Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Showing posts with label Mao Daichi. Show all posts
Showing posts with label Mao Daichi. Show all posts

Tuesday, November 10, 2020

Mao Daichi -- Next Door

 

Dazzling actress and singer Mao Daichi(大地真央)is someone that I first saw through a TV commercial. I can't remember what she was hawking but my eyes were just on her as she was all glammed up in some trendy outfit and cosmetics doing a little soft-shoe and singing a little ditty for the product. She cut quite the figure. But I wouldn't find out until later that until 1985, Daichi had been a top star with the famous all-women Takarazuka Revue playing male roles in everything from "A Tale of Two Cities" to "Guys and Dolls".

Daichi, who was born as Mayumi Tada(多田真裕美), had her time with the Takarazuka between 1973 and 1985, but even during that time, she had been releasing singles on her own. Her 9th single is "Next Door" released in August 1985, just a smattering of days before she and other top star Hitomi Kuroki(黒木瞳)left the troupe for good.

Written by Yasushi Akimoto(秋元康)and composed by Masayuki Kishi(岸正之), a singer-songwriter known for his mellow songs, "Next Door" is the quintessential AOR ballad with those silky strings and melancholy piano. From Akimoto's lyrics, I got the sense that although it could be perceived as a story of a woman finally moving on from a relationship and into her own world for the first time, it may have also truly been the song to commemorate her departure from the Takarazuka, especially when I see the lyric about her not having to rely on a man anymore which I kinda saw as Daichi's declaration that she would no longer be portraying those male characters on stage. She was really stepping from one world into another via that next door.

This commercial featuring Daichi isn't that first ad that I'd ever seen of her but dang, I'd be quivering in absolute terror if I had to answer to her character for some sort of malfeasance. Incidentally, Noelle Tham was the first writer on "Kayo Kyoku Plus" to feature the singer with her article on "Kaze no Requiem" (風のレクイエム).

Thursday, May 7, 2015

Mao Daichi/Kiyono Yasuno/Yoshimasa Hosoya -- Kaze no Requiem (風のレクイエム)

Hosoya's (Nezumi) version

A friend of mine who loves her anime and manga will often recommend her favourite titles to yours truly, and at times her favourite anisongs. Compared to the few older anisongs I listen to, her recommendations from the newer shows can be quite wild and noisy, and are probably sung by a squeaky-voiced seiyuu... Not my cup of tea, although I may make rare exceptions here and there. So when she brought forth "Kaze no Requiem" as well as the show it came from, "NO.6", a few weeks ago after I had suggested Water's "Kotoba ni Dekinai Omoi" (コトバにできない想い), I was honestly a little reluctant to go check it out, but what comes around goes around so I went ahead to give it a listen.

Being greeted by a comforting, mellow and forlorn voice backed by just the piano was a pretty good start. It does pick up in speed and volume later in the song, just enough to make it relaxing and lullaby-like. Kinda makes you envision a lone person staring up at the dark sky dotted with an occasional star on a quiet night, yearning or hoping for a miracle or revelation... or something deep like that. Though "Kaze no Requiem" had gained my approval, I didn't particularly like in the beginning. It took a while and me binge-watching "NO.6" - it was only 11 episodes long, so I watched 1 in school and the rest of the 10 at home in a day... no regrets, it's a good show - before the song grew on me. I suppose knowing the song's "origins" from the anime makes it all the more interesting.

Daichi's version.

The version that my friend had let me listen to (in the video above) was by one of the shows main characters, the aloof and most of the time condescending Nezumi (ネズミ), who's voiced by Yoshimasa Hosoya (細谷佳正). His was only played once on a later episode. There are 2 other renditions of "Kaze no Requiem" as well, first was by Mao Daichi (大地真央), whose version was the one that was primarily played throughout the show. I actually find that Daichi's rendition is pretty creepy, her high-pitched voice coupled with the context of when the song played during some episodes just makes it so unnerving. The other one was by the white-haired leading protagonist's (Shion (紫苑)) childhood pal Safu (沙布), voiced by Kiyono Yasuno (安野希世乃). Hers was also only played once, and its more deconstructed than the other two, with only Yasuno's voice and the strings and backup singers, making it sound quite angelic. My favourite version is still the one my friend had first introduced me to: Hosoya's.

(Sorry but the video has been taken down)

Yasuno's (Safu) version

There wasn't much I could find out about "Kaze no Requiem" since it was just a song played from time to time in the anime, not an opening or ending theme. All I know is that it was "released" (I don't know if its a proper single) in 2011, which was when "NO.6" came out.

moarpowah.com

The real (I think) mice in "NO.6" were absolutely adorable.