Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Naomi Ozora. Show all posts
Showing posts with label Naomi Ozora. Show all posts

Wednesday, November 7, 2018

Salty Sugar -- Hashire Koutarou(走れコウタロー)


Time for another slightly more adventurous article at "Kayo Kyoku Plus". I first heard this hoedown-friendly tune as an opening theme song for the 1990s anime "Midori no Makibao"(みどりのマキバオー...Midori's Makibao), about a mule who looks slightly like a svelte hippo but with the beating heart of a champion thoroughbred as he wins race after race. It apparently was performed by three Fuji-TV announcers under the name of F-MAP, one of whom was Kenji Fukui(福井謙二), the play-by-play man on the legendary "Ryori no Tetsujin"(料理の鉄人...Iron Chefs) cooking contest show.


"Hashire Makibao"(走れマキバオー...Run, Makibao) is a song that I had just treated as an especially jaunty anison for years. But then one day, I discovered that it was a cover of an original folk tune from 1970.

Salty Sugar(ソルティー・シュガー)was a folk group with a comical touch that had its origins in the late 1960s at Hibiya High School in Tokyo under an initial name. One of the members, Toshio Sato(佐藤敏夫), needed to focus on getting into university, so he pulled out of the band, but his name was left with the remainder of the group who decided to twist it around and then translate it to form the new band name of Salty Sugar.

Guitarist Koutarou Yamamoto(山本厚太郎), contrabassist Michio Tezuka(手塚通夫), guitarist Takashi Takahashi(高橋隆)and Kanekichi/Kenkichi Ikeda (池田謙吉...instrument not specified) debuted in December 1969 with "Aa, Daigaku-sei"(ああ大学生...Ah, University Students) which only sold 3000 records, according to the J-Wiki article.


However, then came their second single in July 1970, "Hashire Koutarou" (Run, Koutarou) which had been written and composed by Ikeda with Nobuo Maeda(前田伸夫)as co-composer. Sadly, though, soon after the announcement of the release of the single in May of that year, Ikeda suddenly and tragically passed away at the age of 21. However, banjo player Sato, who had promised to come back to the band in a year, did so and together they did their departed bandmate proud by scoring a massive hit that reminded me a bit of the theme song from "The Beverly Hillbillies".

The song was originally created in tribute to an actual winning racehorse from the 1960s with the same name as Yamamoto but it also soon became a humourous poke (I hope) at the guitarist who had a penchant for always running late for practice. Regardless, "Hashire Koutarou" became a No. 1 hit on Oricon, selling close to a million records, and ended up as the 26th-ranked single for 1970. The next year, it rose even higher by finishing up at No. 20. It also won Salty Sugar the Best New Artist prize at the Japan Record Awards for 1970. Strangely enough, though, the band never got invited to the Kohaku Utagassen.



It looks like anime wanted to give the song another look since "Hashire Koutarou" was adapted once more as a song for a game version of the anime "Uma Musume Pretty Derby"(ウマ娘 プリティーダービー...Horse Girls Pretty Derby) which had come out earlier this year. Eight of the many seiyuu in that cast sang the high-flying "Hashire Uma Musume"(走れウマ娘)including Azumi Waki(和氣あず未)and Naomi Ozora(大空直美)who have their own entries in the Labels. Ikeda's legacy lives on.

Sunday, March 19, 2017

Miyu Tomita, Saori Onishi, Naomi Ozora and Kana Hanazawa -- Hallelujah Essaim (ハレルヤ☆エッサイム)


Had another anime-and-food outing with my friend today. It's hard to believe that the Winter 2017 season is approaching its end, especially since we've been enjoying more shows than we had expected this time around. It'll be a pity to see them go.


One of those shows has been "Gabriel Dropout" (ガヴリールドロップアウト) with the episodic hilarity involving two teen angels and two teen demons in the same high school. I've already written about the earworm opening theme "Gabriel Dropkick" (ガヴリールドロップキック) starring the seiyuu behind those 4 characters: Miyu Tomita(富田美憂), Saori Onishi(大西沙織), Naomi Ozora(大空直美)and Kana Hanazawa(花澤香菜).

Well, they're also at it again with the ending theme "Hallelujah Essaim". I had to look up what essaim means, and apparently it is the French word for swarm. I'm not quite sure what the connection is, though.



Written by Ryuji Sakai(坂井竜二)and composed by Shingo Yamazaki(山崎真吾), it wasn't quite the immediate earworm for me that "Gabriel Dropkick" was but it's grown on me gradually over the weeks. And it has that similar back-and-forth banter among the seiyuu while the rock and techno (a bit of chip tune, perhaps?) are blasting away. From what I could get from Sakai's lyrics, it sounds like I'm hearing how the girls really feel for each other despite all the over-the-top bickering in the episodes.



Sunday, February 12, 2017

Miyu Tomita, Saori Onishi, Naomi Ozora and Kana Hanazawa -- Gabriel Dropkick (ガヴリールドロップキック)


Well, today is an off-Sunday from the usual biweekly anime-and-food sessions with my friend, and it is just as well since the city is being pounded by a good heaping of snow. I don't think even he would have wanted to travel out on the roads today.

However, the winter anime season is in full swing and it looks like the shows that we have been watching are of the magical and mystical variety. At this point, "Little Witch Academia" seems to be the big hit so far but we've also been having fun with this other purely comedic program called "Gabriel Dropout" (ガヴリールドロップアウト).


The plot reads like something for an old 1960s daffy sitcom on the order of "Bewitched" or "I Dream Of Jeannie": the top student, Gabriel, at the Angel Academy in Heaven gets sent down to Earth to learn the ways of humanity (I guess this would be the divine equivalent of an immersion programme) only to crack and end up as a rude and antisocial slacker. Meanwhile a couple of devils-in-training, Vignette and Satanichia, who end up as classmates are far less malicious than Gabe (who even has her horn) while the No. 2 angel, Raphiel, gains a reputation as a slightly psycho stalker. Your weekly dose of irony, anime fans!


The opening theme, "Gabriel Dropkick" seems to be gaining a reputation itself as a sinister earworm including for my own auricular canals. I mean, even it has some ambitions to be a fun 60s-sitcom theme. Sung by the seiyuu for the 4 main characters, Miyu Tomita(富田美憂)as Gabriel, Saori Onishi(大西沙織)as Vignette, Naomi Ozora(大空直美)as Satanachia and Kana Hanazawa(花澤香菜)as Raphiel, it's a back-and-forth musical onslaught between the light and dark side...a little gospel here, a little rock there...all fun everywhere. And I gotta say that Tomita has got quite the angelic voice despite her devilish character.


Veteran anison creator Kenichi Maeyamada(前山田健一)took care of words and music. It looks like the full single is yet to come out (February 22nd is the release date) since we're not that far into the new season but I'm looking forward to getting my copy.


I guess it doesn't matter where you come from. If you're in Japan, you are automatically terrified of cockroaches.