Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Kakko. Show all posts
Showing posts with label Kakko. Show all posts

Tuesday, June 7, 2016

Kakko -- What Kind Of Fool


I remember writing a post for Kakko’s (or Anju Suzuki [鈴木杏樹], in Japan) PWL debut single “We Should Be Dancing” a while ago. Now, I’m here with her second and even more obscure single, “What Kind Of Fool”, which – just like her debut – was released in 1990.

While I wait for Kakko’s unreleased album to be oficially released one day, I have to deal with the singles and some leaked songs from the album. From what I heard so far, “What Kind Of Fool” is among the best in the girl’s already thin catalogue – even though it wasn’t produced directly by Stock, Aitken and Waterman (it was written by Bill Clift and composed/arranged by “Mixmasters” Phil Harding and Ian Curnow, famous names from the Hit Factory’s floor)

Like most of the songs composed by SAW and their creative team, “What Kind Of Fool” is a dance-pop song with a bubbly chorus that sticks in your mind combined with all the well known synth gimmicks and flourishes that the Hit Factory loved to use. Like I said in “We Should Be Dancing’s” post, Kakko + SAW is the epitome of kitsch.

Well, if “We Should Be Dancing’s” flop wasn’t enough, “What Kind Of Fool” did little to help Kakko’s career. In fact, her lack of success was so big that the Hit Factory didn’t release her already recorded full studio album (something that SAW and Kakko’s fans are eagerly waiting for more than 25 years). In her defense, some comments on YouTube argues that maybe she was two years late to hit it big in England, but who knows...

Source: discogs.com

Wednesday, February 25, 2015

Kakko -- We Shoud Be Dancing


I warn you right now... this is pure Stock Aitken Waterman (SAW) magic!!!

First of all, Kakko is a Japanese actress and tarento that started her career as a singer for Stock, Aitken and Waterman back in 1990. Apparently, her name was Kakuko Yamagata (山形香公子), but she also worked under the pseudonym of Anju Suzuki (鈴木杏樹). Yeah, the girl surely changed her name a lot.

“We Should Ba Dancing” was released in February 1990 as Kakko’s debut single under SAW’s wings. As the Hit Factory’s hits were really big in Japan, it’s a great coincidence that a Japanese tarento happened to work directly with the powerful production trio in UK.

About the song, it’s that type of pop tune that, for being so bad, ends sounding good. Well, maybe good isn’t the right word, but it’s surely a strong piece of kitsch pop music from the late 80s/early 90s that probably feels confortable in the guilty pleasure category.

When “We Should Be Dancing” came out, SAW, although still at their peak, was already starting to decline. Their distinctive and happy Disco sound, a mixture of Synthpop and Italo Disco with newly added House elements, still worked very nicely in their favor, but acts such as Kakko and The Reynolds Girls, for example, didn’t reach the success of top artists like Kylie Minogue, Rick Astley, Sinitta, Bananarama and Jason Donovan, to name a few.

In the end, though, “We Should Be Dancing” offers what SAW did best... a catchy chorus and a lively arrangement full of dated synths that people love to hate, but, like Tina Charles sang in the 70s, “I love to love”.

And tell me... how not love the video? As if the song wasn’t kitsch enough, we also have to deal with the bubbly video of “We Should Be Dancing” and a cute Kakko dressed with a gorgeous red bodycon (ボディコン) dress, similar to the dresses used by OL and young disco girls in Japan at the time.

Here’s a young and cute Ryoko Shinohara (篠原涼子), still at Tokyo Performance Doll (東京パフォーマンスドール), singing a Japanese version of “We Should Be Dancing”. What a rarity!


“We Should Be Dancing” was a commercial failure, reaching number 101 in the UK charts. Kakko would release one more single, called “What Kind of Fool”, before quitting her music career and returning to Japan under the aforementioned Anju Suzuki pseudonym.

Finally, there’s a legend about a full lenght Kakko album that was recorded back then, but have never seen the light. Rumours point out that it might get released someday, but, until now, nothing happened yet. Personally, I’d love to hear this underground pop gem...