Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Ko Nakashima. Show all posts
Showing posts with label Ko Nakashima. Show all posts

Tuesday, August 6, 2024

Ko Nakashima -- Hello

 

Taking care of the usual custodial duties on "Kayo Kyoku Plus", I often come across some of the more obscure artists. One such artist that I encountered recently while going through the articles of a certain year was Ko Nakashima's(中島孝)"drop". Nikala was the writer for that one back in 2018, and "drop" was a track from Nakashima's album "Raft" from 2016. Collaborating with the Indonesian City Pop band ikkubaru, the singer-songwriter put out quite the sumptuous feast of cool urban contemporary of the times.

Well, I've decided to add to the Nakashima file by plucking out another track from "Raft". "Hello" was written and composed by the singer, and this time around, the sound seems more indies pop, perhaps even dreampop/shoegaze although I have to admit that I'm not such an expert on the genre. Still, it is a very reassuring and, yep, dreamy song, and it sure helps to stare at the album cover with the full-grown buck. Kinda has that "calm blue ocean" vibe to it as I'm listening.

Now, regarding the artist's name. In the past few years, YouTube has been getting these "Topic" channels which may be the YouTube algorithm fishing in various songs by certain popular singers and bands and forming a new channel out of them. I found "Hello" on Takashi Nakashima's channel, and indeed, the kanji for the given name(孝)can be read as either Ko or Takashi. Well, I wanted to get clarity on the proper pronunciation of his name for everyone's sake including that of nikala, so I checked things out. As it turns out, I not only found out his earlier stage name of Nakakoh (as nikala also indicated in her article) but through the Tower Records page regarding "Raft", the singer's name is truly Ko Nakashima with it also spelled out in katakana to make things absolutely crystal clear.

Saturday, March 17, 2018

Ko Nakashima - drop

Hi, nikala here. I wouldn't say that I officially retired from blogging, but my life isn't the same as it once used to be to allow me such a luxury. The funny thing that in between all the outings, housework and a taking care of a baby I do listen to a lot of music, Japanese too, that livens up my apartment. It's just that I have no time to actually sit down quietly and write about it. On the plus side, I read articles Kayo Kyoku Plus a few times a week and am very impressed at how much this blog has grown thanks to new collaborators and the expansiveness of Japanese music itself. I'll try to blog here and there without neglecting my real life obligations.


I've noticed that within the past half-decade or so there has been a surge of musicians and singers reviving and modernizing the nostalgic sounds of City Pop: Especia, hitomitoi, Junk Fujiyama, just to name a few. One such artist that particularly impressed me is Ko Nakashima (中島孝), a young singer-songwriter from Saga Perfecture now based in Tokyo. I came across his name in mid-2016 when I read that he shares the same management company as Especia and Suiyobi no Campanella, Bermuda Entertainment Japan. I was led to his Soundcloud page where I listened to a bunch of his songs and became impressed. His approach to modern City Pop contains the right balance of acoustic and digital elements, though his later work has more of the later. The song I'm focusing on, drop, is from that earlier period. It was released in December 2015 as a Tower Records exclusive single and collaboration with an Indonesian City Pop band called ikkubaru (more on them here). A lovely song right here, with that really urban mood in the verses and the indie rock treatment in the refrain and especially the bridge. Not sure what the lyrics are about, but I welcome the introspective mood especially with Nakashima's soft and emotive voice.

From what I gather from his Facebook page and this Rooftop article, he got his start in 2010 under the pen-name Nakakoh and released several independent EPs before switching to his current name in 2015 and moving to Bermuda. You can pretty much listen to his entire discography on Soundcloud. As of late 2016, he also has been working as part of a synthpop group called INDEEA that includes members of another City Pop backup band Hi-Fi City.