When I first
googled Yuko Sugita’s kanji (杉田優子) to look for samples of her music
after coming across a curious cover of her first LP “Monsoon Baby” (モンスーン・ベイビー) on Stereo Records, I had to waddle through numerous pages of another opera singer
with the same name before getting any relevant results. There’s almost no
information available online on this singer-songwriter from the late 70’s. No CD reissues of her albums either. The little I could gather came from a brief post here and musician credits from Stereo Records. Being such an obscure singer, she had
some prolific people backing her up, including Ryuichi Sakamoto (坂本龍一), Tatsuo
Hayashi (林立夫), Tsugutoshi Goto (後藤次利), and Shigeru Suzuki (鈴木茂) (who also arranged her music).
Sugita herself released only two albums and a few singles between 1978 and 1979 and
then disappeared from the scene altogether, aside from random appearance on a backing chorus at Amii Ozaki’s 1983 concert. I tend to be interested in unknown names, but her story just takes the cake in obscurity competition.
Despite
Sugita’s lack of publicity, she is a pretty interesting singer. Her music is
typical pop with a New Music touch, which was trendy at the time, but she delivers
it in snappy fashion which I found refreshing, since I associate the
genre with a more languid mood. “Shuu Densha” (終電車…Last
Train) is a mid-tempo track with a somewhat rollicking attitude. Not sure what
the lyrics are going on about, but I like that swaying rhythm created through the bass, the drums and the percussions in the
background. Latter half Candies sprang to mind as I was listening to this, but
I’m sure there are more appropriate comparisons.
Hi, nikala, and thanks for putting up this entry on Yuko Sugita. I have never heard of her before and both tracks kinda straddle that line between New Music and City Pop. The rarities are nice ones to get, eh? Makes all the digging very worthwhile!
ReplyDelete