Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Yuki Nakayamate. Show all posts
Showing posts with label Yuki Nakayamate. Show all posts

Wednesday, September 18, 2024

Yuki Nakayamate -- Telephone Box(テレフォン・ボックス)

 

Maybe the only thing rarer than a winter coat out in Tokyo today is the old-fashioned telephone booth. By the time I got to Japan to work starting from the late 1980s, seeing those oddly-shaped phones with different colours in various establishments was becoming somewhat scarce but at least, the booths still existed everywhere taking their coins and then later those NTT or KDD telephone cards. But now, it's like searching for the hardest object in a city-wide scavenger hunt.

Interestingly enough, my impression is that the telephone booth was a popular setting within a Japanese pop tune because one-half of a dramatic conversation, often involving love, took place inside those glass or plastic walls. Perhaps that is also the case with Yuki Nakayamate's(なかやまて由希)"Telephone Box", a track on her first album from 1981 "Hold Me Tender". The album also includes another song that I've covered, "Ijiwaru Shiokaze"(いぢわる潮風)

Perhaps the entire album runs the gamut between the genres of AOR and City Pop but when comparing the two tracks, whereas "Ijiwaru Shiokaze" has that Steely Dan and Yumi Arai(荒井由実)mixture, "Telephone Box", written and composed by the singer, seems to be a nostalgic throwback to some of that West Coast soft rock of the 1970s. Couldn't find the lyrics online for this particular song but the somewhat sunnier nature of the melody might mean something more optimistic within the conversation taking place inside that booth.

Saturday, July 27, 2024

Yuki Nakayamate -- Silhouette Call

 

My first two articles on singer-songwriter Yuki Nakayamate(なかやまて由希)were put up on December 2019 and February 2021. "Ange Blanc"(アンジェ・ブラン)from her 1983 album "Octopussy" and "Ijiwaru Shiokaze"(いぢわる潮風)from her debut 1981 release "Hold Me Tender" talk of two different styles by Nakayamate. The latter was more City Pop/AOR while the former went into a techno-tango style. Comparing the two, I figured that the singer's discography, as brief as it was, would be an interesting one to explore.


Unfortunately, I only found this out within the last hour or so. Nakayamate may have passed away on December 23rd 2022 from pancreatic cancer at the age of 62 according to one source, music writer Takashi Ikegami(池上尚志)on his Twitter feed. I haven't read or heard any other news confirming or denying this, so if anyone else can let me know, that would be appreciated.

I found this other track from "Octopussy" titled "Silhouette Call". I can't really conceive what a silhouette call is, but the song sounds silkily cool with that "...air of sophistication and finesse..." that uploader yaoiboi92 stated to describe the album. There are the keyboards and the bass from City Pop land that reminded me somewhat of a couple of tracks on Mariya Takeuchi's(竹内まりや)"Miss M", but the tropical Latin and the floaty arrangement accompanying Nakayamate's soft-as-cotton vocals make me think more of Resort Pop somewhere in a Jamaican resort. As was the case with "Ange Blanc", "Silhouette Call" was written by Tetsuya Chiaki(ちあき哲也)and composed by Kyohei Tsutsumi(筒美京平).

Wednesday, February 3, 2021

Yuki Nakayamate -- Ijiwaru Shiokaze(いぢわる潮風)

 

A little over a year ago, I wrote about singer Yuki Nakayamate(なかやまて由希)and a track from her second of two albums "Octopussy ~ Koi Suru Onna-tachi"(OCTOPUSSY~恋する女たち~...Women In Love) from 1983. "Ange Blanc"(アンジェ・ブラン)is quite a moody European-sounding synthpop song slightly reminiscent of what I've heard from Taeko Ohnuki(大貫妙子)at around the same time.

Well, I recently came across a representative track from her first album "Hold Me Tender" which was released in 1981, and "Ijiwaru Shiokaze" (Mean Ol' Sea Breeze) couldn't sound more different. Written and composed by Nakayamate herself, this song is much more in the City Pop/J-AOR vein. In fact, I'd say that there is some Yumi Arai(荒井由実)here and some Doobie Brothers there, and it rides fairly smoothly over the seaside expressway. The author on Hip Tank Records has even compared the arrangement with the classic "Peg" by Steely Dan.

Tuesday, December 10, 2019

Yuki Nakayamate -- Ange Blanc(アンジェ・ブラン)


I'm more of a casual and not a rabid fan of the 007 franchise although I think the first three movies with Sean Connery: "Dr. No", "From Russia With Love" and "Goldfinger" are pretty stellar. The current and soon-to-be-departing Daniel Craig is also someone that I've been fine with although his movies have been somewhat hit-and-miss: "Casino Royale" and "Skyfall" were great while "Quantum of Solace" and "Spectre" were not (although it was great to see M in that last one get a sorta fistfight as well).

Then, there were the Roger Moore years. His early flicks as James Bond were fine with the height being "The Spy Who Loved Me" but then as the early 80s went by, I was left wondering whether the tone was going to be become even more arch than Moore's eyebrow. To be honest, I don't remember much of those films but "Octopussy" was one title that did stand out, if only to get me giggling like the immature teen I was back then. I think it was the one where Bond actually dressed up like a clown.


Well, much to my surprise many years later, I've discovered an album that actually has the title "Octopussy". Released in March 1983, this was the second album for Yuki Nakayamate(なかやまて由希), a Tokyo-born singer who pursued a career in music while working as a company employee right after high school. She released three singles and a couple of albums including "Octopussy" before health issues forced her to stop for several years.

The cover of "Octopussy" which has who I assume is Nakayamate on the cover looks pretty dramatic in a European sort of way, and listening to the opening track "Ange Blanc", I also got that feeling of overseas intrigue done up with a mild synthpop beat (nice percolating percussion, by the way), similar to what I've heard from Taeko Ohnuki(大貫妙子)at about the same time and Miharu Koshi(コシミハル)when she began that new twist in her career as a technopop diva. With "Ange Blanc" at least though, Nakayamate's vocals have a richer and deeper delivery.

Tetsuya Chiaki(ちあき哲也)was responsible for the lyrics while Kyohei Tsutsumi(筒美京平)took care of the music. As for Nakayamate, she took her leave of absence just a couple of months following the release of "Octopussy", but then into the 2000s, she started becoming active again on a number of social networking platforms including Instagram, Facebook and her own blog. Then from 2013, she and organist/producer Koichi Ikeda(池田皓一)joined up to form the music duo Atelier Forest.