Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Wednesday, April 29, 2026

Barbee Boys -- Makeru mon ka(負けるもんか)

 

Well, that was quite the happy ending sequence for Episode 4 of "Ganbare! Nakamura-kun!!"(ガンバレ!中村くん!!...Go for It, Nakamura!)as you can see above. Nakamura saves the love of his life, Hirose, from some photography-crazed punks and he's celebrating his win at home. Meanwhile, the ending theme cavalcade of oldies continues apace and cheerfully for fans. Episode 5 had quite the explosion of delight with an old City Pop fave, Yasuha's(泰葉)"Fly-Day Chinatown" (フライディ・チャイナタウン).

As was the case with Kenji Ozawa(小沢健二)& Scha Dara Parr's "Kon'ya wa Boogie Back"(今夜はブギー・バック)which was the ender for Episode 3, Barbee Boys' "Makeru mon ka" (Like Hell I'm Giving In), which was Nakamura's celebratory tune at the end of Episode 4, is also a song that I hadn't covered on the blog or heard at all. I was never all that much of a Barbee Boys fan although we do have a couple of their songs on KKP and up to now, my impression has been that the band loved to create songs showing conflict of all sorts whether it be internal or external.

"Makeru mon ka" was released as Barbee Boys' 5th single in April 1986 and as soon as I heard it, I knew it was a signature Barbee Boys song with those sparkly guitars, soprano saxophone and Kyoko's(杏子)vocals. Written and composed by band guitarist Tomotaka Imamichi(いまみちともたか), it's about a guy's battle with himself about how to handle the potential consequences of his very assertive girlfriend wanting to drop by his place late at night. Methinks that the angel and devil on his two shoulders are having an Avengers level of fighting.

That's quite the music video for "Makeru mon ka" as well. There's nothing like ancient Soviet-era propaganda showing the populace actually having fun to attract viewers. Anyways, the song peaked at No. .47 on Oricon, and it was a track on Barbee Boys' 2nd album "Freebee" from November 1985. It hit No. 18.

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