segue for Hikota Aoi's(蒼彦太)3rd single from September 2014, "Yaesu no Sakaba" (Yaesu Bar). Back in 2019, I contributed an article for what was at the time, his most recent single "Udatsu"(梲)from January that year (he came out with another single in 2020).

"Yaesu no Sakaba" is an enka tune that got me right from the start with that nostalgic accordion and then the Latin guitar poured on in. Written by Kyosuke Kuni(久仁京介)and composed by Akito Yomo(四方章人), the song is an affectionate tribute to that beloved watering hole as Aoi describes it as that locus for people from all walks of life in all sorts of stages in their lives. The melody also screams traditional and welcoming comfort through heartwarming libation.

The same songwriting duo was behind the coupling song for "Yaesu no Sakaba", "Iwashigumo" (Mackerel Sky) which literally translates as "Sardine Sky" (to each country, its own fish). This one is done a whole lot more wistfully as Aoi sings about a fellow in the big city pining about how much he wants to return to his hometown but knowing that he can't due to unknown circumstances. At this point, the titular sky may be the only link between him and the old town.

I had just written about one of Yomo's very early compositions, the very melodically different "Shiroi Kassouro"(白い滑走路)for Terumi Azuma(東てる美)all the way back in 1978. Yomo has definitely gone into more traditional music in the last several years at least.

Saturday, February 23, 2019

Hikota Aoi -- Udatsu(梲)


I was watching the latest episode of NHK's "Gogo Uta"(ごごウタ), that afternoon talk show featuring singers, mainly enka, and focusing more on the talk part although the singers do get to perform their latest singles. As much as I love my City Pop and AOR, I also still want to find out about the older genres of enka and Mood Kayo, something that I can find on "Gogo Uta" and (seemingly unfortunately) decreasingly so on "Uta Kon"(うたコン).


One fellow that I saw for the first time yesterday was Hikota Aoi(蒼彦太). Hailing from Kagawa Prefecture, he was inspired with the debut of Enka Prince Kiyoshi Hikawa(氷川きよし)to become an enka singer himself while in junior high school. Debuting in 2011, his 7th single was released just last month and it's titled "Udatsu".

I found out from my parents that the kanji for udatsu is a fairly obscure one and even my father wondered what the meaning was. Apparently, according to my mother, the term is really only used nowadays in the expression "Udatsu ga agaranai"(うだつが上がらない)which means "No hope of getting ahead". The literal translation is "The pillar doesn't rise" with the original meaning of udatsu being "a short pillar set on a beam to support a ridgepole" so I gather that this is something on a sailing vessel.

Composed by Koji Tokuhisa(徳久広司)and written by Kyosuke Kuni(久仁京介), the song seems to be about being that sturdy pillar to survive and thrive in life. As an enka tune, yep, it's about as sturdy and shibui as it can get. With that shakuhachi and electric guitar in the background as musical companions, Aoi can pretty much stand up with arms defiantly crossed against a typhoon in his yukata.

Aoi also released two albums in 2015 and 2018. One thing that I noticed about him is his passing resemblance to seiyuu/actor Mamoru Miyano(宮野真守), almost to the point where I wouldn't be surprised if they were indeed relatives. I also found out that the singer also enjoys making udon noodles and touring udon restaurants. Considering that he is from Kagawa Prefecture, again no surprise there either.