Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Yoko Hatanaka. Show all posts
Showing posts with label Yoko Hatanaka. Show all posts

Monday, June 1, 2026

The Works of Jun Hashimoto (1939-2026)(橋本淳)

From Yahoo Japan
 

Not to say that I'm an X-Man or anyone like that, but earlier today as I was entering my usual digestion-induced nap, I got a little spark in my head about whether there would be an obituary regarding someone in the music industry, and annually, there have been a few. As it turns out, less than an hour ago, I was watching the morning news on NHK and the report came out that veteran lyricist Jun Hashimoto had passed away on May 21st at the age of 86 due to cirrhosis.

Since I began this blog back in 2012, as someone who hadn't been too up on lyricists, arrangers and composers at the time, Hashimoto's name was one that I came across fairly often especially in the early years of KKP. And according to both J-Wiki and NHK, he had written approximately 2000 songs of which a little over 70 have been covered here. He worked with a number of composers during his career which lasted close to 60 years but it was his collaborations with the late Kyohei Tsutsumi(筒美京平)that produced a lot of those kayo kyoku hits.

Born on July 8th 1939, Hashimoto was born Junsuke Yoda(与田凖介 ), the son of famed poet and children's book author Junichi Yoda(与田凖一), in Tokyo. He started learning about lyric writing on his own while studying at Aoyama Gakuin University, and he eventually came under the wing of composer Koichi Sugiyama(すぎやまこういち)in 1961. Some years later in 1966, his first stint at lyrics which ended up as a record was "Kiiroi Lemon"(黄色いレモン...Yellow Lemon) by another Sugiyama protege, singer Koichi Fuji(藤浩一)who would later become Masato Shimon(子門真人). It was also Tsutsumi's first stint at composing a record as well under Sugiyama's wing. Thus, the source of all those Hashimoto/Tsutsumi hits can be tracked back here.

Of course, a couple of years later, Hashimoto and Tsutsumi would pen their first evergreen kayo hit, "Blue Light Yokohama"(ブルーライト・ヨコハマ)by Ayumi Ishida(いしだあゆみ)

The lights of the city are really beautiful, aren't they?                                                                                  Yokohama, Blue Light Yokohama                                                                                                                The two of us are so happy

As always, those words of love                                                                                                                    Yokohama, Blue Light Yokohama                                                                                                                Give those words to me

A year previously though, Hashimoto with Jackey Yoshikawa and his Blue Comets member and composer Tadao Inoue(井上忠夫)came up with "Blue Chateau"(ブルー・シャトウ), arguably the Group Sounds band's most famous hit from 1967. In fact, NHK reported that Hashimoto was instrumental to the GS boom of those late 1960s.

Surrounded by the woods and the springs                                                                                                  There quietly sleeps the Blue Chateau                                                                                                      You are waiting for me                                                                                                              The dark and lonely Blue Chateau

Another Group Sounds hit that Hashimoto wrote was "Amairo no Kami no Otome"(亜麻色の髪の少女)by The Village Singers  (ヴィレッジ・シンガーズ) in 1968 with his mentor and composer Sugiyama behind the melody. 

The wind gently folds the long flaxen hair                                                                                              The girl holds the white bouquet to her chest                                                                                               As she comes down the hill as if with wings                                                                                     To her kind boyfriend she goes                                                         Her singing voice cheerful because she's in love

Even with the end of the Group Sounds period in the early 1970s, Hashimoto would continue to pen the hits including the popular duet song "Canada Kara no Tegami" (カナダからの手紙)in 1978 with Masaaki Hirao(平尾昌晃) , who also composed it, and Yoko Hatanaka(畑中葉子). Yeah, to think I pummeled the heck out of that one at karaoke, and it was a Hashimoto classic!

Love letter from Canada                                                                                                                              If by chance, we were together                                                                                                                      How much fun we would have on this trip                                                                                                  Love letter from Canada

Hashimoto and Hirao would work together again soon after and this time, it would be for the theme song of one of the most famous anime series ever created, "Ginga Tetsudo 999"(銀河鉄道999)as sung mightily by Isao Sasaki(ささきいさお).

The train comes out of the darkness into the sea of light                                                                     It's the endless universe where dreams scatter                                                                                          Let's cross the bridge of stars                                                                                               People will always search for happiness                                                                               As if they were voyagers

My last entry here involves Hashimoto's dalliance with City Pop, and I'm not sure how far down the rabbit hole he went but he and Tsutsumi worked together here as well to make Hiromi Iwasaki's(岩崎宏美) "Street Dancer" in 1980

As I keep my sunglasses on                                                                                                                          I gaze at the flow of time                                                                                                                            Weekend                                                                                                                   The neon at noon, the glittering streets                                                                                Stuffing my face with a hamburger                                                                                                          Seeking the sprit of youth                                                                                                                          Together

Of course, this article isn't anywhere near as comprehensive as I would like it to be. However, I did want to pay homage to the man in some fashion and hopefully some of you can take a look at the other articles of songs that Hashimoto wrote over his decades in the music business. My condolences to his family, friends, fans and many fellow songwriters in the industry.

Thursday, February 5, 2026

Michael Johnson -- Bluer Than Blue

 

Interestingly for Reminiscings of Youth this week, this particular ballad had been mentioned years before I even decided to start the ROY series. When I wrote up Saburo Tokito's(時任三郎)"Kawa no Nagare wo Daite Nemuritai" (川の流れを抱いて眠りたい)back in 2012, I noted that it sounded just like Michael Johnson's "Bluer Than Blue".

"Bluer Than Blue" hit the record shelves and radio stations back in April 1978 and it's one of the first songs to stick in my head as perhaps a prelude to my opening up to music in general going into the 1980s. I hadn't heard of Johnson before and I haven't really listened to anything else by him since but "Bluer Than Blue" contains this beautiful combination of gently rolling piano and shimmering strings that frankly entranced the heck out of me any time I heard it at home or in the car. Randy Goodrum was the one who created this quiet masterpiece and perhaps I can thank him for planting the seed to enjoy AOR/soft rock ballads. I didn't really pay much attention to the lyrics but I'm rather glad that I'm putting this one up this week rather than next week which gets really close to Valentine's Day as a man tries and fails to rationalize his new existence without his old love.

As I said, I used to hear this on the radio all the time so I was surprised to realize that there had been a music video. In fact, this was the eighteenth video played on MTV on its opening day of August 1st 1981. Wow! I know it was the debut day but I hadn't even thought that a video of a 1970s AOR tune would ever appear on the music channel. In Canada, "Bluer Than Blue" hit No. 6 while in the United States, it reached No. 12.

Well, let's see. What was up at the top of the charts on April 3rd 1978?

1. Pink Lady -- Southpaw (サウスポー)


2. Candies -- Hohoemigaeshi (微笑がえし)


3. Masaaki Hirao and Yoko Hatanaka -- Canada Kara no Tegami (カナダからの手紙)

Monday, July 1, 2024

Just for Fun...The J-C AI Gallery -- Masaaki & Yoko, Junko O. and Yosui (Canada Day Edition)

 

Happy Canada Day! Yep, the Great White North is 157 years old today so it's a statutory holiday here. Hopefully, my fellow Canadians are enjoying BBQs or ribfests or other holiday-themed activities from Vancouver to St. John's. As such, I felt that today may be a good opportunity to provide a Canada-themed exhibition at the J-C AI Gallery with some of our kayo kyoku.

Masaaki Hirao and Yoko Hatanaka -- Canada Kara no Tegami (カナダからの手紙)




Junko Ohashi & Minowa Central Station -- Canadian Lullaby (カナディアン・ララバイ)



Yosui Inoue -- Canadian Accordion (カナディアン アコーデオン)


Saturday, July 1, 2023

J-Canuck's "Canada" Tunes

 

As it says up there, Happy Canada Day! How's it going, eh? Everything is closed today which means I get to have lots of time to figure out how to commemorate the occasion on our humble little blog. But first off, a little aside here regarding another old interest of mine.

The most recent episode of the latest "Star Trek" entry, "Strange New Worlds" showed off its third episode this season, and it involves time travel which is not a new thing at all for the franchise. But this time, a couple of characters end up in 21st-century Toronto, and this time around, Toronto isn't sitting in for another metropolis. La'an Noonien-Singh actually pegs it as my hometown right in the middle of Yonge-Dundas Square (mind you, it helps that the show is actually filmed in the Toronto area)! And who da thunk it?! James T. Kirk actually loves hot dogs and poutine. Get this guy a Timmies Double-Double!

Anyways, the soft tradition that I've had around July 1st is putting up a Canada-affiliated kayo kyoku or J-Pop song. Nope, it's not easy to do but I've tried my best over the years. And I finally decided to make this Canada Day's edition on KKP an Author's Pick compilation bringing together those relevant songs that I've mentioned. So, without further ado, here we go! And by the way, I also have the "America" tunes up and running as well.

(1978) Masaaki Hirao and Yoko Hatanaka -- Canada Kara no Tegami (カナダからの手紙)


(1980) Junko Ohashi & Minowa Central Station -- Canadian Lullaby (カナディアン・ララバイ)


(2008) Superfly -- Vancouver (バンクーバー)


(1993) Yosui Inoue -- Canadian Accordion (カナディアン アコーデオン)


(1983) Yasuko Agawa -- Canadian Star 

Monday, June 26, 2023

Yoko Hatanaka -- Romeo & Juliet '79(ロミオとジュリエット79)

 

Up to now in KKP history, readers would understandably believe that singer Yoko Hatanaka(畑中葉子)had been forever tied at the hip of singer-songwriter Masaaki Hirao(平尾昌晃)because all of the songs that I've profiled about the Tokyo native have involved her duets with Hirao such as the popular kayo classic "Canada Kara no Tegami" (カナダからの手紙)and "Ehge Kai no Tabi"(エーゲ海の旅). Both of them along with two other singles released in 1978 were indeed all duets of Hatanaka and Hirao which had them traveling throughout the globe with their brand of exotic kayo.

Well as of January 1979, the trip ended. Hatanaka released her first solo single in that month "Romeo & Juliet '79" although Hirao was still responsible for the melody while Takashi Matsumoto(松本隆)provided the lyrics of a devoted love couple in trouble with Jun Sato(佐藤準)arranging everything. I was kinda wondering whether "Romeo & Juliet '79" would come under the umbrella of City Pop after listening to the intro but as I got deeper into the song, I realized that this was more disco-influenced kayo kyoku along the lines of Hiromi Iwasaki's(岩崎宏美)aidoru tunes at that time and previously. 

Hatanaka didn't have a very particularly long career behind the mike. She released a total of 7 singles and 4 albums up to 1985. However, her acting career lasted well into the 2010s.

Sunday, July 3, 2022

Masaaki Hirao and Yoko Hatanaka -- Ehge Kai no Tabi(エーゲ海の旅)

 


I guess that Judy Ongg(ジュディ・オング)doesn't quite have the monopoly on Aegean Sea-based kayo, although her trademark 1979 song "Miserarete"(魅せられて)will most likely remain the most famous one dealing with the body of water between Greece and Turkey. I've seen the Aegean from time to time via television and YouTube videos, and it does make for a wonderful view.


The reason that I mention it is because I'm focusing this article on "Ehge Kai no Tabi" (An Aegean Sea Voyage), the second single by the duo of singer-songwriter Masaaki Hirao(平尾昌晃)and singer Yoko Hatanaka(畑中葉子). Released in April 1978, it's smack dab between the earlier hit and kayo classic by them, "Canada Kara no Tegami" (カナダからの手紙)from January and their third entry in July"San Francisco Iki"(サンフランシスコ行き). For all three of them, it was Hirao on melody while Jun Hashimoto(橋本淳)provided the lyrics.

Both "Canada Kara no Tegami" and "San Francisco Iki" possess a travel-happy jauntiness, but this sophomore entry by Hirao and Hatanaka is a slower and more romantic song punctuated by a crisp trumpet that lends a bit of Mood Kayo into an arrangement by Kenichi Morioka(森岡賢一郎)that wavers between exotic kayo and some electric guitar-accompanied Sunshine Pop. The two singers deliver the words of a love affair in Greece at a more measured pace outside of the refrain as if the two lovers are hanging onto every moment during their European odyssey.

"Ehge Kai no Tabi" reached No. 20 on Oricon and the song won the pair a Golden Star award at the 7th Tokyo Music Festival held in June 1978. Apparently, Diana Ross was a special guest there according to the J-Wiki article on the event.

Thursday, January 14, 2021

Masaaki Hirao and Yoko Hatanaka -- San Francisco Monogatari(サンフランシスコ物語)

 

Back in June 2012...in the early days of "Kayo Kyoku Plus"...I wrote about a song that had become one of the classic kayo duets on the kayo TV shows and in the karaoke boxes. I'm of course talking about the January 1978 single "Canada Kara no Tegami" (カナダからの手紙)by the late singer-songwriter Masaaki Hirao(平尾昌晃)and his protégé at the time, Yoko Hatanaka(畑中葉子). Nothing says jaunty Japanese tune than the Great White North!

However, some 9 months after the release of this hit, both Hirao and Hatanaka decided to double down on their love letters to traveling and this time, the target of their ardor was far more south and west. It was the City by the Bay, aka San Francisco, and the title of the October 1978 album made that crystal-clear: "San Francisco Monogatari" (San Francisco Story). Officially, it's been listed as the 2nd album for the pair.

The first time that I heard any evidence of the existence of "San Francisco Monogatari" was through YouTube's New J Channel which presented the mid-album track "San Francisco Iki Part II"(サンフランシスコ行き(パートII)...Bound for San Francisco, Part 2), another happy-go-lucky kayo in the vein of "Canada Kara no Tegami" with Hirao and Hatanaka singing their praises for the West Coast metropolis. I gather that the album was made with a concept in mind since it seems as if each track would have some narration (lasting several seconds to a couple of minutes) at the intro by either singer in the form of a travelogue entry.

The interesting thing is that the very first track is a rendition of "The Star-Spangled Banner" by Hirao and Hatanaka which is actually not on YouTube. It would have been interesting to hear that. Track 3 is "Pacific no Kaze"(パシフィクの風...Pacific Winds) performed by just Hirao. He composed/arranged the song with Jun Hashimoto(橋本淳)providing the lyrics, the same duo behind "Canada Kara no Tegami". I couldn't find the songwriting credits for every song but perhaps I can guess that Hirao and Hashimoto brought their talents to all of the tracks.

Anyways, "Pacific no Kaze" starts with a riff rather reminiscent of "This Masquerade" originally performed by Leon Russell back in 1972, and listeners would think that the song is going to be an airy West Coast AOR tribute. However, when Hirao finally gets to singing from a little after 2 minutes, things get rather shibui, and instead of that sunny beachside feeling, "Pacific no Kaze" actually feels much more deep downtown with that electric guitar and sax. Plus, Hirao's delivery reminds me of the songs that Masatoshi Nakamura(中村雅俊)sang in that same decade. In fact, I'd say that "Pacific no Kaze" is as much about Tokyo as it is about San Francisco.

"Golden Gate"(ゴールデン・ゲート)starts off pretty moody as Hatanaka expresses her loneliness while her hotel room window is being spattered with rain but then it quickly gets into a funky kayo that had me thinking whether Hirao and Hashimoto were trying to come up a boss Momoe Yamaguchi(山口百恵)-esque tune with those cutting strings. Hatanaka tries to be as sultry as possible in the vocals.

To keep up with the San Francisco theme, Hirao and Hatanaka even perform a duet cover of "San Francisco (Be Sure to Wear Flowers in Your Hair)", the May 1967 hit for Scott McKenzie. I haven't heard the original in a long time but I think the two of them do a fine job especially Hatanaka. The title is given the Japanese title of "Hana no San Francisco"(花のサンフランシスコ...Flowery San Francisco).

One more track that I'll throw at you is "Hotel Fairmont"(ホテル・フェアモント). I never stayed at the Fairmont when I had my two-night stay in San Francisco in 1990, but then again, I simply didn't exist in the tax bracket necessary to deserve a suite there. I did find out that the hotel was used for scenes in the ABC TV series "Hotel" in the 1980s when nighttime soap operas were all the rage back then.

Hatanaka's "Hotel Fairmont" begins with some bright piano and elastic guitars, and the delivery and arrangement have a hybridized version of Hiromi Iwasaki(岩崎宏美)and Junko Yagami(八神純子). It's got quite the sensation of City Pop, and when the piano and guitars get together for a solo at the end, it's indeed quite magical and ought to make fans of the genre swoon somewhat.

Once this pandemic has been vanquished finally, I wouldn't mind making another trip to San Francisco for the first time in over 30 years to meet a fellow KKP collaborator, Larry, and also to check out the various sites there such as the Golden Gate Bridge (which I never got to see with my own eyes the first time since it was totally fogged in) and Fisherman's Wharf. Maybe if I do win really big in a lottery (I actually won $100 last week), I can finally afford the Fairmont...I will make my reservations at the Laurel Court!

Wednesday, May 6, 2020

J-Canuck's Around The World in (about) 32 Minutes


Going to be dating myself yet again but my favourite version of the theme song from the motion picture "Around The World in 80 Days" is Arthur Fiedler & The Boston Pops' enthusiastic take on the Victor Young original. It's epic, sweeping, romantic and has that nice flavouring of Latin spice. I first heard it on that collection of standard LPs that we got when my parents purchased the humongous RCA stereo player, and through multiple listenings of The Pops' version, it's basically imprinted itself as the version for me.

A few nights ago, I listened to Rocket Brown's latest mixtape of City Pop favourites. This time, his theme was New York so he had folks such as Tatsuro Yamashita(山下達郎), Casiopea and Hi-Fi Set to entertain me before bedtime. The next day, I thought about making my latest Author's Picks article and basing it not just on songs about The Big Apple, but on a variety of kayo having to do with those far-flung places outside of Japan. There have been plenty of them, y'know.

On that note, then...let's take a flight.

1. Masaaki Hirao & Yoko Hatanaka -- Canada kara no Tegami (1978)


Well, I just had to start from my nation, eh? Still don't know what had composer and singer Masaaki Hirao(平尾昌晃)decide that The Great White North would make for the ideal setting for a hit kayo, but hey, if it helped inbound tourism to places like Banff and Toronto, all the better. It certainly worked out for the duo of Hirao and Hatanaka.

2. Junko Yagami -- Purpletown ~ You Oughta Know By Now (1980)


Let's take that one-hour flight from Pearson International in my hometown over to Manhattan, and we've come to "Purpletown", a love letter of sorts to The Big Apple (although I never found out why the colour purple was significant for New York City) Indeed, it was the JAL campaign song for tours to ol' Gotham, and just from all that fun funk by Yagami(八神純子), Foster, Kennedy and Conrad, I can only hope that a lot of Japanese tourists were happily lured over the Pacific.

3. Judy Ongg -- Miserarete (1979)


Well, it was done to me decades ago, but whenever I hear about the Aegean Sea, in a downright Pavlovian fashion, I will always remember Judy Ongg's(ジュディ・オング) most famous hit "Miserarete"(魅せられて). It stands as one of the most famous examples of that exotic kayo involving adventures in those far-flung places that was the trend back in the late 1970s. Perhaps it helped draw Japanese tourists to Greece. Perhaps it also helped in sales of billowing white dresses.

4. Mayo Shouno -- Tonde Istanbul (1978)


A relatively short hop from Greece to another representative exotic kayo, Mayo Shouno's(庄野真代)"Tonde Istanbul"(飛んでイスタンブール). I'm not sure whether the melody by the prolific Kyohei Tsutsumi(筒美京平)actually reflected Turkish music but it certainly sounded adventurous enough. One piece of trivia from the J-Wiki article for the song that I hadn't included in the original article was that Tsutsumi had actually created "Tonde Istanbul" for 70s aidoru Goro Noguchi(野口五郎)but later realized that a female vocalist would do better justice with his work.

5. Makoto Matsushita -- One Hot Love (1981)


As I hinted in the original article for the album "First Light" by Makoto Matsushita(松下誠), the first time that I heard "One Hot Love", I didn't think of downtown Tokyo but downtown Los Angeles. There was something so Airplay, Doobie Brothers and a ton of other AOR artists imbued into this classic that the ghost of my old SONY radio almost materialized in front of my eyes. It didn't help that the original cover for the album is composed of a glorious photo of LA (at least, I think it's LA). How West Coast sound is that?

6. Hiromi Go -- Aishuu no Casablanca (1982)


Honestly speaking, I never think of Rick and Ilsa when I listen to "Aishuu no Casablanca"(哀愁のカサブランカ), but there's that feeling of traveling far afield to places surrounding the Mediterranean and enjoying a truly luxurious night. I'm just surprised that one of Hiromi Go's(郷ひろみ)trademark hits was never used to sell something like an airplane tour, a car or a cologne. The video above has a newly arranged version of the song.

7. Yumi Matsutoya -- Hong Kong Night Sight (1981)


We're finally jumping over to Asia and visiting Hong Kong, a place that I thoroughly enjoyed for a few days with my students over a decade ago. Yuming's cover of her husband's original tune seems to encapsulate a first-timer's visit to the famed area with all of the starry-eyed observations of places like Kowloon and Central. I thought that this was more "Blade Runner" than any place in Japan. I hope that Hong Kong will recover from not only COVID-19 but also the political turmoil that it had been wracked with even earlier.

8. Taeko Ohnuki -- Tsumuji Kaze (1982)


Our final destination is somewhere in France, perhaps The City of Light itself. The reason being the final song is Taeko Ohnuki's(大貫妙子)"Tsumuji Kaze"(つむじ風), a track from her 1982 album "Cliché". Aside from that synthpop intro, everything else about it just has that fragrance of Maurice Chevalier's and Charles Boyer's Paris. Croissants and café au lait come to mind here.

When deplaning, make sure you haven't left any of your belongings. Just follow the signs over to Immigration and Customs. Hopefully, in the not-too-distant future, we will all be able to hear the first two sentences again for real.

Wednesday, March 9, 2016

The Works of Masaaki Hirao (平尾昌晃)

Last week, 78-year-old singer-composer Masaaki Hirao appeared on "Kayo Concert". Unlike some of his contemporaries, he has popped up fairly often on a number of programs including the weekly Tuesday night NHK music show including as the current conductor of the NHK Orchestra who leads everyone in the customary round of "Hotaru no Hikari"(蛍の光)at the end of every Kohaku Utagassen on December 31st.

When the host of "Kayo Concert", Tetsuya Takayama(高山哲哉), remarked that Hirao has composed over 1,600 songs throughout his career of over half a century, I figured that it was time to highlight at least a small fraction of his output.


The one big song that I have associated Hirao with is "Yokohama Tasogare"(よこはま・たそがれ)from 1971 which was the breakthrough hit for Hiroshi Itsuki(五木ひろし). Itsuki was also a guest performer on last week's "Kayo Concert" and I can echo and paraphrase the veteran singer's sentiments about Hirao: "No him, no me". As for me, although I've been hearing enka and Mood Kayo since I was a toddler, this was the one song that finally hooked me into those two genres.


Another song that I've always equated with Hirao is "Canada kara no Tegami"(カナダからの手紙)from 1978. His duet with Yoko Hatanaka(畑中葉子)has become a karaoke staple since my Kuri days.



But let's go way back. Masaaki Hirao was born Yu Hirao(平尾勇)in Shinjuku Ward, Tokyo in 1937 but grew up in Chigasaki City, Kanagawa Prefecture. He attended jazz classes as a boy and then after dropping out of high school, he joined a country & western band, The Chuck Wagon Boys. In 1957, he was scouted by Watanabe Productions at a jazz cafe where he was performing and released his first solo single the next year which was a Japanese-language cover version of "Little Darlin'" by the Diamonds. Soon after, the media dubbed Hirao, and fellow singers Mickey Curtis(ミッキー・カーチス) and Keijiro Yamashita(山下敬二郎)as the Rockabilly Three for which they all gained superstar status. 


Hirao continued singing into the 1960s even with the end of the rockabilly boom but seemed to have caught the bug for songwriting later in the decade. With him creating songs for young up-and-comers Hiroshi Itsuki, Rumiko Koyanagi(小柳ルミ子)and Agnes Chan(アグネス・チャン), a professional partnership with lyricist Yoko Yamaguchi(山口洋子)created a good amount of success which earned them the moniker The Golden Combo. Hirao was the one who introduced Chan to Japan with hits such as "Sougen no Kagayaki"(草原の輝き). The above video is for another Hirao/Chan collaboration "Hoshi ni Negai wo"(星に願いを...Wish Upon A Star), her 5th single from February 1974 which was another Top 10 hit for her with Kazumi Yasui(安井かずみ)behind the lyrics.


With all those hundreds and hundreds of songs under his belt, it didn't surprise me that Hirao dabbled through all of the Great Japanese Songbook, and that included anison. For instance, he composed the theme songs for the "Ginga Tetsudo 999"(銀河鉄道999)TV series, both sung by the legendary Isao Sasaki(ささきいさお).


With his breadth of songwriting, it would be impossible to pin down a specific genre or style to Hirao. Let's just say that he is the master of all things kayo. In December 1972, he and Michio Yamagami(山上路夫)created a sprightly tune for aidoru Mari Amachi(天地真理)titled "Futari no Nichiyoubi"(ふたりの日曜日...Sunday For Two)which hit No. 3 on Oricon and became the 13th-ranked song for 1973.


Speaking of aidoru, Hirao even composed a song for Seiko Matsuda(松田聖子)in 1980 called "Eighteen" with lyrics by Yoshiko Miura(三浦徳子)as one-half of a double-A-side single with "Kaze wa Aki Iro"(風は秋色). The song is definitely very aidoru-ish but there is some of that rockabilly feel in the arrangement, thanks to Hirao no doubt.


As with any of the Creators articles that I've put up over the past few years, there is no way that I would be able to put up a comprehensive account of Hirao's works without making this a full-time job. So I will end the article with one of his more recent compositions. The Golden Combo was back with him and Yamaguchi penning "America Bashi"(アメリカ橋...America Bridge)for enka crooner Yutaka Yamaguchi(山川豊)in February 1998. It's quite the classy melody that Hirao created here, sounding like a Mood Kayo waltz about the Ebisu Minami Bridge located between Meguro and Ebisu Stations on the Yamanote Line in Tokyo. Nicknamed America Bashi since it was modeled after a similar bridge built for the 1904 St. Louis World's Fair, in terms of the song, the bridge was the setting for a reunion between two past lovers.


Allow me to finish then with Hirao singing another old chestnut, "Diana" which was originally sung by good ol' Canadian Paul Anka. Another Canadian connection for the veteran.


Friday, June 29, 2012

Masaaki Hirao and Yoko Hatanaka -- Canada Kara no Tegami (カナダからの手紙)


Yes, believe it or not, there is an example of kayo kyoku that has my country in it. Well, according to the lyrics, any country could have really stood in for the "Wish you were here" theme of this song but I guess the composer and lyricist must have found the Rockies and bracing cold weather of The Great White North the most effective backdrop.

"Canada Kara no Tegami" is often called by its English translation "Love Letter from Canada" in the karaoke bars where I had first found out about this popular duet tune. I heard it numerous times at Kuri, often by transplanted Japanese ex-pats who somehow wanted to show their appreciation for being in the home of maple syrup, ice hockey and Anne of Green Gables. And I often heard it during my first several months in Japan as a JET participant where my new comrades wanted to pay tribute to my presence there.


Masaaki Hirao(平尾昌晃) has written songs for numerous singers such as Agnes Chan(アグネスチャン), Mari Amachi(天地真理) and Hiroshi Itsuki(五木ひろし). He even wrote the theme songs for famous TV anime Galaxy Express 999. Seiko Matsuda(松田聖子) was a graduate from his own academy. But in 1978, he composed the song which, along with Jun Hashimoto's(橋本淳) lyrics, would get him into karaoke legend. He teamed up with actress Yoko Hatanaka(畑中葉子), who had been attending Hirao's academy. Hatanaka wasn't even 20 years of age when she was picked to duet with the 40-year-old schoolmaster and singer, and this would be her debut as a singer. Hey, no pressure.

As it turned out, "Love Letter from Canada" became a huge hit, hitting the No. 1 spot a few weeks after its debut in early January 1978, and it would end up being the 7th-ranked song for the year. The cherry on this sundae was an appearance on that year's Kohaku Utagassen.


Even the other singers couldn't help themselves from singing the duet.

In any case, Happy 145th Birthday, Canada, eh!