I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
Thursday, February 15, 2024
Barry Gray -- Theme from Space: 1999
Monday, August 30, 2021
Hitomi Ozaki -- Soushunki(早春期)
Ah, once again I bring you one of those many 80s aidoru that quickly came and went while getting those five minutes of fame. Additionally and as is often the case, there's very little information to be found out regarding this young lass.
Hitomi Ozaki(尾崎仁美)was born in 1969 and had an aidoru career lasting a little over two years according to what her page on "Idol.ne.jp" says. Her debut single from February 1986 was "Soushunki" which I believe means "Early Spring", so I can assume that the lyrics by Haruki Tango(丹古晴己)are talking about heartfelt falling heads-over-heels in love. The melody that hints at some of that haunting romantic uncertainty is by Kyoko Kosaka(小坂恭子)with arrangement by Eiji Kawamura(川村栄二).
What strikes me about Ozaki though are those high-pitched clear-as-a-bell vocals that make her sound even younger than those sixteen years that she was registering when "Soushunki" was released. I don't know as of yet about her remaining four singles going into early 1988 but I think that with this inaugural song, she actually had a promising beginning. Then again, perhaps she didn't really stand out significantly enough from the rest of the aidoru crowd.
Sunday, July 18, 2021
Kyoko Kosaka -- Story(ストーリー)
The Kyoko Kosaka(小坂恭子)file on "Kayo Kyoku Plus" keeps getting a little more interesting. Beginning with her 1975 kayo hit "Omoide Makura" (想い出まくら), I also came across her earlier dramatic New Music "Glass Saiku"(ガラス細工)from 1974.
"Story" was the B-side to singer-songwriter Kosaka's December 1978 single "Nigai Yubi"(にがい指...Bitter Finger) and listening to this one, there's been another dimension shown here. Written and composed by Kosaka, "Story" takes things into the more laid-back 70s City Pop/J-AOR zone including the warm saxophone solo. Even her vocals get a little lighter and mellower here. Reading that Akira Inoue(井上鑑)was behind the arrangement, I just went "Ah, naruhodo". Both the A-side and B-side also ended up on the singer's penultimate album "Winker" which was released in the same month as the single. Inoue arranged all of the tracks which makes me wonder whether the entire album is in that urban contemporary vein.
Monday, October 5, 2020
Kyoko Kosaka -- Glass Saiku(ガラス細工)
Over 5 years ago, I wrote about Kyoko Kosaka's(小坂恭子)"Omoide Makura"(想い出まくら), a folk song that was quite familiar to me although I hadn't known about the singer/songwriter or the even the title back then.
"Omoide Makura" was released as Kosaka's 3rd single in May 1975 and it was a signature hit for her as it became the 3rd-ranked single of the entire year. Just in the last little while, though, I discovered the title track from her debut album released in July 1974, "Glass Saiku" (Glassworks).
I mentioned in the other article that Kosaka was someone who covered both the folk and New Music genres. Well, in comparison to the folksy kayo that "Omoide Makura" was, "Glass Saiku" is definitely more in the New Music vein. The singer was responsible for both words and music with Mitsuo Hagita(萩田光雄) handling the arrangement, and there is something more Western about "Glass Saiku" with the piano and strings reminding me of the introspective pop that I used to hear on the radio back in those 1970s. It definitely doesn't come across as the usual kayo. In addition, the way those strings suddenly get so contrastive in the middle of the song makes me wonder whether Kosaka and Hagita had also wanted to get a little progressive in the arrangement. As well, the former's vocals have a bit more growl and bite here when compared to the way she sings "Omoide Makura".
Tuesday, March 10, 2015
Kyoko Kosaka -- Omoide Makura (想い出まくら)
And here I thought that the only singer by the name of Kosaka I knew was Akiko. Well, I've now got a second Kosaka...Kyoko Kosaka(小坂恭子), to be exact. A couple of years after Akiko Kosaka(小坂明子)wowed the masses with the evergreen ballad "Anata"(あなた)as her debut, her unrelated namesake, Kyoko Kosaka from Miyazaki Prefecture released a successful ballad of her own as her 3rd single from May 1975.
Titled "Omoide Makura" (Pillow of Memories), I actually heard the song a few times over the decades but neither knew the title nor the singer. Singer-songwriter Kosaka has been described on J-Wiki as a folk and New Music singer, but I think with this song, she's probably more in the former category and I'd say that it also enters the genre of Mood Kayo. Kosaka's lyrics have the heroine reminiscing about some pillow talk memories with a past lover...probably not a song for daytime karaoke, not because it's particularly racy but the mood suits a nighttime session with a tumbler of the good stuff.
I don't know how far "Omoide Makura" got on the Oricon weeklies although it ended up as the 3rd-ranked song for 1975 so I'm fairly sure it reached the top spot. It sold 850,000 copies according to the same company although other data has said that it actually went over a million. The song also got onto Kosaka's 2nd album, "Kyoko" which came out in October 1975.
And it seems like a lot of other singers have done their own karaoke session on a grander scale. Here is Masako Mori (森昌子).
