Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Risa Taneda. Show all posts
Showing posts with label Risa Taneda. Show all posts

Thursday, September 21, 2023

Petit Rabbit's -- Daydream Café (Rearranged)

 

I was out most of the day today which explains why Wednesday was stuffed with a few more articles than usual including Marcos V.'s posting on "Ninna Nanna" last night so many thanks to him. Actually, I met up with my old anime buddy for brunch this morning and it was a bit of old times as we returned to his place for a truncated version of the old routine of anime and food that we'd once had before the arrival of the pandemic. I don't think we're resuming it but it was nice to visit again.

We even had a short respite of anison playing over the speakers and my friend had been steadily collecting his soundtracks and the like over the years. I was surprised then when he played a variation of a song that I've always enjoyed. 

It turns out back in November 2021, in commemoration of the 10th anniversary of the original manga "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか?...Is The Order A Rabbit?), a CD was released titled "Gochuumon wa Usagi desu ka? 10th Anniversary Shudaika Rearrange & Hi Reso Best"(ご注文はうさぎですか? 10th Anniversary主題歌リアレンジ&ハイレゾベスト...Main Theme Rearrangements and High Resolution Best) which provides some of those "Gochiusa" songs with a new twist. My friend was able to play the new version of "Daydream Café", hands down my favourite theme song out of all of them in the anime franchise. Shoichiro Hirata(平田祥一郎) rearranged the original Aki Hata(畑亜貴)and Kaoru Okubo(大久保薫)version of the song that best reflected the atmosphere of one of the most moe anime ever made in the 2010s. I'm not saying that we'll be hearing the new "Daydream Café" being played by some DJ in a Harajuku dance club but it's got some nifty beats.

Monday, July 5, 2021

Franchouchou -- Taiga yo Tomo ni Naite Kure(大河よ共に泣いてくれ)

 

Yup, spring did come and along with it, the second season of an anime that even the animators hadn't been sure about during its initial run in 2018. Reading my own article on the opening theme for "Zombie Land Saga"(ゾンビランドサガ)"Adabana Necromancy"(徒花ネクロマンシー), it looks like it didn't really even register with either me or my anime buddy that the show about zombie aidoru in Saga Prefecture was going to become a sleeper hit until midway through Season 1. But like the overarching plot for the show, the actual series became "The Little Anime That Could" as its characters and the music started insinuating themselves into fans' minds.

Well, I haven't even watched Episode 1 yet since I've got a couple of more shows to finish up on but thanks to all of those YouTube excerpts and the like, I've already gotten a good snifter of how "Zombie Land Saga Revenge" proceeds. It certainly appears as well that my anime buddy, who's a huge fan and had been eagerly anticipating the return of the aidoru group Franchouchou, is going to be busy buying up the various examples of music generated from this sequel.

And I gather that it's time for me to restart the Franchouchou file with, logically enough, the opening theme for "Revenge", "Taiga yo Tomo ni Naite Kure" (O Saga, Cry With Me). Once again, taking that tokusatsu/cop show feeling into the song are lyricist Shin Furuya(古屋真)and composer Yusuke Kato(加藤裕介)with each of the group's members taking a turn at the mike. This time, though, in comparison with the opener from Season 1"Adabana Necromancy", there is not really any of the Takarazuka Revue sensation in "Taiga yo Tomo ni Naite Kure"; it's more of that dynamic 1980s aidoru pop adorning the exciting opening credits which seem to be painting a picture of an Arnold Schwarzenegger action flick involving the ladies. They'll be back indeed.


From hearing some of the new stuff from Franchouchou, it looks like I'll be busy for the next few months at least writing on their file here on KKP.

Wednesday, October 21, 2020

Petit Rabbit's -- Tenkuu Cafeteria(天空カフェテリア)/Chimame Tai -- Nakayoshi! Maru! Nakayoshi!(なかよし!○!なかよし!)

 


My anime buddy and I were talking the other night and he marveled at the fact that 5 years have gone by since the second season of that show of moe and coffee and rabbits had ended its run. Yes, indeed. I am talking about the franchise "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか?...Is The Order A Rabbit?). At one point, I thought that everything was all done with Cocoa, Chino and the rest of the characters but a couple of specials in the intervening years kept hope alive, and sure enough, last year, it was announced that a Season 3 called "Bloom" would be heading out the gates in October...which it has.

I've been able to see the first two episodes of "Bloom" via YouTube and not through the auspices of my friend's giant TV screen this time around, but that's cool. The show has been fine and what better series to keep spirits nice and light like a well-made croissant during these times? It looks like the Japanese equivalent of Colmar, France is still going through summer, and I've gotten to see the girls and Tippy handle a flea market and the adventures of Lapin.


Of course, we gotta think about the themes and although the actual release of the singles will probably be some weeks down the line, at least, we can have a listen through the credits. The opening theme is "Tenkuu Cafeteria" (Heaven Cafeteria) by Petits Rabbit's (i.e. the main five seiyuu as listed at the bottom) as usual. Written by Aki Hata(畑亜貴)and composed/arranged by Kaoru Okubo(大久保薫), the same duo behind Season 1's "Daydream Café" and Season 2's "No Poi!"(ノーポイッ!), "Tenkuu Cafeteria" has the bounciness of the former and the tempo of the latter to basically create the melodic equivalent of...well, a rabbit.




In terms of the ending credits, Season 1 had that spinning wheel and the adorable and sedate "Poppin' Jump"(ぽっぴんジャンプ)to accompany it. Then Season 2 had viewers go into diabetic shock in terms of the visuals and the ending song "Tokimeki Poporon" (ときめきポポロン♪), and the FBI in the United States was probably wondering why their offices got inundated with phone calls.

Well, this time around, the ending credits and song have their cuteness but quite a bit more toned down compared to Season 2. Going mostly with an "Alice in Wonderland" motif, Chimame Tai(チマメ隊)consisting of seiyuu Inori Minase(水瀬いのり), Sora Tokui(徳井青空)and Rie Murakami(村川梨衣)sing, as they did for the above two enders, and go a bit jazzier with "Nakayoshi! Maru! Nakayoshi!" (Buddies! Circle! Buddies!). Although I like both the new opening and ending themes, I am even more curious about how the full version of "Nakayoshi! Maru! Nakayoshi!" will sound since I would like to hear the jazz band get even more into the riff during the instrumental bridge. Hata was again providing the lyrics while Tomotaka Ohsumi(大隅知宇)took care of music and arrangement. It's nice and catchy and this time, I don't think the FBI will need to hire more operators.

(cover version)

Monday, April 6, 2020

Petits Rabbit's -- Takarabako no Jet Coaster(宝箱のジェットコースター)


Welcome to another new week. News has perhaps not been the happiest of late but for those fans of "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか), I think there's something to celebrate. Late last month, it was announced that the third season of high school girls, rabbits and cafes that can soothe the heck out of viewers has been slated for October 2020, so hopefully, in another 6 months, we can all see the latest adventures of Cocoa, Chino and the rest of the hot drink-loving gang in their lovely town.


In the meantime, we can all enjoy "Takarabako no Jet Coaster" (Treasure Box Roller Coaster) that came out in July 2015, between the first and second seasons. Performed by Petits Rabbit's, namely the main quintet of the cast: Ayane Sakura(佐倉綾音), Maaya Uchida(内田真礼), Inori Minase(水瀬いのり), Risa Taneda(種田梨沙)and Satomi Sato(佐藤聡美), it's a supremely breezy and bouncy number which brings to mind the opening theme for the second season, "No Poi!". Not surprisingly, it was made by the same duo, lyricist Aki Hata(畑亜貴)and composer Kaoru Okubo(大久保薫).


This is probably a very cornball thing to say, but I think if there is that hidden character that makes "GochiUsa" the adorable and popular franchise it is, it would have to be the town itself. The architecture and layout have always struck me as being so heartwarming and welcoming that I would love to visit it. Of course, with the money and time, I can because it does exist as the city of Colmar in northeastern France (the above video is given in French). Perhaps a good chunk of the inbound tourism to Colmar in the last few years has perhaps been due to those particular anime fans themselves. I can add that the original manga artist Koi should have earned a key to the city from the mayor.

Anyways, here's hoping that our current problems will blow away soon enough so that "Gochuumon wa Usagi desu ka? Bloom" will hit screens on schedule later this fall, and tourism will return in good numbers again to Colmar.

Friday, September 6, 2019

Petits Rabbit's -- Nantonaku Mirai(なんとなくミライ)


I couldn't quite believe it when I first heard about this Japanese cafe's existence in Toronto (as of this writing, it's been open for about a year). Not that I didn't think that a Japanese sweets establishment would actually show up in my city (we've been getting a diversity of Japanese restaurants over the past decade: ramen, izakaya, udon, tonkatsu, etc.), but I had never assumed one with that particular name, Amausaan Uji Matcha, existed.


The reason is the anime "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか?)which deals with happy-go-lucky teenagers taking care of their own distinct cafes. The prim and proper young lady with a subversive streak, Chiya Ujimatsu(宇治松千夜), is the proprietress of Amausaan「甘兎庵」, a cafe specializing in traditional Japanese sweets. If I'm not mistaken, the same kanji is used to describe the one that I went to yesterday afternoon, and with that rabbit logo, I just had to go "Hmmmm...". Getting back to the real Amausaan in Chinatown, apparently, Toronto is the latest in a number of branches in Asia and North America with this particular one being the biggest in floor size.


I had the matcha mille-feuille cake along with the cold hojicha. The cake was good and had both sweet and bitter tastes, and I was surprised that my hojicha was quite sweet...truly like iced tea from down south. It was also nice that it wasn't too busy during our hour there; don't let the interior photo fool you, customers did come in after the photo had been shot.


Since we're on the topic, allow me to throw in "Nantonaku Mirai"(Somehow The Future), the ending theme for the finale of Season 2 of "Gochuumon". Unfortunately, I could only find the truncated version but it's good enough to give you the idea of how the two seasons and movie have been like in terms of atmosphere: all very positive and gushingly cute. Performed by the main cast in the form of Petits Rabbit's (you can see the cast names in Labels under the article), "Nantonaku Mirai" was the coupling song for "No Poi!"(ノーポイッ!), the 3rd single by the unit released in November 2015 which peaked at No. 4 on Oricon. Prolific anime lyricist Aki Hata(畑亜貴)was at work here along with Tadashi Tsukida(ツキダタダシ)for the adorable music.

The thing is that when "Nantonaku Mirai" was playing over the ending credits for that second season finale, it just seemed to me and I'm assuming much of the viewing audience that the producers were putting a big period at the end of the "Gochuumon" sentence. However, a movie did come out and an OVA is scheduled for this month followed by a third season sometime next year. The gift indeed keeps on giving.


I don't get a chance to go downtown all that much but I figure that I will probably meet up with a fellow translator for lunch sometime this month and he was pretty eager to try out a new tendon place, Akimitsu, not too far away from Amausaan. The walk between the two establishments will come in handy, although calorie guilt will arise at the end of that day.


Monday, December 17, 2018

Franchouchou -- Hikari e(光へ)


Yes, folks, there is only one episode left in "Zombieland Saga"(ゾンビランドサガ), and not surprisingly, it looks like the focus for the finale will be on the heart and soul of zombie aidoru group Franchouchou, Sakura Minamoto. She has borne the brunt of a lot of stuff over the first eleven shows, and, as it was revealed in Episode 11, it's simply because she was born to bear the brunt of a lot of stuff. Although the choice of Sakura to be the central character in the last episode was a natural one, I was kinda hoping for episodes focused on the old-Japan-classy Yugiri and, of course, the legendary Tae Yamada, but maybe that will be for any potential movie or a second series.


In any case, perhaps I can use this opportunity to write about the usual ending theme for "Zombieland Saga", "Hikari e" (To The Light). One Japanese YouTube commenter gave a fairly cheeky opinion on this bittersweet ballad by suggesting that it was a song about graduating from life, and I have to agree that "Hikari e", which was composed by Yosuke Yamashita(山下洋介), feels like something which would be sung at a tearful graduation ceremony, when compared to the suspense of the opener "Adabana Necromancy"(徒花ネクロマンシー). Some nice harmonies.


I have yet to go into the lyrics by Shin Furuya(古屋真)but my anime buddy told me that it was about not being able to return to your old life and about going forward. Considering that the ladies of Franchouchou are the undead, it's not exactly the happiest theme but aside from Sakura right now, the rest of the group are doing quite well. Supposedly, the finale will be airing a few days after I write this, so by the weekend, "Zombieland Saga" fans will know the ultimate fate of this motley crew. Personally, I think legendary Tae is married to crazed manager Kotaro, and will finally awaken to browbeat hubby like a really angry Sailor Moon.

Monday, November 12, 2018

Franchouchou -- Drive-in Tori(ドライブイン鳥)




One of my earliest gastronomical memories involved the family pickup of Kentucky Fried Chicken at the branch just across from the Don Jail here in Toronto (it's been used to film Tom Cruise's "Cocktail" and the cinematic version of "Chicago"). I was never sure about why the Colonel decided to set up shop across from a prison but perhaps it was to drive the prisoners insane over the smell of that oil and the 11 herbs and spices wafting through the bars. I also remember the commercials for KFC back then although the above video doesn't have the jingle that I used to hear.


Well, that memory once again came to the fore once I caught Episode 5 of this season's "Zombie Land Saga"(ゾンビランドサガ). Part of the episode dealt with the zombie aidoru group Franchouchou(フランシュシュ)getting a deal to perform the jingle for a real-life chicken restaurant in Saga Prefecture called Drive-in Tori (Drive-in Bird). Sakura and the gang simply needed to do a tweak....namely, get the still-guttural Tae as played by Kotono Mitsuishi(三石琴乃)into the right frame of reference...and the commercial was a wrap, and the jingle has managed to burrow into my brain.


Drive-in Tori did indeed come up with the lyrics with Tsuyoshi Ishibashi's(石橋序佳)help in composing the cheerful music for its jingle, and about three years ago, the restaurant itself uploaded the commercial. Supposedly the original performers for "Drive-in Tori" were Riz☆Rie.


Less than a couple of weeks ago, one fellow from Gussie Channel decided to upload a video on his visit to Drive-in Tori for lunch. I wonder how much business has boomed since Episode 5 had gone to air, but I certainly wouldn't mind dropping by if I were in the Saga Prefecture neighbourhood. Chicken will always be my favourite form of protein.


And for one member of Franchouchou, this particular chicken may be her favourite form of protein. I will remember not to hit Drive-in Tori if she and her old gang ever decide to haunt the place again (no pun intended).

Wednesday, October 31, 2018

Franchouchou -- Adabana Necromancy(徒花ネクロマンシー)


Happy Halloween 2018! We're still a few hours away here in Toronto before the kids go out trick-or-treating but the furor and craziness of a Shibuya Halloween have largely passed by, although when I checked the live stream camera for the main intersection a few minutes ago, there were still some hardy costumed folks walking about in the wee morning hours of November 1st. Not sure if my good friends were in the middle of that party that walks like a traffic jam but I'm sure that I will find out after they return in a few days.


Back on Sunday, I wrote that there were a couple of anime this season that has been reflecting some of that Halloween spirit. One is "Tonari no Kyuuketsuki-san"(となりの吸血鬼さん), about the world's most adorable vampire. The other is the subject for this article, "Zombie Land Saga"(ゾンビランドサガ)which apparently has grabbed a lot of folks already, although I can't say that I'm one of the converted...yet. One reason is that I got accustomed to the mile-a-minute gag-a-thon that was "Back Street Girls ~ Gokudols"(ゴクドルズ), an anime that had transgendered chinpira becoming a successful aidoru group much to their chagrin. For that matter, I may have OD'ed on a whole lot of zany gag anime in the summer.

This time, it's zombie girls getting the aidoru treatment and unlike "Back Street Girls", I was a bit caught off-guard that "Zombie Land Saga" has been more along the lines of last year's "Cheer Fruits" with the slower building up of a local aidoru group. Even my anime buddy has conceded that a good balance hasn't quite been achieved yet although we're going to catch Episodes 4 and 5 this weekend.


The opening theme is pretty interesting. "Adabana Necromancy" (Fruitless Necromancy) by this motley zombie aidoru group Franchouchou(フランシュシュ)has got a fair dollop of pizzazz that seems to incorporate elements of Takarazuka Revue and old tokusatsu/cop show theme tunes. It zigs and zags all over the place like a terrified inhabitant of a haunted house trying to flee from its confines.

Written by Shin Furuya(古屋真)and composed by Yusuke Kato(加藤裕介), "Adabana Necromancy" is sung by cast members Kaede Hondo(本渡楓), who I last saw as the hapless bartending Hitomi in the hilarious "Hinamatsuri"(ヒナまつり), Asami Tano(田野アサミ), Risa Taneda(種田梨沙), from "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか?) fame, Maki Kawase(河瀬茉希), Rika Kinugawa(衣川里佳)and Minami Tanaka(田中美海). I was kinda hoping that the Kotono Mitsuishi(三石琴乃...yep, Sailor Moon)was in the recording booth but her character still merely growls a lot and eats dried squid. "Adabana Necromancy" ended up peaking at No. 13 on Oricon.




And just so you know that Xmas is around the corner...

Monday, June 25, 2018

Petit Rabbit's with beans -- Sekai ga Cafe ni Nacchatta!(セカイがカフェになっちゃった!)


After several months of waiting following the release of the 60-minute special for "Gochuumon wa Usagi desu ka??"(ご注文はうさぎですか??...Is The Order A Rabbit??)titled "Dear My Sister" in theatres late last year, my anime buddy was finally able to get his hands onto the Blu-Ray (although he did see it at the theatre in Japan when he visited).


Yup, yesterday was the usual biweekly session of anime-and-food, and there was a fair bit of drama mixed in with the comedy for the afternoon part. However, after coming back from dinner (a lot of dumplings and fried rice), my buddy warned me that watching this short movie of the cafe-based adventures of Cocoa, Chino and the rest could potentially plunge me into either sugar shock or cotton-swaddled euphoria. Actually, it wasn't nearly that fatal although it was rather pleasant to see something so harmless that wouldn't even hint at psychological damage.


Heck, even in the rare moments when characters are angry (yes, even Cocoa has a momentary snit), they are cute angry. And any drama generated in "Dear My Sister" was basically at the beginning of the movie with some of the girls overreacting to Cocoa leaving town...for an entire week.


The ending theme for the movie is "Sekai ga Cafe ni Nacchatta!" (The World Has Become A Cafe!). Now, my favourite theme song for the entire "Gochuumon wa Usagi desu ka??" franchise will always be "Daydream Cafe", but "Sekai ga Cafe ni Nacchatta!" is pretty nice and is more reminiscent of the really genki second season opening theme "No Poi!"(ノーポイッ!)with some of that sunny 60s and some disco thrown in there. No surprise since both songs were written by Aki Hata(畑亜貴)and composed by Kaoru Okubo(大久保薫)who also took care of "Daydream Cafe".



The only difference with "Sekai ga Cafe ni Nacchatta!" is that all of the seiyuu voicing the teen baristas, aka Petit Rabbit's and Chimame Tai are together for perhaps the first time singing a theme song in the form of Petit Rabbit's with beans. And, yes, I would say that they probably would have needed to have downed quite a lot of coffee to record this with the energy that was mustered here.

On the way home, I asked my friend whether there could be another series or another movie from the franchise since one of the characters had hinted the possibility of the baristas going over to Cocoa's smaller hometown to the Hot Bakery. We both later agreed that chances are possible if small since we've heard that most of the material from the original manga has been used up for the original anime and that "Dear My Sister" is a wholly new work not based on the manga. Well, if so, then the movie was a nice way of saying goodbye to everybody in the world of coffee and rabbits.

Wednesday, December 23, 2015

Petits Rabbit's -- No Poi! (ノーポイッ!)



Well, almost 3 months ago, I put up an article about what could be one of the most diabetes-inducing anison themes of the year with "Tokimeki Poporon"(ときめきポポロン♪) which has been the ending theme for the mellow "Gochuumon wa Usagi desu ka??"(ご注文はうさぎですか??)

Now that the 2nd series of moe girls in cafes is about to wrap up this weekend, I thought it was as a good time as any to talk about the opening theme "No Poi!" Compared to the adorable "Daydream Cafe" from the 1st series, "No Poi!" has more of a dynamic streak which rather fits the slightly more fantastical opening credits. I would say that there was even a bit of Swinging 60s pop fueling the song created by Aki Hata and Kaoru Okubo(畑亜貴・大久保薫), the same duo behind "Daydream Cafe".

(Sorry but the video has been taken down.)

I've got to give my compliments to XLEZZYTECHNIKA, the YouTube uploader and one of the folks who brought the band together to give their extended take on "No Poi!" After listening to this version, I'm now reconsidering whether I like the opening or ending themes better. I had thought that "No Poi!" was in an unenviable position being the 2nd opening theme after the great and still my favourite of all the themes for "GochiUsa", but listening to the full version on a cloud service, I've come to appreciate the joyful aspects of the song especially with the main voice cast being further challenged here.


And as it turned out, "No Poi!" has become the most successful of the themes on Oricon, getting as high as No. 4 on the charts.


Friday, October 9, 2015

Petits Rabbit’s -- Nichijo Decoration (日常デコレーション)




Well, in commemoration of the return of the bunch from "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか?...Is The Order A Rabbit?)for their 2nd season tomorrow morning Toronto time, I've decided to put up "Nichijo Decoration" (Everyday Decoration). This was the goodbye (or see you again soon, as it turned out) song that was at the end of the final episode of the first season of the anime which went from April to June 2014 last year.

Sung by the entire main cast in the form of Petits Rabbit's, "Nichijo Decoration" is not quite as hoppy as the opening theme, "Daydream Cafe", but it's still plenty sweet...as in "Would you like some coffee with your sugar?" sweet. This would be the type of song that would get the often insecure and dour character of Sharo flying all over the place. Written by Uran(うらん)and composed by Tomotaka Ohsumi(大隅知宇), it was a nice way to finish things off for the next several months before "Gochuumon wa Usagi desu ka??" (now with added question mark).

As much as this song, "Daydream Cafe" and the official ending theme of "Poppin' Jump" were some of my earworms for 2014, the entire anime has become an eyeworm of sorts since I've gone through the series about 3 or 4 times already and enjoyed specific funny scenes a number of times more. So I will be waiting with some anticipation the next time I head over to my anime buddy's home in about 10 days.




Friday, October 24, 2014

Petits Rabbit's -- Daydream Café/Chimame-tai -- Poppin' Jump (ぽっぴんジャンプ)


According to the good folks at Wikipedia, an earworm is "...a catchy piece of music that continually repeats through a person's mind after it is no longer playing...The word earworm is a calque from the German Ohrwurm...first used in the 1980s".

I myself also like to envision the earworm as the Ceti Eel used to torture and subdue Commander Chekov and poor Captain Terrell in the original version of "Star Trek II: The Wrath of Khan" all the way back in 1982. One wonders whether a German Trekkie was inspired by that movie to come up with the name for a song that just...blast it all...won't leave your mind.


For this year, I've got a couple of those aural larvae hanging out in my brain, and they just happen to come from the same anime. My buddy unleashed "Gochuumon wa Usagi desu ka?"(ご注文はうさぎですか?...Is The Order A Rabbit?)on me earlier this year, complete with the opening and ending themes. As for the show itself, it was adapted from a manga, and it's basically a pleasant half hour of watching 5 cute girls going through life while working at 3 different cafés in a small European-type town. Mind you, among those kids are a girl with a sister complex, a future NRA member and a moe version of Mr. Spock (yes, another "Star Trek" reference). Bringing in the foodie analogy, when I view "Space Cruiser Yamato" as some serious kaiseki ryori and "Space Dandy" as delectable junk food, "Gochuumon wa Usagi desu ka?" is basically a nice cup of coffee with a small slice of strawberry shortcake. And I do appreciate my cup of joe and shortcake.


"Daydream Café" is the opening theme, and just like the show itself, it is an adorable and breezy ditty featuring all of the 5 main seiyuu put together as the group Petits Rabbit's (as a former English teacher, that apostrophe in there annoys me to no end). Written by Aki Hata(畑亜貴)and composed by Kaoru Okubo(大久保薫), it is as sugary as a Xmas candy cane but without the added calories and can almost get me to skip on the street whenever I hear it...over and over again. I was surprised to find out that Petits Rabbit's Ayane Sakura(佐倉綾音), Inori Minase(水瀬いのり), Risa Taneda(種田梨沙), Satomi Sato(佐藤聡美)and Maaya Uchida(内田真礼)even pull off a nice little song-and-dance in the official music video as above.


Ceti Eel II is the ending theme, "Poppin' Jump" by Chimame Tai( チマメ隊). Inori Minase is joined by Sora Tokui and Rie Murakawa(徳井青空・村川梨衣)who voice two of the minor characters, and the name chimame is an acronym of the three characters of Chino, Maya and Megu who are classmates. If anything, "Poppin' Jump" is even cuter than the opening theme and if taken in large doses, could induce uncontrollable hopping just like the titular animal in the show's title. As it is, though, it has just gotten me to sway my head. Still, it is what it's doing inside my head that's been the problem. I can blame the creators of the song, Uran(うらん)and Yuuki Kimura(木村有希)for making me feel like a 5-year-old at Xmas time.


"Gochuumon wa Usagi desu ka?" will most likely not enter the annals of significant anime in the 2010s (note from 2019 me: Oh, really?) but neither will it send me to bed racking my brain about what the meaning of life is or trying to purge existential horrors. And you know what? The songs there are probably what I would like to hear in my brain when I enter and exit a particularly welcoming small café...not a Starbucks or even a Timmies.


Tiramisu and coffee at Cova
in Shinjuku Times Square