Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Yasushi Nakanishi. Show all posts
Showing posts with label Yasushi Nakanishi. Show all posts

Thursday, October 3, 2024

Uta Con: October 1st 2024 ~ Sunakku Songs(スナックソング)

 

During my years at the University of Toronto as I was majoring in Japanese Studies, through my digestion of a lot of books on Japanese culture, I read that the society had something called a "bar culture". Not only can the usual drinking and light noshing be done in drinking establishments, but business negotiations, airing of work grievances and testing out of vocal cords can also be accomplished (mind you, I think the same things happen in my country, too).

I know that drinking establishments in Japan can come in a variety of sizes and forms. Of course, there are the Western-style bars up in the hotels with the tuxedo-garbed bartender shaking up cocktails. Then there are the more financially accessible chains of izakaya with plenty of space, libations and dishes. For an English conversation teacher like me on a budget, the izakaya was by far the watering hole that I frequented the most in the country, although I was never much of a drinker. 

On the other hand, the Japanese snack bar, or sunakku(スナック)as they say it over there, is a place that I very barely entered although there were those significantly rare times that I managed to squeeze into one due to friends taking me there. A sunakku is indeed a very cozy place with limited seating and it's usually run by a woman known as the Mama or Mama-san. There is the usual supply of alcohol to wet one's whistle and some light snacks only. One big reason that I rarely went into a sunakku is that it's basically the neighbourhood meeting place for the regulars...kinda like a mini-Cheers, if you remember that American 80s sitcom. Probably depending on the night, which can go really long depending on the energy levels of all those involved, there are dedicated regulars coming in and mixing throughout the week singing karaoke and knocking them back. Maybe there is even that one nightly barfly who gets "NORM!" yelled at him in greeting.

Anyways, a couple of days ago, NHK's "Uta Con"(うたコン)was televising its usual episode but this time around, the theme of the episode was something that I hadn't heard before: favourite sunakku karaoke songs. According to what I heard, apparently the current demographic frequenting the little bars may mostly be in their 40s. I'm not sure if I even heard any enka (have a look at a past article on what folks in their 60s have enjoyed singing). Regardless, here are three from the "Uta Con" list.

Kiyomi Suzuki with Rats & Star -- Lonely Chaplin (ロンリー・チャプリン)


Sharam Q -- Single Bed(シングルベッド)


Yasushi Nakanishi -- Saigo no Ame (最後の雨)

Tuesday, August 9, 2016

Yasushi Nakanishi/EXILE/Kumi Koda -- Saigo no Ame (最後の雨)


Knowing about soulful singer Keizo Nakanishi(中西圭三)all these years, I also heard about this other artist by the name of Yasushi Nakanishi(中西保志), but for some reason, I never really got to hear a whole lot about this fellow aside from the fact that he was quite the balladeer. He was born in the ancient capital of Nara in 1961 and joined a glee club during his university years and even became a vocalist for a band while he was in second year. Apparently from what I could gather from his J-Wiki bio, he is a big Billy Joel and Steve Wonder fan.

Nakanishi made his debut in April 1992 with "Ai Shikanai yo"(愛しかないよ...Nothing But Love), but it was with his second single, "Saigo no Ame" (The Final Rain) that he made his big splash. Released in August of that year, this was the song that got him pegged as the balladeer, and several weeks ago on NHK's "Uta Kon"(うたコン), either it was Nakanishi himself or one of the guests that night who performed what is probably his most famous tune.

Written by Jun Natsume(夏目純)and composed by Takashi Tsushimi(都志見隆), what I liked about this song is that it reminded me of some the older pop ballads from the US back in the 1980s such as Laura Branigan's "How Am I Supposed to Live Without You" and some of the love songs by Chicago during that decade. And lyrically speaking, there is a resemblance between "Saigo no Ame" and "How Am I Supposed to Live Without You" in that both talk about a romantic breakup that perhaps only one imminent ex-partner is willing to accept. Also with all that rain in the song, I couldn't help but remember some of those climactic scenes in Japanese dramas which took place in a torrential downpour just before the commercial.

"Saigo no Ame" managed to get as high as No. 16 and became the 52nd-ranked single of the year. And by the time 1998 rolled around,the single managed to sell around 900,000 copies. The single is also included in Nakanishi's debut album "Voice Peaks" which came out in September 1992.


The ballad has been covered quite a lot over the years. Atsushi of EXILE sang it during one of his concerts which is included in the band's DVD "Premium Live ~The Roots~" from 2011. Just judging from this performance above, I think he sings it even better.


Kumi Koda(倖田來未)gives a slightly more R&B version in her 2003 maxi-single, "Gentle Words".