Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label 2016. Show all posts
Showing posts with label 2016. Show all posts

Sunday, August 16, 2026

Dirty Androids -- City Never Sleeps

 

Despite all the bright lights and big city that you see in Basile Morin's captivating photo of Kabukicho at night, there was a time early in my Japan residency when Tokyo, one of the largest cities on Earth, was a city that actually did sleep. It had a curfew...much to the surprise and dissatisfaction of many a lively night owl there. Public transportation tended to go to bed at just a few minutes after midnight and it was often the case that I and dozens of other commuters were dashing for the final subway on the Tozai Line before the clock hit the witching hour.

According to the YouTube channel Happy Hour with Matt above, things have probably not changed all that much. Trains, subways and buses most likely still finish their routes perhaps earlier than their counterparts in other major world metropolises, including my own hometown of Toronto. And those who miss the final ride are either going to have line up for cabs at higher rates or spend the night somewhere in Tokyo (maybe a manga kissaten or Internet cafe). All I can say to Matt and others is that if you thought 2026 in late-night Tokyo was bad, you should have seen it thirty years ago.

However, I do have this luminous and highly active song by Nu Disco and Future Bass master from Yokohama, Dirty Androids. Titled "City Never Sleeps", maybe the fellow was referring to places like New York City or London when he came up with it as a bonus track for his April 2016 album "Moments". In any case, this is like a listenable Red Bull to get you off your duff and moving around on the dance floor or the sidewalks at the very least thanks to some popping percussion. Will Tokyo ever become an insomniac? Time will tell.

Friday, January 23, 2026

Nulbarich -- New Era

 

It was a few years ago that I discovered the band Nulbarich which has been put alongside Suchmos and Yogee New Waves as one of the relatively new breed of Neo-City Pop bands, although perhaps they would rather be called something more on the lines of J-R&B. Anyways, Nulbarich's "Tokyo" from 2021 has that groove with some added synthpop.

Now, I'm going a bit earlier to their debut year of 2016 with "New Era" which was a track on their first album "Guess Who?". From the title, one might guess that the song could be about a better time for Earth and its citizens, but really, it's a whole lot more intimate with a man finally coming out of his shell to share love with that significant other for the first time in a while. There's that appealingly sunny funk and groove accompanying Jeremy "JQ" Quartus' soulful vocals.

Tuesday, December 9, 2025

saifonica -- Sekai wa Nagai Yume(世界は長い夢)

From Litalico

Well, I've learned a new term today: yakyoushou(夜驚症). It means "night terrors". Thankfully, I've never experienced any of those before although I often have dreams of getting lost in some environment in a fairly Kafkaesque manner. How about you?

The reason I ask is that I came across this track from an album by the band saifonica which is titled "Yakyoushou" and was released in April 2016. The track itself is titled "Sekai wa Nagai Yume" (The World is One Long Dream) which could fit quite nicely into what "Yakyoushou" is talking about if it is meant to be a concept album. Written and composed by saifonica vocalist and guitarist Shintaro Takeuchi(竹内信太郎), the song is one hard rock (and maybe dystopian?) adventure albeit with a nice and slick smoothness punctuated by some juicy bass by fellow member Luka(ルカ). The one other member is drummer Chan-Kana(ちゃんかな)and apparently all of them have had vocalist duties.

Unfortunately, there isn't much provided on the history of saifonica: no origin year and no discography outside of finding "Yakyoushou". However, their website does state that the trio is an alternative guitar rock band who also likes to bring in elements of jazz, funk and bossa nova. Apparently, their policy is "...to pursue the music we want to make without being bound by trends".

Tuesday, November 4, 2025

Some of J-Canuck's Funkalicious Favourite Anison

 

Didn't quite believe that I hadn't ever put up such an Author's Pick before. I've probably got some sort of Favourite Anison list out there but just haven't come across it in some time. However, such as it is, I did want to get a list up there showing how some of these anime themes can get under my skin to have me bust a move...or a hip because they are so funky and catchy.

(1995) Miyuki Kajitani -- "Rashiku" Ikimasho (”らしく”いきましょ)


(2009) Momoko Hayashi -- You make me happy!


(2013) Yasuyuki Okamura -- Viva Namida (ビバナミダ)


(2014) KMM Dan -- Witch Activity (ウィッチ☆アクティビティ)


(2016) Natsumi Hioka & Hiroki Yasumoto -- Kumamiko Dancing


(2019) Masayuki Suzuki feat. Rikka Ihara -- Love Dramatic(ラブ・ドラマティック)

Sunday, November 2, 2025

Culture Day

 

Last night, my student reminded me that Monday is a national holiday in Japan known as Culture Day. Every November 3rd, there are festivals, parades and art exhibits to promote culture of all kinds including music throughout the nation. And I believe that museums and art galleries tend to open up their buildings for free access or half-price access on that day.

When I was on vacation in Tokyo back in November 2017, my former colleague was kind enough to invite me to a culture festival held at Waseda University where she was working at the time, and as you can see above, it was packed to the gills with students and other visitors as the various campus clubs held performances and campaigns to attract new members.

As such, I decided why not put up a few songs regarding Culture Day. Admittedly, I'm gonna be rather loosey-goosey about how I'm going to go about it. The first three entries are associated with some of the things that I talked about in the first paragraph whereas the final two songs were actually popular ones played at some of the festivals themselves.

(1976) Tatsuro Yamashita/Sugar Babe -- Parade (パレード)


(1984) Taeko Ohnuki -- Metropolitan Museum (メトロポリタン美術館)


(2000) Pornograffitti -- Music Hour (ミュージック・アワー)


(1987) The Blue Hearts -- Linda, Linda


(2016) Gen Hoshino -- Koi (恋)



Friday, October 31, 2025

Awesome City Club -- Vampire

 


From what I've heard and seen through NHK and the YouTube live camera footage, the annual Shibuya Halloween mayhem was somewhat washed out due to the heavy rains over the Tokyo area which probably relieved the shop owners and restaurant managers there and disappointed cosplayers and October 31st revelers. But according to the Video Street View Japan channel, folks did try to lighten the mood up as best as they could.


Usually Fridays are set for the urban contemporary stuff of Japanese music but because today is indeed Halloween, I've decided to mix in a couple of Halloween-themed songs here tonight with the usual City Pop and AOR tunes. First off, we've got a synthpop entry by the band Awesome City Club titled "Vampire" which was released as their 2nd limited digital download single in March 2016. 

I don't think it sounds particularly Halloween-y but it's nice and sparkly as AWC member PORIN and former Chatmonchy drummer Kumiko Takahashi(高橋久美子)created the lyrics about a young lady falling for the titular Halloween character. Meanwhile, atagi took care of the melody. I would probably say that it was ideal as a theme song for a vampire anime which is a subgenre but it was actually used as the campaign song for HIS Travel...to Macao, of all places.

Wednesday, October 1, 2025

Nash Music Library -- Autumn Morning

And welcome to October! Add on to the fact that today is Wednesday, aka Hump Day, things might be feeling rather lazy out there, especially with the temperatures feeling more appropriately like autumn which has been here for almost a couple of weeks now.

I've decided to start the first day of the first full month of fall with something relevant to go with those pumpkin spice lattes. Here is "Autumn Morning" by the good folks at Nash Music Library, a cute pop piece that I have heard on "Weathernews Live" a number of times, often when the weathercasters are taking a break and the maps are just showing up onscreen. It might go well with that latte while taking  a walk through the fall colours. This was apparently part of the October 2016 NML compilation "Autumn Leisure".

Thursday, June 26, 2025

Cheuni -- Narita Hatsu(NARITA発)/Park Junyoung -- Haneda Hatsu(羽田発)

 

For Japanese music listeners, especially those who like their Mood Kayo, enka and general kayo kyoku, you probably are well aware that airports have been the go-to settings for romantic endings and reminiscings, a place where songwriters have loved to establish their songs. I guess some broken hearts just need to go to their local terminals as much as they need to head out to the countryside resorts to drown their sorrows. Mind you, some of those airports have top-notch restaurants.

Strangely enough, in the past several weeks, I've been able to find a couple of songs with similar titles that are forms of airport kayo with the only difference being the airport in question. And the two airports are right in the Tokyo area.

One is "Narita Hatsu" (Departing from Narita) which describes one woman's wistful need to visit the international airport out in Chiba Prefecture (and it used to be the airport of choice whenever I returned to Canada on vacation) to remember the last time she saw her now ex-paramour. Sung by South Korean singer Cheuni(チェウニ), this was her 13th single from January 2008 and it was written by Ichizo Fukuda(福田一三)and composed by Kazuya Amikura(網倉一也). It's quite the classy and dignified example of New Adult Music or Mood Kayo; with those strings in there, I was almost convinced to even throw in the Fashion Music label. There was even something quite Teresa Teng(テレサテン)about the song.

Now, the whole reason that I decided to do this double take on airport kayo with two different South Korean singers was that I saw Park Junyoung(パク・ジュニョン)on an episode of "Shin BS Nihon no Uta"(新BS日本の歌)several weeks ago as he sang his 6th single from August 2016, "Haneda Hatsu" (Departing from Haneda). Haneda Airport, right in the middle of Tokyo, has been my airport during my visits to Japan in the 2010s, and yep, they've got some pretty fancy and delicious fare in those restaurants.

But getting back on track, Park's song, which hit No. 21 on Oricon, has the protagonist taking a somewhat more disdainful and embittered view as she is the one who's getting on the plane and taking off forever. Her old boyfriend hasn't even shown up to say goodbye so she's giving him the kiss off in absentia. The music by veteran Keisuke Hama(浜圭介)is pretty folksy and whimsical considering Shinichi Ishihara's(石原信一)lyrics, and listening to that mandolin-esque instrument playing throughout the song, I was rather wondering about it being a modern-day Exotic Kayo. 

Sunday, April 27, 2025

(M)otocompo×Kit Cat -- FLASHBACK 50

Wikimedia Commons
Public Domain

 

Two points I'd like to make here: 1) I've been a sucker for old-time diner décor and food and 2) I don't think Japanese pop culture ever fell out of love with the aesthetics of 1950s Americana. As for the first point, I love having my meat loaf sandwich with gravy along with a tall cold strawberry milkshake in any place that looks like Arnold's from "Happy Days" (and there have been a few places over my life here in Toronto and Tokyo that tried to emulate that style like Toronto's Lick's). Point Two has me remembering all of that 1970s and 1980s weekend Harajuku phenomenon of girls dressing up like teenaged bobbysoxers in poodle skirts and guys decking on the leather and pompadour haircuts as they twisted again. 

And though that Harajuku scene has largely disappeared from the pop culture zeitgeist, the 1950s style has still popped up in Japan here and there on occasion. I encountered one very florid example only recently when I saw this music video of "FLASHBACK 50" by the collaboration between (M)otocompo and now-defunct synthpop unit Kit Cat. A track from the former's one-and-only album thus far "POPLOT TIMES 2016" released in September 2016, although both groups have enjoyed their synthesizers, "FLASHBACK 50" dives headfirst into the good old mid-century rock and roll and pop with some fine harmonies and a catchy arrangement that had me thinking about those Formica counters, jukeboxes and gingham table covers.

(M)otocompo is indeed a spinoff unit from the former MOTOCOMPO electropop group consisting of Dr. Usui and chiho which had its time between 1997 and 2010. From 2010, chiho left while Dr. Usui dropped most of the all-caps and added brackets along with several other musicians. He also opted for a bit more ska and New Wave to his electro. As for Kit Cat, they'd been around since at least 2013 when they had their first live event until they called it a day in 2018. The three members were Jose, Asuka and Eve.

Wednesday, November 6, 2024

Miki Nakatani/Tomoyo Harada -- Natsu ni Koi Suru Onna Tachi(夏に恋する女たち)

 

Welcome to another Hump Day on KKP. Readers might be feeling a tad worn out by this point, so perhaps one of the tunes put up today may apply some aural salve to your ears.

Generally speaking for me, covers of songs have been fine but they rarely outdo the originals. I think that would also apply to Miki Nakatani's(中谷美紀)version of "Natsu ni Koi Suru Onna Tachi"(The Women Who Love In Summer), a cover of singer-songwriter Taeko Ohnuki's(大貫妙子)original from her October 1983 album "Signifie". As I mentioned in the article for the album many years ago, there was a grand Gallic flair with this summery pop song as if these women in the title were having the time of their lives in the south of France.

Nakatani's version can be found in her 1999 album "Shiseikatsu"(私生活...Private Life) with original arranger Ryuichi Sakamoto(坂本龍一), fellow technopop composer Kazuhiko Maeda(前田和彦)and Hidekazu Hoshino(星野英和)helping out on this new arrangement. This new take on "Natsu ni Koi Suru Onna Tachi" goes slightly further into the technopop with enhanced loopiness and a faster tempo. Maybe the protagonists here are female holograms.

Interestingly enough, I only found out by scrolling through the J-Wiki article for "Natsu ni Koi Suru Onna Tachi" earlier today that there was another cover done much later by Tomoyo Harada(原田知世)for her May 2016 album of covers, "Ren'ai Shosetsu 2 -- Wakaba no Koro"(恋愛小説2 -若葉のころ...Novels of Love 2 -- During Our Salad Days). And this time, the cover version goes into the other direction...that is, without any synthesizers or other overtly blippy electronic equipment involved and brings in the tenderhearted strings for a much slower and contemplative Fashion Music take. Guitarist and music producer Goro Ito(伊藤ゴロー)arranged things here.

Tuesday, August 6, 2024

Ko Nakashima -- Hello

 

Taking care of the usual custodial duties on "Kayo Kyoku Plus", I often come across some of the more obscure artists. One such artist that I encountered recently while going through the articles of a certain year was Ko Nakashima's(中島孝)"drop". Nikala was the writer for that one back in 2018, and "drop" was a track from Nakashima's album "Raft" from 2016. Collaborating with the Indonesian City Pop band ikkubaru, the singer-songwriter put out quite the sumptuous feast of cool urban contemporary of the times.

Well, I've decided to add to the Nakashima file by plucking out another track from "Raft". "Hello" was written and composed by the singer, and this time around, the sound seems more indies pop, perhaps even dreampop/shoegaze although I have to admit that I'm not such an expert on the genre. Still, it is a very reassuring and, yep, dreamy song, and it sure helps to stare at the album cover with the full-grown buck. Kinda has that "calm blue ocean" vibe to it as I'm listening.

Now, regarding the artist's name. In the past few years, YouTube has been getting these "Topic" channels which may be the YouTube algorithm fishing in various songs by certain popular singers and bands and forming a new channel out of them. I found "Hello" on Takashi Nakashima's channel, and indeed, the kanji for the given name(孝)can be read as either Ko or Takashi. Well, I wanted to get clarity on the proper pronunciation of his name for everyone's sake including that of nikala, so I checked things out. As it turns out, I not only found out his earlier stage name of Nakakoh (as nikala also indicated in her article) but through the Tower Records page regarding "Raft", the singer's name is truly Ko Nakashima with it also spelled out in katakana to make things absolutely crystal clear.

Monday, August 5, 2024

DAOKO -- BANG!

 

I've already put up a few DAOKO songs up on the blog over the past several months, and I think this particular song is one of her most infectiously catchy pop tunes that I've heard thus far.

In September 2016, DAOKO released her 2nd CD single "Moshi mo Bokura ga Game no Shuuyaku de/Daisuki with Teddyloid/BANG!"(もしも僕らがGAMEの主役で/ダイスキ with TeddyLoid/BANG!...If We Were Main Characters in a Game/I Love You with TeddyLoid), and that last one has hit my ears with a true bang. Written by the singer and composed by Hideya Kojima(小島英也) of ORESAMA, a band that I've usually associated with anison, that bubbly percussion that launches the song has had me thinking of either Pharrell Williams' "Happy" or Taylor Swift's "Shake It Off". I think the entire song is bubbly enough to be an anime theme. And of course, there just had to be a music video to match the overall bubbliness. By the way, the entire single reached No. 29 on Oricon.

Sunday, June 23, 2024

Hanaregumi -- Shinkokyuu(深呼吸)

 


Really needed and still need some deep breaths right now. A few hours ago, I had a meltdown involving some people and how they act, and how I've had to endure it. Their responses exacerbated my mood further and I don't expect them to change nor feel apologetic; it's simply not their way.

"Shinkokyuu" (Deep Breaths) is a pop ballad by Hanaregumi(ハナレグミ)which served as his 5th and final CD single thus far released in May 2016 (since then, his singles have all been digital). Written and composed by the singer-songwriter, the lyrics seem to be telling a story of a young man remembering but not dwelling on his old self from yesteryear while taking those next steps into the future. The music video is similarly wistful and maybe I'm mistaken here, but it looks like the central character meets his future and past selves while looking for his lost dog. "Shinkokyuu" managed to reach No. 37 on Oricon.

Wednesday, June 19, 2024

Yoko Nagisa -- Shin-Koiwa kara Kameido e(新小岩から亀戸へ)

 

The above is a pretty dish of sashimi that I had with a couple of friends at a fairly fancy restaurant called Sazanka somewhere between Kameido and Shin-Koiwa Stations in Tokyo in September 2009. Good food and unfortunately, that's the only photographic evidence that I currently possess of ever being in the shitamachi neighbourhood. But then again, I couldn't have envisaged writing an article about a song in the area in my own music blog 15 years ago.

I never did a deep dive in Kameido or Shin-Koiwa all that much during my time in Tokyo. Aside from that visit to Sazanka, I think I went there perhaps one more time to meet up with another group at a local izakaya along the train tracks, but my impression was that it was an old-fashioned area suffused with the aroma of Showa. One of my students-turned-friends currently lives in the latter neighbourhood. Basically though the area was one that I mostly bypassed on the Sobu Line heading to Chiba Prefecture.

Much like I did with the retro duo Emi & Gel(エミとゲル)the other day, I had assumed that singer Yoko Nagisa(渚ようこ)was active during the late 1960s and early 1970s just from listening to her "Shin-Koiwa kara Kameido e" (From Shin-Koiwa to Kameido) and seeing that sad face above where Nagisa looked like she belonged in a fashion magazine from the aforementioned time period. Well, I was wrong once again.

The Yamagata Prefecture-born Nagisa actually made her debut in 1994 and for over twenty years, she specialized in the old-school kayo kyoku. In fact, "Shin-Koiwa kara Kameido e" is from her final album "Nagisa Strut"(渚ストラット)from September 2016. Even so, this particular song sounds like a mix of Mood Kayo and the guitar-screeching rock side of Group Sounds of the 1960s as Nagisa sings about a woman's turbulent young life in the titular neighbourhood. Lyricist Haruo Yamaguchi(山口晴男) and composer Masao Minakami(水上雅夫)were responsible for the creation of the song which really grabs that old kayo style just so. There's also something about those lyrics and the singer's delivery that reminds me of Keiko Fuji(藤圭子)and her songs of a downtrodden life in the big bad city, but Nagisa has a slightly brighter and brassier sound.

All in all, Nagisa released 17 albums and 7 singles between 1996 and 2018 which included some collaborations between  her and the Crazy Ken Band (クレイジーケンバンド) . Even during that time, she was able to open her own drinking establishment, Nagisa(汀), in Shinjuku's famed bar-filled Golden Gai in 2003. In September 2018, though, after appearing in a 20th anniversary concert for the Crazy Ken Band, she fell ill and then passed away from heart failure.

Tuesday, June 11, 2024

Anamanaguchi feat. Miku Hatsune -- Miku

 


I think I was still attending the currently semi-annual Fan Expo events in 2016 when Vocaloid icon Miku Hatsune(初音ミク)made her way to Toronto for a big concert. Generally, I don't do concerts since I'm about as expressive as the Canadian Shield at most social events (aside from snarky remarks), and therefore I have assumed that I would be a terrific buzzkill to those standing or sitting around me. Still, I did wonder about seeing Miku in action with my own eyes and I'm glad that someone had the foresight to get some footage of her Toronto appearance.


May 2016 was when Miku got to sing her own self-titled song, "Miku", as concocted by the chiptune pop/rock band Anamanaguchi from New York City. Catchy as all get out, the melody and the delivery both scream out MIKU literally and figuratively, and maybe the only thing that was missing was her stalk of green onion in the music video. I did read about the seemingly more sinister end at the Vocaloid Wiki which reminded me of Sting's take on "Every Breath You Take" as more of a stalker's obsessive focus on someone rather than a dear romance. I guess if there were ever a Miku Hatsune suspense-horror flick, "Miku" would be just the theme song.

Not sure if this record has been broken but also according to the Vocaloid Wiki, "Miku" currently has the record of most YouTube views for a chiptune song as of 2018. As of today, the above video has at least 56 million views.

Saturday, June 8, 2024

the chef cooks me -- Saishin Sekai Xīnxīnxiāngyìn(最新世界心心相印)

 

Welcome to the first full weekend of June 2024. It's not too warm or too cool out there so we're in the ideal Goldilocks zone of temperature. Hope your weekend has gotten off to a good start.

Scott from the J-Xmas-based podcast "Holly Jolly X'masu" was the one who first put me onto the band the chef cooks me a couple of years ago. Though I couldn't find their contribution to Xmas on YouTube, I was intrigued enough by Ryo "simoryo" Shimomura's(下村亮介)eclectic group (starting with that band name) to post up a couple of songs by them.

Recently, I came across them again via another song that they had placed as a track in a split CD mini-album "Tidings One" released in December 2016. Apparently, they shared track space with the musical duo Turntable Films with two songs each. For the chef cooks me, one contribution was the track "Saishin Sekai Xīnxīnxiāngyìn"(最新世界心心相印). Trying to find out how to pronounce those last four kanji which I guessed were Mandarin was a pretty arduous undertaking but I finally used Google Translate's Mandarin to English function to find out. If I'm not mistaken, it means "Latest World Heart-to-Heart" (please let me know if any of you have a better translation).

The music video, created by AC-bu, is just as weird and wonderful as the title and I was left wondering where it was going second-by-second. That's the way to keep those eyeballs focused on the video. 

There will always be YouTube music enthusiasts who have better and more specialized insights into songs than I do, and Baka Broadcast gave his own opinion on "Saishin Sekai Xīnxīnxiāngyìn" back in 2020. He was somewhat split on the song although I feel that he was tending toward the Like side of the fence; part of the reason was that he felt that the melody hewed a bit too closely to Gen Hoshino's(星野源)massive hit "Koi"(恋)which had been released only a few months before the chef cooks me's own tune. To be honest, I only caught the slight similarity when Baka Broadcast made the point itself. I actually compared it more to what one commenter had said: more along the lines of Sakanaction(サカナクション). I even thought about TECHNOBOYS PULCRAFT GREEN-FUND as I was listening to "Saishin Sekai Xīnxīnxiāngyìn". Personally, the similarity strikes me more as a coincidence than anything else but again, feel free to check out the links for all the artists that I've mentioned in this paragraph and come up with your own opinions.

P.S. For some bizarre reason, Facebook won't allow me to post this song since it apparently goes against their policies. I've asked them for a reason. 

Wednesday, February 28, 2024

Masato Kouda -- Mainichi Mousou(毎日妄想)

 

Despite the all-star seiyuu cast and its popularity in Japan and elsewhere, I've never gotten to see the 2016 "Kono Subarashii Sekai ni Shukufuku wo!"(この素晴らしい世界に祝福を!...God's Blessing on This Wonderful World!), aka "KonoSuba", which merges slapstick and screwball comedy and the whole isekai segment of anime. I'll probably get my own copy of the seasons someday but for now, I've been happy with catching the plentiful number of scenes from the show on YouTube. I have to admit though that the one character who's stuck out is the pretty and pretty dang strong but slightly unhinged Darkness, formally known as Lalatina Dustiness Ford. There's always that one character in a lot of anime who has that thing for masochism but Darkness could take the royal prize for enjoying her punishments. My compliment to her seiyuu, Ai Kayano(茅野愛衣), who has a couple of entries herself on "Kayo Kyoku Plus": "Amanchu!" (あまんちゅ!)and "Girls und Panzer".

However, I won't be placing any song performed by her on the series here. Actually, I'm going with "Mainichi Mousou" (Everyday Delusions) which is pretty much Darkness' theme, and it usually pops up when the character writhes in painful glee after getting physically or verbally hurt. The soundtrack was created by composer/arranger of game music, anison and movie soundtracks Masato Kouda(甲田雅人). 

One would think that a song to describe Darkness' paroxysms of "Ouch!" pleasure would get the treatment of a sexy saxophone or trumpet in a dirty jazz bar. Instead though, genius Kouda came up with something approximating 1960s cocktail lounge music that could have been used during comical scenes in an 80s Japanese trendy drama. Nice touch as well with the breathy female background chorus...almost expected an ancient cigarette or whiskey commercial after that. 


Even Kayano the seiyuu herself can lose it at times!

Friday, February 2, 2024

Milk Talk -- Plastic New York

Good Free Photos

 

In late November 2023, I posted up an article on "Ah Be Rue", a 2019 song by the synth-boogie duo Milk Talk. I found out about them thanks to a "Japan Times" article regarding vocalist Yuqi "Q.i" Shinohara and multi-instrumentalist Miles "Hair Kid" Ungar and I checked out their tunes up on YouTube.

"Plastic New York" was the second song that I heard and viewed following "Ah Be Rue". Though I've seen indications of a big release of it in 2022, according to the "Japan Times" piece, Q.i and Hair Kid had apparently created the technologically magical "Plastic New York" as their first song in 2016 when it was included in the latter's own album "Plastic Inbox". The album, produced at Maltine Records, featured Q.i and Akita Momo on six tracks including the song of note here.

As I mentioned, there is something mystical and even soothing about listening to "Plastic New York" (especially with Q.i's whispery vocals). It feels like a couple of lovers on a different existential level in the Big Apple, almost as if the tryst were taking place in the Matrix. With those 80s synths playing about, I do get those Vaporwave chills up and down my back but at the same time, there is also the comfy City Pop bass to keep things grounded. Finally, as for the video above, I can finally say that there are actually two more people who dance like me, so for all those who were staring at me with Spock eyebrows at the discos back in my university days, I am not alone!😤

Sunday, December 31, 2023

Sakura Fujiwara -- Soup

 

I've learned to make my fair share of soups over the years because of my solitary lifestyle in Japan. My repertoire has ranged from tonjiru (Japanese pork soup) to good ol' minestrone and I quickly picked up the point that soups gain better flavour and depth when the ingredients are left alone to get to know each other over a day or so. 

There's a better than even chance that my night tonight will be filled with Kohaku Utagassen on the PVR so I'm getting this final KKP song for 2023 posted on the afternoon of December 31st. Maybe one or two of the other writers will write up something but my contribution ends here until I'm on the side of 2024.

Listening to the good folks at "Weathernews Live", I've managed to find out about another nice song from their "Weather Music" segment, and it's by a singer that has already gotten some acknowledgement on the blog. Last year, I noted about singer-songwriter and actress Sakura Fujiwara's(藤原さくら)"Watashi no Life"(わたしのLife), her digital download single from March 2022. Well, this song was her debut single from June 2016, "Soup". Like any good soup, it's got a fair mix of interesting ingredients in the form of pop, country and folk, all genres that Fujiwara has dabbled in although in this case, actor-singer Masaharu Fukuyama(福山雅治)provided words and music. Fukuyama and Akira Inoue(井上鑑)worked together to arrange it. Lyrically, it's also about what a couple can add to their increasingly flavourful soup of a relationship over the years and decades. 

The collaboration between Fujiwara and Fukuyama didn't end there. "Soup" was also the theme song for the 2016 Fuji-TV drama "Love Song"(ラヴソング)which starred the two as a spring-fall couple. I don't know how the drama did, but "Soup" itself not only went to No. 4 on Oricon but it also went Gold and Platinum. It would end the year as the 71st-ranked single and become a track on Fujiwara's 2nd album as a major artist, "Play", which peaked at No. 5.

Anyways, thank you "Weathernews Live" for another lovely tip. And I must thank all of you out there, fellow KKP writers, commenters and viewers for checking in and supporting us throughout this year. There have been a lot of things that have happened in Japanese music, sad and good, in 2023, but once again, we've got a fresh new year coming in and hopefully we can continue the kayo kyoku journey together! Happy to say that we got to 1103 articles!

Friday, December 22, 2023

Suchmos -- MINT

 

Jeans are probably one of the toughest articles of clothing known to Man. They would have to be, considering they have to miraculously hold in my girth and they do...remarkably so. 😹 Arguably the most famous denim makers out there, Levi's, collaborated with the currently on-hiatus (?) band Suchmos back in 2016 through a music video.


From their 3rd EP released in July 2016, "Mint Condition", I show you "MINT", a groovy tune that escapes easy categorization which is never a bad thing in my books. There is the rock guitar, some Neo-City Pop and some mellow hip-hop. Vocalist YONCE and the gang do love their walks through the city, but I think that "MINT" can also make for some fine accompaniment while driving on the roads of the city at night. 

YONCE and DJ KCEE came up with the lyrics while the entire band worked on the music for "MINT" and the rest of the tracks on "Mint Condition". The EP managed to hit No. 14 on the charts. I wonder how everyone is doing now.