Tim Curry -- Time Warp

by Alan Light via Wikimedia Commons

This may go down as one of the tougher and more intense years in terms of famous people passing away. We lost Dolly Parton a couple of days ago and just in the last few hours, I've been hearing of other celebrities leaving this mortal coil. Alongside the news of Parton passing away, the news scroll here on television also mentioned that actor and singer Tim Curry had also died.

For recent generations, Curry may have been known for his roles as hapless and/or somewhat clueless characters on movies like "Home Alone 2". I also remember him as Chief Medical Officer Petrov on the Red October in "The Hunt for Red October" back in 1990,

But my memories go even further back when Curry played the terrifying but charismatic Dr Frank-N-Furter in the original 1973 London and 1975 Broadway productions of "The Rocky Horror Picture Show" and then the 1975 cinematic version with a very young Susan Sarandon and Barry Bostwick. Now, I wasn't even a pre-pubescent kid when "The Rocky Horror Picture Show" came out so I missed out on all of the bread tossing and other audience participation stuff. The bits of media that I got about this bizarre show in the pre-Internet age frankly scared the heck out of me, and I think the good doctor was most likely the first instance of me ever seeing a guy dressed up and made up like a girl

Dr. Frank-N-Furter got his own song: "Sweet Transvestite". However, I don't know that one although I did hear that Curry (along with the rest of the cast) was able to sing the one song that I do know from the show, the rock-n-roll "Time Warp". Yet, it wasn't through either the movie or the play that I first found out about it. 

Like a lot of high schools, my junior high school had regular after-school dance parties in the cafeteria. My crippling shyness, uncoolness and dancing ability (which could be compared to a hobbled T-Rex stuck in a tar pit) meant that I very rarely attended those gigs. However, against my better judgment and due to peer pressure, I ended up at one of those dances, and strangely enough, at the persuasion of one young lady who took pity upon me, she dragged me onto the floor to do "Time Warp". I should've listened more intently to the lyrics by Richard O'Brien (music by both him and Richard Hartley) since they basically instruct listeners how the dance is done, but then again, I was never much of a lyrics guy anyways. It would be years before I realized that "Time Warp" was a part of "The Rocky Horror Picture Show". 

"The Rocky Horror Picture Show" made its very first appearance in London on June 19th 1973. I was able to find the Top 3 of Oricon for the day before.

1. Kenji Sawada -- Kiken na Futari （危険なふたり）

2. Miyoko Asada -- Akai Fuusen（赤い風船）

3. GARO -- Kimi no Tanjoubi （君の誕生日）

As I said above, it's been a tough year already for famous people leaving Earth. Within the last 12 hours, I've also heard about the passings of the following people that I also got to know. For these folks and for Curry, my condolences to their families, friends and many fans.

voice actor Peter Cullen (August 26)

artist Yayoi Kusama (August 14)

singer/TV personality Jaye P. Morgan (August 24)

Paul McCartney and Wings -- Live and Let Die

 

I mentioned this a little when I posted the ROY article regarding the iconic James Bond theme by Monty Norman & John Barry but my first several years of 007 exposure was through the frequent Sunday night reruns on ABC. It was on the telly where I witnessed Sean Connery, George Lazenby and Roger Moore punch bad guys out and romance the ladies always opening with that assassin's-view shot of the master spy before he swerved around and shot back. In fact, the first time I actually saw a Bond movie on the big screen was in 1985 when Moore had his final go-around as Bond in "A View to a Kill". By that point, Moore had looked a little long in the tooth.

But today for this 007 Reminiscings of Youth article, I'm going to focus on the theme song of Moore's first foray into Bondlore, the 1973 "Live and Let Die". I'll be honest and admit that the opening credits scared the heck out of me when I saw that woman's head turn into a skull on fire...forget about the nudity. One other point about catching Bond movies on TV is that it was often the case that it had used to take about three to five years before a cinematic release finally made its way to television so I probably didn't see "Live and Let Die" until the late 1970s and by that point, I had already made Jane Seymour's acquaintance through "Battlestar Galactica" the original. Had no idea that she was also the femme fatale in Moore's first Bond movie.

The main reason that I'm covering "Live and Let Die" this week as a ROY is that the guy behind the theme song of the same title, Sir Paul McCartney, had just finished a weekend of thrilling concerts just down the highway from me in the city of Hamilton. For a man his age, he has Time Lord energy coursing through his veins and arteries and it appears that "Live and Let Die" is an essential part of the playlist.

It was Moore's first time as Bond but it was also the first time that a rock song was used as a theme for a 007 flick when compared to the swaggering jazz that had been the music for all of those Bond movies in the 1960s. I didn't quite "get" "Live and Let Die" when I first heard it with that crazy mix of rock and orchestra (which would eventually become the template for future Bond themes by pop and rock acts). At the time, I preferred Carly Simon's "Nobody Does It Better" but I'm good with it now and I think it represents the oncoming storm that is 007 when he's ticked off at somebody. And I have to admit that to see and listen to it live has to be one of the major highlights of a McCartney concert, if not the highlight.

"Live and Let Die" reached No. 2 on both the American and Canadian charts. It was nominated at the Oscars for Best Original Song and won a Grammy for Best Arrangement Accompanying Vocalist(s). The song was released on June 1st 1973 as a single from Paul McCartney & Wings, a few weeks before the movie's American release. What was up at the top of the Oricon charts a few days later on June 4th?

1. Miyoko Asada -- Akai Fuusen（赤い風船）

2. Kenji Sawada -- Kiken na Futari （危険なふたり）

3. Saori Minami -- Kizutsuku Sedai（傷つく世代）

Miyoko Asada -- Akai Fuusen（赤い風船）

 

It was just a couple of months ago that the NHK morning serial drama "Anpan"（あんぱん）wrapped up its 6-month run. I don't usually watch these dramas but "Anpan" was quite good and as is often the case for many of them, it spanned decades. Although she doesn't show up in the above trailer, veteran actress and TV personality Miyoko Asada（浅田美代子）appeared as the kindly elderly grandmother.

But a little over half a century previously, Asada had started out as an adorable 1970s aidoru, and she made her debut in April 1973 with the single "Akai Fuusen" (Red Balloon). To be honest, I had assumed that I already posted an Asada song so I was surprised that there was no such entry. Therefore, I am redeeming myself here with what is probably her most famous tune. Written by Kazumi Yasui（安井かずみ）and composed/arranged by Kyohei Tsutsumi（筒美京平）, it's as sweet as sweet can be with the lyrics depicting some wistful romantic dreaming. I can imagine some boy bringing back a red balloon to his crush; not surprisingly, the lass also has feelings for the lad.

Looks like the listening public fell under the charms of "Akai Fuusen" and Asada herself since it reached No. 1 and stayed there for the better part of a month. It also ended up as the 10th-ranked single of 1973, selling around 800,000 records. In fact, according to the J-Wiki article for the song, the song had debuted at No. 2 on the 5-year-old Oricon charts, and reached No. 1 the following week which was the highest initial ranking for a debut song until December 1980, when Masahiko Kondo's（近藤真彦）"Sneaker Blues" (スニーカーぶるーす）debuted at the top spot. "Sneaker Blues" also happened to have been composed by the legendary Tsutsumi.

The somewhat big surprise for me was that despite Asada getting Best New Artist honours at the Japan Record Awards (televised on TBS) on New Year's Eve for "Akai Fuusen" and the other accolades as cited above, she never got the invitation to NHK's Kohaku Utagassen which followed pretty much immediately after the awards ceremony back in the day. Along with the fact that Asada had sung "Akai Fuusen" on the TBS show that she'd been starring in, "Jikan desu yo"（時間ですよ...It's Time）, I'm wondering if there had been some unwritten rule about "Thou shalt not invite a rival network's song onto thine show".