Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label 1983. Show all posts
Showing posts with label 1983. Show all posts

Friday, July 31, 2026

Cunimondo Takiguchi's Personal Selection for His Top 10 City Pop Albums of the 1980s ~ Part 1

 

Over the past few years, it's become fairly regular for me to wait in hospitals and clinics while my folks and myself go through various medical procedures. And as such, I bring a book along to wile away the time. A few weeks ago, I brought the above tome called the April 2018 edition of "Record Collectors" which was focusing on the City Pop singles and albums from 1980 to 1989.

Well on Page 47, there was an article with the title "Cunimondo Takiguchi ga Erabu Shiteki Hachi-juu Nendai City Pop Best 10"(クニモンド瀧口が選ぶ私的80年代シティポップベスト10)which has been translated into the title on the above byline. Now, Takiguchi is the leader of the band Ryusenkei(流線形), one of the groups that spearheaded a new version of City Pop going into the 21st century although he has gone on record to state that he doesn't particularly want that exact label applied to his work since City Pop is a musical phenomenon of past decades; he would prefer that his discography and those of other similarly-minded contemporary musicians be called urban contemporary. I respect his opinion but I also have my own on the reach of City Pop throughout the past few decades and I feel that City Pop never really died out even when the Bubble Era collapsed at the turn of the decade from the 80s into the 90s so I have continued to use the label to categorize songs by Ryusenkei, Kirinji(キリンジ)and Suchmos, etc.

But in any case, I have here Part 1 of his list of those City Pop albums from the 1980s that he has enjoyed starting from 1 to 5. The latter half of the selection will be posted next week. I have also included the comments that he stated in the article for each album. For the last couple of entries, I wasn't able to find a full album.

1. Tatsuro Yamashita -- For You (1982)

When I was a junior high school sophomore, one summer, my three buddies and I listened to "Futari" on the Walkman from the veranda of an Atami cottage while looking at the night sky. We were so moved as we each had a turn listening to it and the memory has lasted as a formative experience in City Pop for me.

2. Hiroshi Sato -- Awakening (1982)

For the wonderful keyboardist, Hiroshi Sato(佐藤博), who had his input on that Yamashita album, I took another look at his "Awakening" in my thirties and it became one of my most favourite albums. He once gave me an interview and though I was nervous, he was kind enough to give me two hours of his time which was a happy memory.

3. Makoto Matsushita -- First Light (1981)

Going back from Matsushita's(松下誠)days with AB's, the original jacket from "First Light" struck me as something that was so cool. The refined chord progressions and arrangement along with Matsushita's not-overly-polished vocals were very comfortable to hear.

4. Izumi Kobayashi -- Coconuts High (1981)

I got into "Coconuts High" through the soundtrack she provided to "Urusei Yatsura"(うる星やつら), and those tropical songs contained the Latin rhythms and her light and cute vocals which harmonized just right with those muscular synths.

5. Junko Ohashi -- Point Zero (1983)


I fell in love with "Tasogare My Love"(たそがれマイ・ラブ) when I was in elementary school. I got to know her cool and groovy side when I listened to "Point Zero" in my twenties. 

Junko Ohashi -- Sensual Night

 

Within the many albums that the late great Junko Ohashi(大橋純子)had released, my impression is that her October 1983 album "Point Zero" stands out to me as the one where she really dove into the American funk-and-dance sphere. It wasn't just a City Pop thing but something that sounded as if Ohashi wanted to groove it up with folks like the Dazz Band.

Case in point: the track "Sensual Night". As the title says, it's a funky and writhing body on the dance floor inviting the listener to come and jump in (the water's fine!). And there's even a rapping interlude in there (even Ohashi takes part in the rapid patter). It feels more like disco-ing in Los Angeles rather than Tokyo. Short and sweet...there's a cigarette for the afterglow. 😋Ohashi provided the lyrics while Kazufumi Ohama(大浜和史)composed "Sensual Night". Ohama was once the musical director for Pink Lady and was the leader of the band NASA.

Thursday, July 23, 2026

Olivia Newton-John -- Twist of Fate

By Alan Light via Wikimedia Commons

The last time I brought Olivia Newton-John into Reminiscings of Youth was a little over a year ago when I wrote about her early 1970s ballad "I Honestly Love You". When I look back on her career from that time forward a decade, it's amazing how much she changed her style. And yes, I'm well aware that we are approaching the 4th anniversary of her passing.

From a well-scrubbed country lass back in those 1970s to a New Wave diva of the early 1980s (and a disco gamine in between...along with her time in "Grease"). Yep, I'm referring to the above music video for her October 1983 hit "Twist of Fate" which I saw a lot on the video shows. I'm not sure whether a lot of folks actually watched the movie that it was attached to, the 1983 "Two of a Kind", starring Newton-John and her old buddy from "Grease", John Travolta, but the song and the video sure were popular. 

As I mentioned, "Twist of Fate" was a synthpop/New Wave-y concoction produced by David Foster and created by Steve Kipner and Peter Beckett that was catchy and pretty much screamed "I'M OF THE 80'S!" in its arrangement. Maybe it could have gotten folks onto the dance floor as well. But it was the music video that got my attention at least with a glammed-up Olivia strutting into a seemingly futuristic court. I swear that she looked halfway to becoming a live-action version of Memphis Group art. I think even the singer mocked herself in a later interview about how much lipstick she spackled onto her mouth for the video, although I thought she looked dang hot to be honest.😉


In Canada, "Twist of Fate" reached No. 5 on RPM while in the United States, the song peaked at No. 5 as well. So, what was up on the Oricon charts on October 24th 1983, a few days after the release of this OJN hit? Just for fun, let's go with Nos. 18-20.

18. Tomio Umezawa -- Yume Shibai (夢芝居)



19. Yuki Katsuragi -- Bohemian (ボヘミアン)


20. H2O -- Omoide ga Ippai (思い出がいっぱい)

Wednesday, July 22, 2026

Nagoya Singers

Nagoya Castle
by Base64 via Wikimedia Commons

Last week, I posted up "Sagamihara Singers" in tribute to the fact that my hometown of Toronto and the city of Sagamihara had a sister-city relationship. Tonight, I'm talking about "Nagoya Singers" but my inspiration isn't connected to any similar bond between Nagoya and a Canadian city. In fact, I don't think Nagoya has any sister-city relationships with any urban zones in my nation although it does have them with Los Angeles, Mexico City and Sydney.

Nope, the impetus for writing about singers or bands who come from Japan's 4th-largest city is today's edition of NHK's "Asaichi"(あさイチ)morning information show. It just so happens that the focus was on Nagoya and all of those scrumptious dishes that originate there and elsewhere in its Aichi Prefecture. When I saw that wonderful dish of grilled eel called hitsumabushi(ひつまぶし)on my screen earlier, I just went "OK...got my second article for Hump Day!". But have a look at hitsumabushi and some of the other famous local treats in the video above from Mui's Diary.

Anyways, I've got four acts here from Nagoya. Please enjoy!

(1983) Junko Yagami -- Jealous


(1984) Yukiko Okada -- Dreaming Girl


(1993) Yoshiko Goshima -- Shiroi Iro wa Koibito no Iro (白い色は恋人の色)


(2011) Sentimental City Romance -- Sun Sunny Friend


Anyways, Nagoya has been in the news for being one of the hottest places in Japan right now, so I'm hoping that folks there are trying to keep cool and safe. As a PS, you can also take a look at another Nagoya specialty, ten-musu(天むす), from YouTuber Just One Cookbook.


Monday, July 13, 2026

Akina Nakamori -- Ame no Requiem(雨のレクイエム)

 

Just to echo my friend, fellow KKP administrator/contributor and occasional lunch/dinner buddy, Larry Chan, Happy 61st Birthday to Akina Nakamori(中森明菜). As I mentioned in my comments to him following his article on "Gomen to, Suki to"「ごめんと、好きと」, it used to be the tradition on the blog whenever we celebrated July 13th that we gave our greetings in the form of nervously hoping that Nakamori was doing OK wherever she was. Well, in the last couple of years, it looks like she is feeling fine and so I'm ready to retire the tradition and know that she's in pretty good spirits.✌

Reading the previous article, I was more than happy to have our annual July 13th Akina article written by Larry with my blessing since it's been another tradition to alternate our contributions, year by year. But then I thought why not have the two of us providing articles on this hot summery day? Mind you, both of us gave our Favourites lists a dozen years ago: "Larry's Akina Top 6 Picks (post-1991 era)" and "J-Canuck's Favourite Six Akina Songs"...man, time flies quickly!

Since a lot of us on the blog put up a lot of Akina tunes from early on in KKP's history, it's been a little difficult as of late to find something "new", but I was able to once again scour the early B-sides of the lass' singles. As a result, I was able to find this one titled "Ame no Requiem" (Rainy Requiem) which was the flip side to her September 1983 single "Kinku"(禁区). That song, coincidentally enough, was the very first Akina song I heard and it was the song that she sang during her first appearance on NHK's Kohaku Utagassen at the end of that year. 

"Kinku" was that rather dramatic technopop hit composed by Yellow Magic Orchestra's Haruomi Hosono(細野晴臣), and so I figured that knowing that, "Ame no Requiem" would most likely be a much softer ballad vocalized by Akina in that high and feathery love song style that she used to do in her earliest years to contrast with the deeper voice that powered songs like "Kinku"

Well...yeah..."Ame no Requiem" was definitely a different kettle of fish. It came off as being so French that while I was listening to it, the taste of garlic and butter escargots popped into my mouth along with a glass of Bourgogne Aligoté. The surprising thing was that the composer was none other than Koji Tamaki(玉木浩二), lead singer of Anzen Chitai(安全地帯); never realized that he had that much of the City of Lights in him. He definitely brought in the Fashion Music for Akina! Rui Serizawa(芹沢類was the lyricist while Mitsuo Hagita(萩田光雄)took care of the arrangement (he probably helped out with the French flavourings, too).

If you have any B-sides of Akina that you've enjoyed, please let us know!

Wednesday, July 8, 2026

Yuko Kawai -- Persian Rouge(ペルシャン・ルージュ)

 

I may have mentioned this before but singer-songwriter Yuko Kawai(河合夕子)was someone that I discovered because of my work on the blog and the good folks at YouTube. Did not know of her existence in all my years in Japan. My impression of her thus far is that she was one of the more eclectic and fun-loving singers out in the pop field when it came to her showmanship and compositions.

Case in point: her "Persian Rouge", a track from her June 1983 4th and final album to date "Fumin Shoukougun"(不眠症候群)which basically means "Insomnia". She was behind words and music with Masao Urino(売野雅勇)also helping out on the lyrics, and "Persian Rouge" has that playful mix of technopop and exotic kayo as if Kawai was out on the Silk Road somewhere with her synthesizer and a camel.

Tuesday, July 7, 2026

Glass Kayo

 

The above is a Very Berry Shake that I got at a place called Petit Potato. It was indeed very flavorful and thirst-quenching. However, the theme isn't on the contents but the container. Early this year, I came up with an Author's Picks called "Substance Kayo" which focused on those kayo titled with various substances. But then, I realized after writing up one recent article and remembering a couple of oldies that I'd written early in this blog's history that a subset can be made of kayo kyoku containing the word "glass" in their titles. As such, let me start this Tuesday edition of KKP with some glass kayo.

(1977) Yujiro Ishihara -- Brandy Glass (ブランデーグラス)


(1981) Jun Horie -- Memory Glass(メモリーグラス)


(1983) Seiko Matsuda -- Glass no Ringo (ガラスの林檎)


(1997) Kinki Kids -- Garasu no Shonen (硝子の少年)


(2009) Cheuni -- Glass no Tokyo Tower(ガラスの東京タワー)

Saturday, July 4, 2026

J-Canuck's "America" Tunes 2

Wikimedia Commons

To any and all American readers of "Kayo Kyoku Plus", Happy Fourth of July and also a Happy Sestercentennial (250th birthday). I recall that three years ago, I also provided a special list of America-related songs on July the 4th and mentioned that we would have to do something about 2026. Well, the day is here.

And so, this is my "America" Tunes 2. Unlike the first one which mostly dealt with songs that had "America" in their titles, I'm being a bit more geographically precise so I'll be listing those numbers referring specifically to states and cities. Without further ado then:

(1948) Haruo Oka -- Akogare no Hawaii Koro (憧れのハワイ航路)


(1983) Mayumi Itsuwa -- California


(1978) Goro Noguchi -- Catalog L.A.(カタログL.A.)


(1984) Himiko Kikuchi -- Hollywood Illusion


(1979) Casiopea -- I Love New York


(1983) Seiko Matsuda -- Miami Gozen Go-ji (マイアミ午前5時)


Monday, June 29, 2026

Flower Kayo

 

Yesterday on "Shin BS Nihon no Uta"(新BS日本の歌), the episode's theme was on flower-titled kayo kyoku. That did get me to thinking...as I recall, there have been quite a few such songs that I've remembered over the decades, so I've decided to provide my own short list. My list kinda breaks out a little more widely although the first entry here was also included on the program's own list. Anyways, without further ado:

(1964) Harumi Miyako -- Anko Tsubaki wa Koi no Hana (アンコ椿は恋の花)


(1966) Mike Maki -- Bara ga Saita (バラが咲いた)


(1980) Mariya Takeuchi -- Morning Glory


(1983) Yumi Matsutoya -- Dandelion ~ Osozaki no Tanpopo (ダンデライオン〜遅咲きのたんぽぽ)


(2012) Yoko Kanno -- Hana wa Saku (花は咲く)

Monday, June 8, 2026

Yuko Hara -- Koi wa Go-Tabou Moushiagemasu(恋は、ご多忙申し上げます)

 

As I mentioned in my previous article, I had been scrolling down the Top 50 singles of 1983 when I discovered Tsuyoshi Nagabuchi's(長渕剛)"Good Bye Seishun"(GOOD-BYE青春)at No. 49. Well, it turns out that I didn't know the song at No. 50 either, so why not finish up Monday's entries with another 1983 hit?

On first listening to Yuko Hara's(原由子)"Koi wa Go-Tabou Moushiagemasu" (Too Busy for Love) which was released in August of that year, I'd assumed that much like "Good Bye Seishun", this one also fronted a television drama as the theme. However, it was actually used as another campaign song for Shiseido. According to the J-Wiki article, this was the Southern All Stars(サザンオールスターズ)keyboardist's first big solo hit (her own 4th single hitting No. 5 on the Oricon weeklies) and as written and composed by her husband, SAS vocalist Keisuke Kuwata(桑田佳祐), there is something quite reminiscent of Phil Collins' take on "You Can't Hurry Love" from 1982. Heck "Motown" is even mentioned in Kuwata's lyrics.

Tsuyoshi Nagabuchi -- Good Bye Seishun(GOOD-BYE青春)

 

Welcome to Monday! I was looking down the Oricon Top 50 singles for 1983 on J-Wiki and perhaps not all that surprisingly, we've managed to cover pretty much all of them in the 14+ years that "Kayo Kyoku Plus" has been in existence.

However, one that I had yet to cover was singer-songwriter and actor Tsuyoshi Nagabuchi's(長渕剛)"Good Bye Seishun" (Good Bye Youth) which ended up as the 49th-ranked single of 1983 after hitting No.5 on the Oricon weeklies following its release in September 1983. Strangely enough, the intro for "Good Bye Seishun" was familiar to me so I had heard it sometime in the past as it reminded me a bit of "El Condor Pasa", and indeed, Nagabuchi had based the melody on Central and South American songs created into this folk-rock tune.

Yasushi Akimoto(秋元康)was responsible for the lyrics which don't give a particular happy glow to someone's days of youth. It seems like the protagonist went through some very hard times as a teenager and is more than happy to wash his hands of all of it before taking those steps into adulthood. Still, the song is plenty jaunty.

"Good Bye Seishun" was Nagabuchi's first major hit since his 1980 "Junko"(順子). It not only got him more appearances on television but it was also used as the theme song for the 1983 TBS drama "Kazoku Game"(家族ゲーム...The Family Game) which was also a starring vehicle for him.

Saturday, June 6, 2026

Senri Oe -- Wallabee Nugi Sutete(ワラビーぬぎすてて)/Glory Days

 

You're getting the 2-for-1 deal today with singer-songwriter Senri Oe(大江千里). Yup, two songs in one article...neither of which I have heard from him before.

First off, I was curious about how Oe when he was a pop star in the 1980s got his start since I've known him from the latter half of that decade and I've known him for his distinctive upbeat sound. Well, he made his debut in May 1983 with the single "Wallabee Nugi Sutete" (Kick Off Those Wallabees). 

From Amazon

I think right from the start Oe has had that happy "Aw, gosh!" pop/rock style with "Wallabee Nugi Sutete" which struck me as being quite fast, and then I discovered that it's barely over three minutes. Couldn't ask for a poppier song. Masaaki Omura(大村雅朗)arranged everything by the way.

Personally, I've never worn a pair of Wallabees before but they certainly look comfortable. However, Oe's encouraging the guys to take them off, ostensibly to have that beachside barefoot walk with the girls they like. "Wallabee Nugi Sutete" didn't seem to make it onto the Oricon charts but for those Oe fans, this should be part of their collection. The song was also included on the singer's debut album which came out the same month as the single "WAKU WAKU" and according to the J-Wiki article, "Wallabee" had some big guns in the recording studio such as bassist-songwriter Tsugutoshi Goto(後藤次利)and drummer Jun Aoyama(青山純).

Seeing the music video for the song, I'm convinced that I had seen it before decades ago when the Canadian music show "The New Music" did a special on the music of Japan. They showed a part of this video, specifically the part where Oe was walking on the audiotape in the middle of it.

I'd already had Oe's debut single in the backlog for a few weeks when I discovered that one of his later singles has become part of the "Ganbare! Nakamura-kun!!"(ガンバレ! 中村くん!!)ending theme family. His 14th single "Glory Days" gloriously finished off a nerve-racking Episode 10 of ever-tense Nakamura-kun waiting to get an autograph from his favourite manga author. 

Oh, isn't that an adorable pair look for Nakamura and Hirose! Anyways, "Glory Days" was released in August 1988 and once again, Omura was there to arrange Oe's words and music. It was also a part of his 10th album "1234" which not only hit No. 6 on Oricon but was voted Best Album of the Year at the 3rd Annual Japan Gold Disk Awards

Tuesday, May 26, 2026

HANDS Down!☹️

 

It's been almost a decade since I mentioned through my article on Akina Nakamori's(中森明菜)album "Crimson" that Jaws, my tape recorder, made a meal out of my audiotape of the album. It died rather gruesomely, kinda like Ben Gardner in "Jaws". Well, around this time yesterday, I realized that my home printer Sam breathed its last. It was 14 years old and from what I've read of life expectancies of such devices, ol' Sam lived an unusually long life so I'm not mourning too badly and I've got a new one on the way.

However, I have to state that another beloved thing from my memories is now in its last months. That would be the very first branch of the iconic Japanese DIY and hobbyist store Tokyu Hands (now known as Hands) in Shibuya. The doors will close at the end of this November and unfortunately, I will not be there to say goodbye. As usual for the fate of such emporia, the cause is the whole online thing and declining of foot traffic which is hard for me to imagine because the last time I was there was many years ago when the store was packed with customers.

During my years in Tokyo, next to Tower Records a few blocks over, Tokyu Hands was my regular go-to place in Shibuya. It was always the case of walking on one particular street from Tower and then eventually coming down the hill to see good ol' Hands to my left. I used to visit this ivory tower filled with mezzanines to purchase calendars and other examples of stationery along with other sundry items that I can't remember. I do remember the incense area on one floor where I picked up a lost-lasting box of incense cones. I lit up a cone with a match and quickly waved out the flame after which the smoke basically coated my living room in very heavy herbal scents for several days at a time. Basically, if there was something I wanted to buy for the home or make in the home, Tokyu Hands was the place. Now, Hands will go on throughout its other branches but Branch No. 1 has been given its terminal diagnosis and I will miss it.

By DeepSkyBlue via Wikimedia Commons

Now, I couldn't find any sort of music or singer that was attached to Tokyu Hands so I was at a quandary about how to pay tribute to the store. But then, I figured that I'll just provide a list of songs whose titles' first words begin with the letters in HANDS. So, here's my Author's Picks on the shop.

(1982) Minako Yoshida -- Hoho ni Yoru no Akari(頬に夜の灯)


(1977) Iruka -- Ame no Monogatari (雨の物語)


(1983) Yu Hayami -- Natsu Iro no Nancy (夏色のナンシー)


(1983) Yumi Matsutoya -- Dandelion ~ Osozaki no Tanpopo (ダンデライオン〜遅咲きのたんぽぽ)


(1983) Anri -- Surf City


Saturday, May 23, 2026

"Los Angeles" Tunes

 Since J-Canuck did a list of New York themed songs, its only fair I do one for Los Angeles. Being an LA native I have a pretty good ear for what captures the essence of LA (the good and the bad lol).


L.A. Night by Yasuko Agawa (佐藤康子)


This is what we like to call a "certified hood classic". Recorded in 1984 for jazz singer Yasuko Agawa's album Gravy, this was written and produced by Augie Johnson, who also wrote Light of the World's 'London Town'.  If it wasn't for a few key differences, their practically the same song. but L.A. Night is definitely better out of the two, with stronger bass & drums and a catchier hook. LA Night captures the laidback G-funk energy perfectly all while taking a snapshot of an LA that no longer exists, she even gives a shout out to the Raiders! 


Streets Are Hot by Miho Fujiwara (藤原美穂)


The very appropriate theme from the obscure OVA movie California Crisis. Super funky, upbeat with some soulful singing from Fujiwara, this a great song for riding your bike down Manhattan Beach. 



Hollywood Illusion  by Himiko Kikuchi (菊池 ひみこ)


As someone who used to work in Hollywood as an intern for a few big studios, I cant definitely say that Hollywood is in fact an illusion.  But this song captures the idea of Hollywood perfectly. Kikuchi manages to capture the glamourous veil of tinsel town perfectly, to the point where this would be the perfect intro to an 80s sitcom filmed in  front of a live studio audience. If Hollywood had a theme song... well to be fair I think it already has a few. But I think this song should be it.

Painted Woman by Eric Tagg & Masaki Matsubara (松原正樹)


This one was another tough choice, but I think Painted Woman the euphoniums album is another great choice for a Hollywood anthem. on top of that it's also a peak specimen of West Coast AOR sound. 

The final song in my list deserves its own article. In the meantime, enjoy my Los Angeles themed City-Pop mix.



Friday, May 22, 2026

"New York" Tunes

 

Last Friday, when I put up Iruka's(イルカ)"NYC wa Toosugite"(NYCは遠すぎて), I realized that there have been a number of New York-themed tunes posted up here on "Kayo Kyoku Plus" over the years. And since we have those "America" tunes that I posted as an Author's Picks back in 2023, why not become even more localized and go straight to the Big Apple? A couple of them on that list ("Kennedy Airport" and "Purpletown") could comfortably belong on this list but since they're already up there, it wasn't too difficult to find two more. But without further ado, here are my five New York tunes.

(1978) Akiko Wada -- Park Avenue 7 PM


(1978) Jun Fukamachi -- Letter to New York


(1978) Cools Rockabilly Club -- Sentimental New York(センチメンタル・ニューヨーク)


(1983) Yasuhiro Abe -- Manhattan


(1985) Naoko Kawai – Manhattan Joke 

Thursday, May 21, 2026

Art of Noise -- Beat Box

 

I've already posted a number of Art of Noise articles in the past ten years as parts of the Reminiscings of Youth file here on KKP, and indeed, the avant-garde synthpop group consisting of Anne Dudley, Trevor Horn and all of the rest made up some of the most incredible collages of sounds to form music to add pleasure to my time in the 1980s. By the time that they came up with their version of "Dragnet" for the movie starring Dan Aykroyd and Tom Hanks in 1987, they were very much a welcome part and parcel of the decade's pop panoply.


However, several years earlier, I was honestly taken aback and maybe even somewhat intimidated by the Art of Noise when I heard their December 1983 debut single "Beatbox". It was nothing that I had ever heard before; they made this beloved song in the breakdancing world out of various sounds which emanated like and not like human voices screeching out a march alongside some pounding percussion and perhaps my first exposure to orchestral hits.

I've read and heard that there have been various takes (or diversions) on "Beatbox" on record and in music video. If so, then the music video below is the one that I've seen because I remember seeing that image of the London police officer getting duplicated and stretched out. It was quite the tourist video for London as well.



Among all of the diversions (I've seen No. 10), I think the one that I heard the most on radio was Diversion 1 which lasts more than eight minutes and finishes with a classy classical piano take on the core song. It's almost as if AON was trying to let us know that no matter all of the technology and sampling, music still comes down to a basic beautiful melody played out on an old-fashioned instrument.

So, as I said, "Beat Box" was released in December 1983. What else was being released in Japan in that month?

Yutaka Ozaki -- Juu-go no Yoru(15の夜)


Yoshie Kashiwabara -- Camouflage (カム・フラージュ)


Tatsuro Yamashita -- Christmas Eve

Saturday, May 16, 2026

Ryuichi Sakamoto -- Daiei(ダイエー)

 

I know that Daiei is one of the major supermarket chains in Japan. There was one branch of it near my apartment...a mere ten-minute walk away. The actual supermarket was in the basement but it was huge, fairly comparable to some of the No Frills supermarkets we have here in Toronto, and my Daiei also had a couple of floors above the supermarket for clothes and the usual department store stuff.

Let it be known that it would be grand folly to describe the amazing things that the late legendary Ryuichi Sakamoto(坂本龍一)did musically in one mere paragraph. He was a pioneer in technopop, helped give a new exciting sound to Taeko Ohnuki(大貫妙子)in the early 1980s, provided some of the catchiest and quirkiest melodies to other singers such as Miki Nakatani(中谷美紀), arranged one of the cutest kid-friendly songs for an aidoru trio, created some fine and comfortable New Age music, and was even responsible for a blippity-bloppity theme for NHK News back in the day.

And yep, he even gave his all for commercials including one for my beloved Daiei where I often got my bento. And I mean, he gave his all.

(Mock conversation between The Professor and Daiei)

Daiei, nervously: So, can you...uh...provide a nice jingle for our supermarket?

Sakamoto, haughtily: I, Ryuichi Sakamoto, do NOT compose tiny insignificant baubles of eighth notes for anything! I compose full breathing songs, sir!

Daiei: Well...uh...how catchy and long can you make this song for our humble company?

Sakamoto: YES!

And thus, "Daiei" was born in 1983. And here I thought his "GT" was cool and upbeat. "Daiei" may be his most foot-stomping and toe-tapping work yet. It's got his 80s synth beats, celebratory Christmas bells, bounce-off-the-wall saxophone, cool background chorus and bang-and-crash percussion. Good golly...how big was that sale for fruits and vegetables? You will never simply walk over to your local grocery ever again.

Anyways, "Daiei" is available on his November 2002 compilation album "Works I - CM".

Saturday, May 9, 2026

Hidemi Ishikawa -- Hey! Mister Policeman(Hey! ミスター・ポリスマン)

 


One of the more common catchphrases and situations in anime at one point, the "moshi, moshi...keisatsu desu ka" (Hello, is this the police?) was definitely the existential salve for one character to erase the presence of a more troublesome character. If a 911 response in Toronto were only that quick nowadays...


Anyways, the preamble ramble this time is for Hidemi Ishikawa's(石川秀美)5th single "Hey! Mister Policeman" which first made its presence known in May 1983. Written and composed by Kyoko Matsumiya(松宮恭子), perhaps she was inspired by The Marvelettes' "Please Mr. Postman" in terms of the title and the catchy rock n' roll arrangement by Kazuo Otani(大谷和夫). As for Matsumiya's lyrics, I'm not sure whether Hidemi-chan is calling for a cop to stop a particularly pesky (and perhaps wealthy) suitor from following her or perhaps she's asking for the officer to stop the guy himself from moving his eyes to other female targets other than her. 

According to the J-Wiki article for "Hey! Mister Policeman", it was Ishikawa's first single to get into the Top Ten of Oricon by placing in at No. 10. Furthermore, according to the aidoru's then-manager, everyone had been so busy that they didn't have enough time to take a suitable photo for the single jacket. While everyone was wringing their hands at this situation, Ishikawa and company went down to Guam for filming during which they ran into a local police officer, so taking advantage of things, Ishikawa was able to get some cute photos with the cop. There was the bright idea about using one of those Hidemi-and-cop shots as the jacket, but they simply weren't in time for the first production run of the record. Basically, the result was that "Hey! Mister Policeman" ended up with two different single jackets that you can see in the video above. I guess all involved made do with one of those initial photos after all.

Saturday, May 2, 2026

Oricon Single Rankings for May 2nd 1983


1.  Takashi Hosokawa           Yagiri no Watashi

2.  YMO                                Kimi ni, Mune Kyun

3.  Warabe                             Medaka no Kyodai

4.  Akina Nakamori               Ni-bun no Ichi no Shinwa

5.  Akio Kayama                    Hisame

6.  Chiemi Hori                     Natsu Iro no Diary

7.  Rats & Star                       Me Gumi no Hito

8.  Chiharu Matsuyama         Sing a Song

9.  Eisaku Ohkawa                 Sazanka no Yado

10.  Yu Hayami                      Natsu Iro no Nancy


Friday, May 1, 2026

Curtis Creek Band -- City Morning

 

   


It's been a while since I posted the first Curtis Creek Band article. Yup, it was back in spring of 2023 when I wrote about this jazzy band with the name that has a "Star Trek: The Next Generation" connection, and to add further to the article for "Foggy", I realized that band saxophonist Toshiro Sakka(さっか利郎)and his group released two versions of an album under the same title in 1983. "Windy People" has the two different covers: the one with the pretty woman looking longingly at the word "White" has the subtitle of "Winning History ni Dakarete"(ウイニング・ヒストリーに抱かれて...Embraced by a Winning History) while the other one has a dashing fellow on a motorcycle while its subtitle is "Shinkyo Monogatari"(心響物語...Heartbeat Story).


"City Morning" is a track that belongs on the "Winning History ni Dakarete" version. Composed and arranged by Sakka, it's ironically led by a lonely trumpeter who isn't even mentioned in the Discogs file on the album. It's a comfortable and woozy contemporary fusion instrumental but having that trumpet in there makes me fantasize that the song could be the soundtrack from a made-for-TV movie about a cynical gumshoe coming back from a long night of drinking and detecting to his humble apartment in a rundown area of town. Please feel to supply your own narration by the private eye himself.