Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Hajime Mizoguchi. Show all posts
Showing posts with label Hajime Mizoguchi. Show all posts

Thursday, December 16, 2021

Miho Nakayama -- True Romance

It’s not a mystery to anyone that I generally listen to Miho Nakayama’s (中山美穂) 80s aidoru songs way more than to her 90s output. There are many nice songs, mostly ballads or mid-tempo pop songs, like “Tooi Machi no Dokoka de…” (遠い街のどこかで…), “Mellow”, “Shiawase ni Naru Tame ni” (幸せになるために), “Anata ni Nara…” (あなたになら…), Tada Nakitaku Naru no, “HERO” and “Thinking about you ~Anata no Yoru wo Tsutsumitai~” (Thinking about you〜あなたの夜を包みたい〜),  that I learned to like through the years, but I still only rarely listen to them. The exception, though, is today’s featured song, which is called “True Romance”, a single released in June 1996.

The thing is, “True Romance” is not so different if compared to what Nakayama was releasing at the time, but I find the arrangement very gentle, in special with the sentimental-sounding piano, horns and light strings. Of course, Nakayama’s womanly delivery is a big part of the show, and if there’s one thing I really like in these later songs in her career is how her vocals matured in a beautiful way.

Days before the single release, “True Romance” appeared in Nakayama’s 18th album “Deep Lip French”. I don’t really know what type of strategy they were thinking of, since the single simply didn’t sell well after first appearing in an album just days before its release. That’s probably why this song is so underappreciated, even being hard to find on YouTube. The video above was the only performance I could find of it.

Anyway, the single reached #37 on the Oricon charts, selling around 38,000 copies (source: generasia). Lyrics were written by Masato Odake (小竹正人), while music was composed by Yoshimasa Inoue (井上ヨシマサ). As for the arrangement, Hajime Mizoguchi (溝口肇) was the responsible.

For an unknown reason, “True Romance” wasn’t included in my “Perfect Best” compilation of Miho Nakayama’s singles. Because of that, I had to chase my own copy of the single, which I was lucky to find here in Brazil last month.

Monday, December 17, 2018

Hajime Mizoguchi -- Sekai no Shasō kara(世界の車窓から)


Man, do the Japanese love trains. Airplanes may be giving them their run for the money in terms of transporting folks on the archipelago all over the place, but there is a healthy beating heart when it comes to everything from the sleekest Shinkansen to the pokiest local train.


Just a few minutes ago, I had written about cellist-composer Hajime Mizoguchi's(溝口肇)contribution to the "Tenkuu no Escaflowne"(天空のエスカフローネ)soundtrack, assuming that this was the first time that I had heard him. Well, to my surprise, it turns out that I had been hearing him for years and years...most notably through his theme song for the short 5-minute vignette titled "Sekai no Shasō kara" which directly translates as "From The World's Train Windows" but is officially known in English as "See The World by Train".

It's been aired weeknights at the 11:00 hour, and I should've known it was by Mizoguchi, thanks to that warm cello taking us along. In its brief 5 minutes, "Sekai no Shasō kara" introduces trains from all over the world to sate the appetite for all of those internationally-minded train otaku.


Here, he gives the full performance of the theme song through a slightly jazzy interpretation.

Hajime Mizoguchi -- Gloria


The final full week before everyone enters the Holidays, I thought that this particular song, even though it hadn't been meant for the Christmas season, could fit into it due to its hopeful and orchestral arrangement.

"Gloria" from the 1996 soundtrack for the anime "Tenkuu no Escaflowne"(天空のエスカフローネ...The Vision of Escaflowne)is a piece that I have heard a few times during anison hour at my buddy's place, and though it starts out rather tensely (as one YouTube commenter put it...as if the world was about to end), at about the 3:20 point, there is this feeling of hope and happiness being reborn, thanks to those horns and oboes. And that chorus and the strings just brings all the hairs up on end...perhaps a bit more moisture in the eyes as well. The sun is finally coming out of the clouds now.

Cellist and composer Hajime Mizoguchi(溝口肇), along with Yoko Kanno(菅野よう子), put together the soundtrack, and he was the one behind the glorious "Gloria". Maybe it's the thing to play early on Xmas morning.