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I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Halloween. Show all posts
Showing posts with label Halloween. Show all posts

Friday, October 31, 2025

Vic Mizzy -- The Addams Family

 


Welcome to a special Halloween version of Reminiscings of Youth.

I'm not sure whether the 1960s "The Addams Family" TV show ever made its way to Japanese channels like so many other American sitcoms and dramas of its time, but the 1991 movie adaptation did make its mark in Japan, spawning a half-decade campaign involving most of the cast from the movie to hawk the Honda Odyssey that I remember seeing all the time. 


What connected the 1964 sitcom to the 1991 movie though was the famous theme song. Now, I was probably too young to remember watching "The Addams Family" in its first run (September 1964 - April 1966) but the show always showed up in reruns on the local ABC affiliate in Buffalo, New York in the late afternoons. And of course, I was greeted by the fun if gothic theme by composer and singer Vic Mizzy. Mizzy is already here on KKP due to his creation of the "Green Acres" theme a year later that I posted as a ROY article.

Until I looked up Mizzy on Wikipedia, I had no idea that he had been behind both the themes for "Green Acres" and "The Addams Family" and that he was the one singing the "ooky and kooky" lyrics for the latter song. The song wasn't only catchy but it was audience-participatory because of the need to snap those fingers. By the way, at the time that I first got to know Gomez, Morticia and the rest of the Addams clan, I hadn't known that they were based on the cartoons by Charles Addams in "The New Yorker". I think Raul Julia's Gomez from the 1991 movie looks to be the closest to Charles' depiction in "The New Yorker", but I will always have a softer spot for John Astin's slightly unhinged Groucho Marx-like portrayal of the suave Gomez on the TV series.



I was also a Lurch fan, too.


Now, let's see what won some of the prizes at the Japan Record Awards in 1964.

Grand Prize: Kazuko Aoyama -- Ai to Shi wo Mitsumete(愛と死をみつめて)


Best New Artist: Teruhiko Saigo -- Kimi dake wo(君だけを)


Best New Artist: Harumi Miyako -- Anko Tsubaki wa Koi no Hana (アンコ椿は恋の花)


Awesome City Club -- Vampire

 


From what I've heard and seen through NHK and the YouTube live camera footage, the annual Shibuya Halloween mayhem was somewhat washed out due to the heavy rains over the Tokyo area which probably relieved the shop owners and restaurant managers there and disappointed cosplayers and October 31st revelers. But according to the Video Street View Japan channel, folks did try to lighten the mood up as best as they could.


Usually Fridays are set for the urban contemporary stuff of Japanese music but because today is indeed Halloween, I've decided to mix in a couple of Halloween-themed songs here tonight with the usual City Pop and AOR tunes. First off, we've got a synthpop entry by the band Awesome City Club titled "Vampire" which was released as their 2nd limited digital download single in March 2016. 

I don't think it sounds particularly Halloween-y but it's nice and sparkly as AWC member PORIN and former Chatmonchy drummer Kumiko Takahashi(高橋久美子)created the lyrics about a young lady falling for the titular Halloween character. Meanwhile, atagi took care of the melody. I would probably say that it was ideal as a theme song for a vampire anime which is a subgenre but it was actually used as the campaign song for HIS Travel...to Macao, of all places.

Thursday, October 30, 2025

Nash Music Library -- Spooky Creepy Monsters/Horror Nights Street

 

Of course, tomorrow is Halloween in every place that celebrates the Jack O'Lanterns, ghouls, goblins and Trick or Treat. So, I figure that I should put something to commemorate that fact and tradition. I'll have to see what Shibuya Scramble Crossing looks like on YouTube tomorrow morning.

Anyways, I've got one track from Nash Music Library's contribution to October 31st, the 2013 "Halloween".  Above is "Spooky Creepy Monsters", an appropriately eerie piece meant to send shivers up and down your spine...if you're in a haunted dance club. The one below comes from a sequel album "Halloween 2" from 2018, "Horror Nights Street" which has more of a vibe reminiscent of an All Hallow's Eve march led by Danny Elfman.

Thursday, October 31, 2024

Yu Hayami -- Yu-chan no Halloween(優ちゃんのハロウィン)

 

As has been the case over the past several years, I've been keeping an eye on Shibuya whenever Halloween comes around because of the enormous crowds and cosplayers who show up on October 31st. Of course, there is the live camera pointed at the huge Shibuya Crossing but nowadays, there are those YouTubers who have done the walk-and-talk live broadcasts as they mill around the nooks and crannies of the Youth Mecca of Japan. Not sure how things went this year but my impression from the few minutes that I got from those sources is that though the huge rivers of humanity returned, there didn't seem to be the widespread mayhem of past years, but anyone who was actually there can set me straight.

In any case, I have one more Halloween tune here for 2024 and that would be former 80s aidoru Yu Hayami's(早見優)contribution in the form of "Yu-chan no Halloween" (Yu's Halloween). Written by Jimmy Brown(じみー・ぶらうん)and composed by Hiroshi Kishimoto(きしもと・ひろし)as this cute little toy march reminiscent of the somewhat more innocent event of the season that's been held on Omotesando Dori near Shibuya for many years, "Yu-chan no Halloween" is a track on the December 1992 album based on Hayami's own TV show "Hayami Yu no American Kids"(早見優のアメリカン・キッズ), a kids' program that was broadcast every weekday for 15 minutes in the early evening between 1988 and 1994.

Because I'm typing this in the late afternoon on Halloween, the kids over here have yet to make their rounds of trick-or-treat. So, hopefully all of you children will have a good and safe time getting all that candy and stuff.

Sheena Easton -- Telefone (Long Distance Love Affair)

 

Well, Happy Halloween to everyone out there and for the folks in Los Angeles including my friend Rocket Brown, congratulations on the Dodgers winning the World Series. For some reason, the last few times I've used the Bing AI image generator, it wouldn't abide by the "...in anime style" instruction, so instead I've gotten a live-action Kayo Grace Kyoku and Mr. Calico. Still, didn't want that to stop the lady and the cat from having some fun with Halloween.

It was last year when I started the Sheena Easton file on "Kayo Kyoku Plus" via the Reminiscings of Youth series with her 1980 hit "9 to 5 (Morning Train)", the first song that I ever heard by the Scottish singer/actress on the radio. And of course, since then, she's had her series of hits. However, next to "9 to 5", the song that I've always associated with Easton has been "Telefone (Long Distance Love Affair)", her August 1983 single

By itself, "Telefone" is a catchy enough single but after hearing it as well a few times on the radio, it was the Halloween-themed music video that cemented things for me. Easton is someone who's been easy on the eyes for me and so to see her as the lady-in-distress running from the triple threat of Dracula, Frankenstein's Monster and King Kong was rather amusing. Strangely enough, the single wasn't a huge hit in the UK where it only reached up to No. 84, but in Canada and the United States, it broke into the Top 10 at No. 8 and No. 9 respectively. It did hit No. 1 in Columbia, though.


Although I had already determined that "Telefone" would be the special Halloween ROY article for several months, I realized that it would be the ideal article to let folks know about the passing of actress Teri Garr a couple of days ago at the age of 79. She had been in numerous TV shows and movies including "Young Frankenstein", a movie that the music video for "Telefone" most reminded me of. The first time I saw Garr was on the second season finale of the original "Star Trek", "Assignment: Earth", as the stout-hearted if somewhat ditzy Roberta Lincoln and then of course, came all of those movies such as "Young Frankenstein", "Close Encounters of the Third Kind" and "Tootsie". As well, she was one of the few talk show guests that had me making a mental note to ensure me to watch, especially when she showed up on "Late Night with David Letterman". My condolences to her family, friends and fans.

Now, what was being released as singles in August 1983 in Japan?

Anri -- Cat's Eye


Hiromi Iwasaki -- Ieji (家路)


Mizue Takada -- Sonna Hiroshi ni Damasarete (そんなヒロシに騙されて)


Friday, October 18, 2024

Phantom Siita - Kimi to XXXX Shitai dake (キミと✕✕✕✕したいだけ)

As someone who has strayed away a bit from J-idols compared to the past, there are not that many songs from that genre on repeat for me these days. I find myself going back more to older idols like my usual Akina, Wink, Yuki Saito and Miporin fare. There are, of course, exceptions to the rule.

I still do sometimes venture into the "100 Latest Japanese Idol Songs" playlist on YouTube, which I have been following for years at this point, and each time add a couple songs into my playlist. One of these times, I stumbled upon this one music video from a group which I hadn't yet heard about, but I noticed it had a significant number of views.


It was this music video for "Kimi to XXXX Shitai dake" (キミと✕✕✕✕したいだけ) by idol group Phantom Siita (ファントムシータ), the second single release for the group. Anyone who is not familiar with this group probably has heard of producer Ado, one of the most influential Japanese artists of the last couple of years. A few seconds into this song, it's already noticeable how distinct the singing style is, very much resembling Ado's.

However, what really shines to me about this song is the instrumental. Phantom Siita's concept is "retro horror" and it sounds as retro as you can get, especially the intro, which hits you like crazy. My first thought was how much this sounds like Akina's "I MISSED THE SHOCK" with all the orchestra beats and strings. The following notes sound somewhat more modern, the short beats and repeating words, with the chorus tying everything together, being insanely catchy and leaning into the "horror" part of the concept with the wordplay around "chu" (kiss) and "chi" (blood). The song was composed and written by Kikuo (きくお), a well-known Vocaloid producer, and the group has been collaborating with different artists for each of their songs.

Phantom Siita, composed of members Mona, Miu, Rinka, Hisui and Moka, released their first single only June this year and is already very successful. They have been showing up on variety shows as a sort of "face" to Ado, whose appearance remains hidden in the shadows. They are lining up for their first album release later this month, as well as a Budokan concert.

This kind of "retro horror" concept has been a longtime preference of mine, as one of my favorite idol groups is the three-member group Wyenra (ゑんら). Being self-produced, they have unfortunately always remained in the more underground scene and I remember them having financial difficulties at points, which always had me wishing they could receive their big break or the kind of backing Phantom Siita has for a similar concept. Another underground group with this kind of vibe is Jyujyu (じゅじゅ), leaning more into a gothic visual, which "Kimi to XXXX Shitai dake" is very much about. I thought they had disbanded, but found out while researching for this post that the group restarted only one month after Phantom Siita's debut.

There is still a couple of months left until the end of 2024, but this song by Phantom Siita is probably my personal favorite of the year. It's just right up my alley, connecting the past and the present of Japanese music and visuals with the big wrapping bow of idols.

Thursday, August 22, 2024

Masayoshi Oishi -- Shinda!(死んだ!)

 

Yesterday, I was informed that the latest holiday craze is Summerween which is basically celebrating Halloween a couple of months or so earlier than scheduled. The Japanese would probably react by saying "Well, it's about time!". Although the big cities and its young populations have fully embraced Halloween in recent years, the dog days of summer have been the traditional time for the spooky in Japan. After all, telling those ghost stories and leaving a chill up and down listeners' backbones has been one way to stave off the torrid heat and humidity. Or so the theory goes...

I've never seen the anime "Yuusha ga Shinda!"(勇者が死んだ!...The Legendary Hero is Dead!)which had been broadcast early last year on Tokyo MX and it's not really a Halloween-themed show. I'd say that it was more of a comedic isekai program with at least one major supernatural element. 

But what got me to bring Summerween in here was the opening theme song for "Yuusha ga Shinda!", "Shinda!" (Dead!) as written, composed and performed by Masayoshi Oishi(大石昌良). The official music video and the arrangement of the song certainly hints at something more Halloween (and of course, Oishi himself still enjoys being the song-and-dance man). I actually wrote about Oishi's most recent anison outing earlier this year, "Namaramenkoi Gyaru"(なまらめんこいギャル)for the heartwarming Hokkaido-based show "Dosanko Gyaru wa Namaramenkoi"(道産子ギャルはなまらめんこい...Hokkaido Gals Are Super Adorable!). That one is quite a bit more funk but "Shinda!" brings in more of the synthpop spookiness and the usual Oishi catchiness. Perhaps Danny Elfman might be a tad jealous. In any case, the singer's 10th single from May 2023 peaked at No. 28 on Oricon.

Tuesday, October 31, 2023

Michael Jackson -- Thriller

 

A couple of years ago, I posted Ray Parker Jr.'s "Ghostbusters" as a Halloween Reminiscings of Youth piece, so I figured that it was time for this one as well. Now I am well aware that Halloween is not a statutory holiday but merely an observed fun tradition but I'm still going to continue our KKP tradition of coming up with something spooky on the 31st or thereabouts.

I've known Michael Jackson's "Thriller" more for the epic video of around 15 minutes in length than for the original single that was released in the United States in January 1984. Never bought the album "Thriller" in my youth so the video was my introduction to the song by Rod Temperton which was produced by Quincy Jones.

The video was released in early December 1983 and the hoopla surrounding it was incredible to say the least. Even now, I don't think music videos that are a quarter of an hour in length are all that plentiful so you can imagine how the excitement was like back forty years ago. After all, this was the King of Pop Michael Jackson doing a horror-based music video with all of the special effects trimmings under the direction of John Landis of "Animal House", "The Blues Brothers" and "An American in Werewolf in London" fame, and yep, some of "Thriller" was inspired by that final movie. Anyways, folks were really excited to see the world premiere of the video on MTV, and we here in Canada were able to view it as well, probably via MuchMusic

Because of the plot line of the werewolf and MJ taking home Ola Ray being interwoven into the song and dance, I'd say that "Thriller" could have even been called a very specific mini-musical around one tune, and man, that was some choreography. Now if zombies ever dance again anywhere in media, they would have to follow Michael. Of course, I can't ever forget Vincent Price's appropriately ghoulish narration and his gleefully evil laughter at the end.

Once the single came out, I remember that "Thriller" kept getting onto the top of the request charts for weeks upon weeks. Putting aside all of the Halloween sound effects, Price, and even Temperton's lyrics, the song is just one funky disco song released years after disco was supposed to have been exorcised from pop culture. The musicians supporting the song were all top-notch: Jerry Hey, Gary Grant, Larry Williams, and Bill Reichenbach on horns (all who have played on Japanese pop albums, too), along with Temperton and Greg Phillinganes on keyboards.

In Canada, "Thriller" the single made it up to No. 3 while hitting No. 4 in America. The countries where it actually topped the charts were Belgium, France, Portugal and Spain.

Now, what was coming out as singles in December 1983?

Yutaka Ozaki -- Juu-go no Yoru (15の夜)


Tatsuro Yamashita -- Christmas Eve


Warabe -- Moshi mo Ashita ga (もしも明日が)

Tsuyoshi Kon -- Monster Mash/Chickenshack -- Godzilla on My Pillow

Good Free Photos
 

Last night, I wrote about P-Model's avant-rock "Zombi" which I found out about due to a commenter steering me to the Japanese Halloween playlist from university radio station WMUC a few days back. I'd like to throw in a couple of more songs.

One is guitarist Tsuyoshi Kon's(今剛)"Monster Mash" which has nothing to do with Bobby Pickett's novelty Halloween hit from 1962. In fact, the song is right from Kon's July 1980 solo album "Studio Cat" which I've already referenced because of my posting of the track "THINK ABOUT THE GOOD TIMES". I would say that the monsters here are probably sporting silvery metal jackets and skinny ties according to Kon's rock-sided AOR.

Meanwhile on the other side of the decade, Chickenshack put out "Godzilla on My Pillow" as a track for "Chickenshack V" from 1989. Created by jazz and R&B guitarist Junshi Yamagishi(山岸潤史), the big green lizard is strutting through Roppongi on a wave of nuclear-fired funk that reminds me a fair bit of The Dazz Band. Let's Wang Chung tonight!

Kyary Pamyu Pamyu -- Fashion Monster(ファッションモンスター)

 

Well, Happy Halloween everybody! Wherever the holiday is being celebrated, I hope folks have been enjoying or have enjoyed their apple bobbing, trick or treating and whatnot. As I'm typing this, it's still the afternoon of October 31st so the kids going from house to house is yet to happen but I figure that the show will go on although it'll be a little chilly tonight. Of course, when I think of Halloween, there are the movies "Beetlejuice" and "Ghostbusters", but I also remember the old TV shows "The Munsters" and "The Addams Family".

Ah, as for Halloween J-Pop...I automatically think of Kyary Pamyu Pamyu(きゃりーぱみゅぱみゅ). With all of the outlandish costumes, she's a natural for Halloween and I did post her 2015 "Crazy Party Night ~ Pumpkin no Gyakushuu"(ぱんぷきんの逆襲)a few years ago. Well, I was reading a "Japan Times" article earlier today and the reporter referenced an even earlier Kyary Pamyu Pamyu song that he felt may have helped out in the annual Shibuya Halloween masses (which were supposedly smaller this year due to ward intervention, although watching the YouTube streams haven't convinced me).

I'm talking about KPP's 3rd single, "Fashion Monster", from October 2012. As has been the case all along, Yasutaka Nakata(中田ヤスタカ)took care of words, music and arrangement for a song about being free to express oneself. Translating an excerpt from a 2012 interview shortly before the single's release, the singer and fashion icon talked about the protagonist in the song: "At first, he's seen as a monster feared by everyone, but it's a story about him freely expressing his feelings which leads to him becoming popular".

The music video by Jun Tamukai(田向潤)is a Halloween dream (or nightmare) come true, and it stands out to me for the fact that Kyary was actually cracking a smile back then. Another fun bit of trivia that I got from J-Wiki is that part of the arrangement by Nakata was inspired by Juicy Fruits' "Jenny wa Gokigen Naname"(ジェニーはご機嫌ななめ)from 1980. "Fashion Monster" peaked at No. 5 on Oricon, going Platinum. And in terms of its download rankings on the iTunes Electronica list, it ranked No. 1 in Finland, Hong Kong and Taiwan, No. 2 in Belgium and Thailand, No. 3 in America and Canada, No. 7 in France, and in Japan on the iTunes overall list, it also hit No. 1.

"Fashion Monster" was used as the commercial song for the Japanese discount casual wear designer GU, as well as a jingle for a Nissin yakisoba ad.

Monday, October 30, 2023

P-Model -- Zombi

 

I'm not really into zombie horror movies but I remember watching "Shaun of the Dead" at my friend's apartment in Jiyugaoka years ago and enjoying it. I give my thanks to Simon Pegg and Nick Frost.

Continuing from the playlist of the University of Maryland radio station WMUC's Japanese Halloween-themed episode that one commenter cottoned me onto a few days ago which begat my first post of Tulip's(チューリップ)"Koi no Dracula"(恋のドラキュラ), I'm picking out another song. This time, it's eclectic electronic rock band P-Model's "Zombi" from their March 1982 4th album "Perspective".

Having only relatively recently found out about P-Model as one of the Techno Gosanke(テクノ御三家), I was fully expecting to hear something synthy with "Zombi". Actually though, aside from the Art of Noise-like pounding drums, the song comes across more as a strutting minimalist rocker than technopop while vocalist and songwriter Susumu Hirasawa(平沢進)sounds like a grown-up version of Milhouse Van Houten from "The Simpsons". As the Wikipedia article on "Perspective" states, the album has been categorized as post-punk, industrial rock and no-wave, and I think "Zombi" fulfills that third genre although I can also agree with J-Wiki's description of the album as an experimental rock project.

Reading the Wikipedia article, I discovered that Hirasawa had recorded all of the drum parts in the recording studio stairwell for that natural reverb. Apparently he had quite the battle with the recording engineer but Hirasawa won in the end. Good for Hirasawa. Incidentally, kinda like yesterday's Yuming's(ユーミン)"Corvett 1954", P-Model opted to go for a mistaken spelling of the title. Whether or not Hirasawa had been aware of the proper spelling of zombie in the first place I'm not sure but I'll just go with what has been officially written down on the album.

Saturday, October 28, 2023

Tulip -- Koi no Dracula(恋のドラキュラ)

From Good Free Photos

Indeed, the annual bewitching hour is almost upon us. My community is supposed to be holding a brief Halloween party for the kiddies later this afternoon. Additionally, I gather that will be devoting some of the posts this coming Tuesday to Halloween-themed songs. Last night, I received a comment from a student at the University of Maryland last night that a radio station associated with his alma mater, WMUC, had devoted an episode to Japanese Halloween-themed music which was surprising and wonderful. My many thanks to that commenter for that playlist.

One of the songs that was on the WMUC playlist was Tulip's(チューリップ)"Koi no Dracula" (Dracula of Love). The B-side to the folk group's 15th single "Yakusoku"(約束...Promises) from October 1978, it's about as playful a pop song that I have ever heard from Kazuo Zaitsu's(財津和夫)wholesome band, and the whole Dracula thing is more analogous than literal. Therefore, there is no master vampire making blood withdrawals; the only stake being thrust anywhere is Cupid's arrow into some poor sap's chest on seeing a fetching young lady. Zaitsu was responsible for words and music. Good choice in starting KKP's annual Halloween thing with Tulip since it's been about a year since I posted about them.

Considering what I've just posted above, I couldn't help but be reminded of Frank Langella's more romantic take on "Dracula" from 1979. More familiar with his older and crustier character roles in recent movies, I've had to be reminded that Langella cut quite the dashing young figure in that movie.

Monday, October 31, 2022

For All You Cosplayers Out There....

 

Continuing on with today's Halloween theme, I started thinking about all of those cosplayers out there. I mean, I know that cosplaying has never been restricted to October 31st, but it is on that night that cosplayers can really go full out into the city at large instead of just cosplayer functions such as a ComiCon. Incidentally, yes, that is indeed a lady pretending to be Yuki Mori from the Space Cruiser Yamato. I took the photo at the Tokyo Anime Fair at Tokyo Big Sight back in 2009.

So, I thought what if I could give some tribute to those cosplayers and Halloween in general through my own Author's Picks of songs connected with costumes that I have seen such as the yellow-and-black uniform that I see on the aforementioned young lady above? As for me, I've been in costume but just for Halloween, and one costume that I did wear was the gold uniform for Captain Kirk way back when.

Isao Sasaki -- The Theme from Space Cruiser Yamato (宇宙戦艦ヤマト) (1974)


All these years, I've only seen folks in the Yuki Mori uniform, but I have yet to witness anyone in the other male crewmembers' uniforms. I have also never seen anyone dressed as good ol' Captain Okita.

Dali -- Moonlight Densetsu (ムーンライト伝説) (1992)


In the few times that I did attend Fan Expo in downtown Toronto last decade, I always saw a Sailor Moon(セーラームーン)and a few of her fellow Sailors traipse about in the Metro Toronto Convention Centre. In fact, I'd say that it wouldn't be a Fan Expo without Sailor Moon.

Yoko Takahashi -- Zankoku na Tenshi no Tehze (残酷な天使のテーゼ) (1995)


I can't be absolutely sure that I actually saw anyone dressed up as Rei Ayanami or Asuka Soryu either in Japan or Toronto, but I believe that it's a given that have been cosplayers who were more than happy to dress up in their getups...and there were folks who were happy to see them dress up in their getups. Just ask Kohei.

Kyary Pamyu Pamyu -- Crazy Party Night ~ Pumpkin no Gyakushuu(ぱんぷきんの逆襲) (2015)


Kyary Pamyu Pamyu(きゃりーぱみゅぱみゅ)did come to the Art Gallery of Ontario to perform a few nights there, but I never got the opportunity to go. I could probably say that she was the first cosplaying singing star that I ever saw.

Masato Shimon -- Let's Go! Rider Kick! (1971)


This last one here is for the fact that my brother wore a Kamen Rider(仮面ライダー)costume for trick or treat when he was a very small kid back when we were living downtown. He may have scared one resident out of her wits, but she may have had a phobia against insects.


Junky feat. Rin Kagamine -- Happy Halloween

 

Indeed, it's Halloween once more. Shibuya in Tokyo was once again filled with the milling crowds of cosplayers and curious onlookers. Here in Toronto, we may escape the rain so that the kids can go trick-or-treatin' once more. So, let's begin this Halloween special of KKP articles today.

The first time that I heard this Halloween-themed song was through a video featuring Japan's Weathernews former weathercaster Izumi Maie(眞家泉)dancing up a veritable storm in a number of settings (most likely in the Makuhari Messe area of Chiba where Weathernews headquarters is located). She's joined at the end by current weathercaster Sayane Egawa(江川 清音).

And this song happens to be known simply as "Happy Halloween" (October 2014) by Vocaloid song producer Junky with Rin Kagamine(鏡音リン)providing the high-pitched vocals. It's a fun and child-like toy store march with the sensation of the comically spooky works of Danny Elfman, most notably for the Michael Keaton hit "Beetlejuice". In fact, I think that Elfman would be quite happy with this song of All Hallow's Eve with all of the excitement of going out and bewitching the neighbourhood. The English translation of the lyrics are available right here at Genius.com. Hopefully, tonight the kids and adults will have the same attitude going out.

Thursday, October 27, 2022

Vince Guaraldi -- Great Pumpkin Waltz/Graveyard Theme (from "It's The Great Pumpkin, Charlie Brown")

 


In the last few years of my stay in Japan, I was collecting those big volumes of the old "Peanuts" newspaper strips which began in 1950. Although those tomes went all the way to Charles M. Schulz's final productions in 2000, I basically stopped collecting them after I reached the 1980 edition since I think the heyday of Charlie Brown and Snoopy was within those first thirty years. The above two photos display the October 26, 1959 strip showing Linus' first mention of the Great Pumpkin as Lucy must be thinking about committing her little brother to a hospital somewhere.


Interestingly enough, it was 56 years ago today that the television adaptation of those Halloween hijinks of Charlie and the gang made its debut on CBS. "It's The Great Pumpkin, Charlie Brown" made its premiere less than a year after "A Charlie Brown Christmas" as the second holiday-themed Peanuts special, and I've also enjoyed this Halloween-themed one over the decades. The introduction of the show with Linus and Lucy getting out into the pumpkin patch, accompanied by a reprise of the iconic "Linus and Lucy" by jazz pianist and composer Vince Guaraldi, was able to remind viewers of the Van Pelt siblings' different personalities without a word said in the first minute and a half.


Linus' raving and ranting about the Great Pumpkin aside, I think the one other scene that has stuck in fans' memories is Charlie Brown's perennial "treat".


Now, as I promised when I wrote on the theme song for "A Charlie Brown Thanksgiving" a few weeks ago, I will be giving my Halloween-themed Reminiscings of Youth article (KKP's 9,100st!) in the form of the song that has remained in my head from "It's The Great Pumpkin, Charlie Brown". "Great Pumpkin Waltz" by Guaraldi and five other musicians was a song whose title I hadn't even known; it was just a number that I knew as a theme for the special. It wasn't until I had purchased George Winston's tribute to Guaraldi, "Linus and Lucy: The Music of Vince Guaraldi" in 1996 and listened to Winston's slower, longer and even more soulful rendition the piece that not only did I finally find out the title but also that it was a particularly beautiful waltz. It's up there with one other waltz created for pop ears, "Lover", by Rodgers and Hart which was also a ROY article early last year. The original by Guaraldi hits harder in the special especially in the scene when Sally Brown decides to sit in the pumpkin patch with her sweet Baboo.




When I was prepping this ROY article, I discovered that the music which accompanies the title reveal and the Peanuts kids getting spooked was also pretty good, so I've included it here. According to Wikipedia, it was originally titled by Guaraldi as "D Minor-Major Groove" when he did a recording session with bassist John Mosher and drummer Johnny Markham back in 1958, but he brought it back for the special under the new title of "Graveyard Theme". There is some playfully sinister feeling in the brief musical cue, although I think that for a graveyard song, it's still pretty happy.

Anyways, I will be coming up with a J-Halloween song for next Monday. There were a few singles coming out in Japan around October 1966 of course, although Halloween wouldn't become a thing for a few more decades there.

Linda Yamamoto -- Kommachauna (こまっちゃうナ) (September 1966)


The Wild Ones -- Omoide no Nagisa(想い出の渚) (November 1966)


The Spiders -- Yuuhi ga Naiteiru (夕陽が泣いている) (September 1966)


Thursday, October 28, 2021

Ray Parker Jr. -- Ghostbusters

 

Halloween is indeed just a few nights away and it looks like that trick or treat can go ahead in my neck of the woods, albeit carefully. Just wondering what Shibuya Scramble is going to look like this weekend with Tokyo treating things as if they're out of the woods but that's why I will be looking at the live camera overlooking the massive intersection over the next few days.

Of course, Thursdays also mean Reminiscings of Youth and that means that I'm putting up my first Halloween-themed ROY article today. I've decided to go with Ray Parker Jr.'s "Ghostbusters". Who ya gonna call, and all that!

I remember all of the hoopla surrounding "Ghostbusters" when I was just a high school kid in 1984. It was seen as an exciting high-concept vehicle for the guys at "Saturday Night Live" and "SCTV" to come together with some of those amazing Industrial Light and Magic special effects. Ever the late bloomer, I didn't finally get to see the movie until the end of summer about three months after "Ghostbusters" had launched at theatres. Catching the Tuesday afternoon matinee, there was barely anyone inside aside from a few other folks including a young couple about two rows in front of me half-watching the movie and half-canoodling by themselves. I honestly focused on the cinematic experience in front of me.😶

"Ghostbusters" was a fun movie to be sure but I didn't particularly laugh out loud at most of the cracks since Bill Murray was the main jokester (merely smirked and lightly chuckled), and his humour has always been more of the dry and droll type, although I did burst out at the famous line above. That didn't mean that I didn't like the movie. As I said, it was fun and I enjoyed it because it had a heart. I actually cared for Peter, Ray, Egon, and Winston and their proton packs as they were ready to believe paying customers with ghost problems. Mind you, I was no fan of the sequel overall.

Of course, the biggest calling card for the movie "Ghostbusters" was the single "Ghostbusters" by Ray Parker Jr. as one popular and muscular commercial jingle. Yup, I did hear about the legal wrangles over plagiarism between Parker and Huey Lewis but a financial settlement put that to rest and a "Premiere" article in the early 2000s (via Wikipedia) finally explained what the heck was going on with that. Apparently, Parker didn't want a new drug but an old song...or the basic rhythm, at least.

But hey, I like both "Ghostbusters" and Huey Lewis and the News' "I Want a New Drug", although when I eventually put up a ROY for the latter group, I'll probably go with another one of their hits first. Anyways, there have been variations on "Ghostbusters" within the later movies but it's always been the original for me because of Greg Phillinganes' funky work on the keyboards and the fact that it does sound like the most infectious jingle with the call-and-response of "Who ya gonna call?" and "GHOSTBUSTERS!". Plus, there's the music video with Parker, the fetching young lady plus all of those celebrity cameos.

After its release in June 1984, it hit No. 1 in both Canada and the United States and it even ended up in the Top 10 in both nations' year-end charts. Even in Japan, Oricon's international chart had it at No. 1 for six weeks in a row. It was even nominated for Best Original Song at the Oscars that year and I distinctly remember it being performed by Ray Parker Jr. at the ceremonies; it didn't go well. I've always wondered whether "Ghostbusters" was arranged so tightly and distinctly that only Parker and those Phillinganes keyboards could ever give it justice.

Although I'm keeping my expectations low, I hope that "Ghostbusters: Afterlife" does well. Strangely enough, this isn't Ray Parker Jr.'s first rodeo on "Kayo Kyoku Plus" since he did compose a tune in the late 1970s that has been covered by singer-songwriter EPO. Now, what were some singles that came out in June 1984...or thereabouts according to Showa Pops?

Takashi Sato -- My Classic: In Your Action!(マイ・クラシック)


Hiroko Yakushimaru -- Main Theme (メイン・テーマ)


Mariko Takahashi -- Momo Iro Toiki (桃色吐息)


Friday, October 30, 2020

Halloween Junky Orchestra -- HALLOWEEN PARTY

 

Ahhh...memories of Halloween. Two of the three Jack O'Lanterns that you see above were created by me years ago when I was teaching the masses how to carve pumpkins. The other one was actually quite delicious.

Indeed, tomorrow will be Halloween although unfortunately things are not going to be quite as festive due to the horrors of COVID-19. The medical experts here have stated that trick-or-treat is going to be a no-no and that families ought to search for more virtual/internal activities to celebrate the bewitching night. I checked the YouTube channel with the live cameras over Shibuya, Tokyo. Usually if Halloween falls on a weekend there, it was guaranteed that the preceding Friday and the two nights afterwards would probably have thousands of folks squeezing into the neighbourhood like old-fashioned college students trying to stuff themselves into a taxi or a telephone booth. Thankfully if sadly, I didn't see any of that on the cameras today.

As for me, my Halloween education was left back in Japan years ago and our family no longer gives out the treats since that was made into a collective neighbourhood activity years ago as well. And cosplay was never my thing to begin with.

Odd bodkins! I was searching a couple of days ago for something that would fit the theme of Halloween when the perfect video was discovered on YouTube. If anyone ever fantasized how Tim Burton's "The Nightmare Before Christmas" would like with a Japanese cast and a Danny Elfman-esque song to match, this is for you.

Plus, if you are a visual kei band fan and wondered about an "Ocean's Eleven" collaboration, "HALLOWEEN PARTY" is most definitely for you. Created by L'Arc-en-Ciel's vocalist and songwriter Hyde, he along with Oblivion Dust's guitarist K.A.Z. got together to form the rock unit VAMPS in the late 2000s. Then a few years later, the pair got together a whole bunch of rockers for the event known as "HALLOWEEN PARTY 2012" under the band name of Halloween Junky Orchestra where the single "HALLOWEEN PARTY" was introduced and then released on October 17th that year.

So along with VAMPS, Halloween Junky Orchestra included actress/singer Anna Tsuchiya(土屋アンナ), Ryuji Aoki(青木隆治), Aki(明希)of the rock band Sid, Acid Black Cherry, kyo from the band D'ERLANGER, singer/tarento Daigo, Tatsuro(逹瑯)of MUCC, Tomoko Kawase(川瀬智子) in both of her incarnations Tommy february6 and Tommy heavenly6, guitarist Hitsugi(柩)of NIGHTMARE, musician RINA of the band SCANDAL and singer/cellist Kanon Wakeshima(分島花音).

I have to say that the video is glorious and director Ken Nikai(二階健), who had also taken care of the music videos for Hyde and those two bands of his, ought to get a firm and hearty handshake from Burton. It seems right out of the FAO Schwarz idea for Halloween. Plus Hyde apparently must have listened to the soundtracks for "The Nightmare Before Christmas" and "Beetlejuice" (and perhaps even the music for the past several years of "Doctor Who") for inspiration for "HALLOWEEN PARTY". It's truly a grand march for the boys and ghouls. 

The single peaked at No. 3 on Oricon and despite the lateness of the release, "HALLOWEEN PARTY" ended up as the 80th-ranked single of 2012, going Gold.

Friday, November 16, 2018

Kyary Pamyu Pamyu -- Crazy Party Night ~ Pumpkin no Gyakushuu(ぱんぷきんの逆襲)


Indeed, I still remember that Tom Hanks sketch on "Saturday Night Live" where he portrayed the bizarre David S. Pumpkins and improbably immortalized himself as a live-action version of a 2018 meme (namely Markiplier E). His status as a character icon may be guaranteed alongside Harrison Ford's Indiana Jones and Tom Cruise's Ethan Hunt.


Yes, realizing that Halloween went away a couple of weeks ago, I still ended up listening to a part of the Halloween 2018 episode on Japan Top 10 today, and discovered Kyary Pamyu Pamyu's(きゃりーぱみゅぱみゅ)song "Crazy Party Night ~ Pumpkin no Gyakushuu". It's been translated as "Pumpkin's Counterattack" on Wikipedia and "The Pumpkin Strikes Back" for one YouTube video, but if I had to choose between the two, I would have to opt for that second choice.


Kyary Pamyu Pamyu's 11th single from September 2015, I should have figured out that the singer would do a Halloween-themed tune like "Crazy Party Night" since she's got the flair for cosplay, and what better holiday is there for cosplayers than on October 31st? The song was written and composed by Yasutaka Nakata(中田ヤスタカ), and it is chock-filled with the flavour of a Disneyland spectacle and a Danny Elfman score.

Looking at the video, yep, to quote the lyrics from the original "The Addams Family" TV theme song, they're creepy and they're kooky, mysterious and spooky, they're altogether ooky...but at the same time, the strange characters don't look like bad sorts at all (well, maybe with the exception of that guy in the rocking chair). They wanna party like anyone else. I wonder if they would do private Halloween parties. "Crazy Party Night" peaked at No. 12 on Oricon.

Wednesday, October 31, 2018

Kahoru Kohiruimaki -- Halloween wa Curiosity(ハロウィンはCURIOSITY)


I'm sure that at about this time the kids in my neighbourhood have been getting their candy. And not surprisingly, the weather forecaster on my local news show has been decked up as Frankenstein and making all sorts of merry. This kinda brings about this cross-cultural observation from me. Weather forecasters over here in North America seem to be the Court Jesters of the news teams while their equivalents in Japan are all very button-downed professorial types. Things that make me go Hmmm...


OK, this will probably be my last Halloween J-Pop song for this year, and it's one by Kahoru Kohiruimaki(小比類巻かほる), "Halloween wa Curiosity" (Halloween is a Curiosity), a track from her 1991 album "Silent". For me, my favourite track from that album is the first one "Mirage Mirror" especially because of that amazing bass intro.

"Halloween wa Curiosity" probably won't ever become one of my favourite Kohhy songs although it was created by the singer and her longtime songwriting partner, Yoshiaki Ohuchi(大内義昭). The pair have come up with many other songs that I like better, including "Mirage Mirror". Still, this one is interesting to hear since the two seemed to have wanted to go for a Beatles/Rolling Stones vibe. I mean, I think there is a melodic shoutout to "Day Tripper" at the beginning. Also, taking into account that at the time, Kohiruimaki was going more for an R&B sound, I think this particular track takes things back more to her late 80s pop/rock days.

It looks like "Halloween wa Curiosity" goes into a couple's date during October 31st, and considering the time that it was first released, Halloween truly was a curiosity for a lot of Japanese at the time. Perhaps Kohhy encountered the annual hijinks during a trip to Los Angeles which is the city out of Japan that I often associate her with. Evolving from the hijacking of a Yamanote Line train car by drunken English teachers back in that decade to that now-annual massive party in Shibuya, Halloween is as much of a holiday in Tokyo (at least) as Xmas is.


Well, since I'm here, I might as well put up a couple of my favourite Halloween-themed songs. Of course, there is "Ghostbusters" by Ray Parker Jr. Despite the fact that it was the conglomeration of folks from both "SCTV" and "Saturday Night Live", I don't recall laughing too hard (except for that "This man has no dick" snark) when I first saw the movie in 1984. Still, I enjoyed it since it did have a heart among the Ghostbusters themselves. The theme song itself was definitely a hit as one of the most muscular (fictional) commercial jingles ever made, although its performance at the Academy Awards for that year fell regrettably flat for some reason.


The other one is "The Great Pumpkin Waltz" by the Vince Guaraldi Trio for "It's the Great Pumpkin, Charlie Brown" from 1966. I don't think anyone would have thought about creating a romantic jazz waltz as a Halloween song, but Guaraldi did, and even hearing it tonight, I still got that ASMR shiver as soon as I heard that opening piano. Truly one of the classics.

Saturday, October 26, 2013

Yumi Matsutoya -- Yabureta Koi no Naoshikata Oshiemasu (破れた恋の繕し方教えます)



Last night, as I was bringing my friends back to the hotel after a few days of traveling around Toronto and Niagara Falls, a number of costumed young folk left a lobby elevator and were on their way to some sort of party downtown. I realized then it was Halloween weekend since the 31st this year lands next Thursday, so the bewitching revelry probably started last night.

I'm not sure if there are any Halloween-themed Japanese pop songs before the 21st century (if any of you can correct me on this, please do) since I think the holiday itself only finally took full hold in Tokyo at least in the last decade. However, since Japanese culture also has a fundamental faith in the supernatural, there have been some cute and silly tunes about ghosts and the like.

From Yumi Matsutoya's(松任谷由実) 16th album, "No Side" comes "Yabureta Koi no Naoshikata Oshiemasu" (I Will Teach You How To Heal A Broken Love). Right from the opening synth notes, the tongue-in-cheek spookiness pops on out like a loosened eyeball, and Yuming herself sings the song a bit more whispery as she gives her somewhat illicit recipe to get that man back. Lest the music get too "scary", though, there is a pretty cool bass thumping away and then a bit of that rock guitar during the refrain. I'm not quite sure if the lady had been watching "The Rocky Horror Picture Show" for inspiration. Whatever the case, Yuming's tribute to all that is bewitching stood out along with some of the other tracks such as the melancholy "No Side" and the ski tune of "Blizzard".