I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
Friday, September 11, 2026
Mayumi Asaka -- My Heart Belongs To You
Friday, July 10, 2026
Mayumi Asaka -- Toki yo Hohoende(時よ微笑んで)
The last time I wrote on actress-singer Mayumi Asaka(朝加真由美)was back last December when I posted the article for her "Hold On Me", a track from her lone album, the October 1981 "Yasashii Kankei ~ Mayumi I"(優しい関係...A Gentle Relationship). Well, I've got another track here titled "Toki yo Hohoende" (It's Time to Smile).
Written by Tomoko Aran(亜蘭知子)and composed by Daiko Nagato(長門大幸), it's another City Pop treat with the wailing electric guitar and the boppy bass, but there are also some interesting classical piano riffs ripping through the instrumental bridge. And Asaka's slightly husky voice keeps things within the urban contemporary.
Friday, December 19, 2025
Mayumi Asaka -- Hold On Me
Just for the curious, the above is a shot of Mito Station at night. I stayed at the hotel right by the station after heading out of Oarai, the anime pilgrimage town for all things "Girls und Panzer".
One of the strange things about my two postings regarding actress-singer Mayumi Asaka(朝加真由美)is assuming that I first wrote them years and years ago. But crazily enough, the two of them that I've written about her so far only date back as far as 2023. In fact, my more recent article up to now was her "Sasowarete..."(誘われて...)from this May. Well, the mind does go a bit hinky after a certain age, but the excuse I'll use in my defense is that the music of Asaka is simply so nostalgic that my memories played a trick on me.
In any case, we have the country-blues of "Sasowarete..." and the City Pop of "My Endless Scene", both from Asaka's one-and-only album "Yasashii Kankei ~ Mayumi I"(優しい関係...A Gentle Relationship), from October 1981. "Hold On Me" is also from that album but it was also the B-side of the singer's seventh and final single from January 1981, "Yasashii Kankei". "Hold On Me", not to be confused with one of Kahoru Kohiruimaki's(小比類巻かほる)classics, is an intrepid nocturnal City Pop entry with a boffo bass bopping away to Kazushi Inamura's(稲村一志)melody (and I'm assuming that it is him who is providing the background vocals) along with some spicy electric guitar. Asaka herself wrote the lyrics.
Saturday, July 12, 2025
Mayumi Asaka -- Sasowarete...(誘われて...)
A couple of years ago, I posted an article regarding "My Endless Scene", a City Pop song recorded by actress/singer Mayumi Asaka(朝加真由美)as the first track for her one-and-only album, "Yasashii Kankei ~ Mayumi I"(優しい関係...A Gentle Relationship), from October 1981. It's a relaxing slice of urban contemporary for all those high-rise dwellers and visitors.🌇
This time, in contrast to that Side A, Track 1 song, I have Asaka's Side B, Track 1 song. "Sasowarete..." (Enticed...). And I would like to emphasize the contrast since this particular number starts off with a brief soliloquy by the actress herself in a rainy milieu for the first several seconds before the melody by Daiko Nagato(長戸大幸)begins with a revelatory chorus which turns into a comely arrangement of lilting country and blues. With lyrics by Tomoko Aran(亜蘭知子), "Sasowarete..." also has that reminder of a 1950s or 1960s ballad, especially with that saxophone solo in there.



