As a huge fan of Donald Fagen's "The Nightfly" from 1982, I have to admit that it still took a while for me to embrace the last two songs on the album, "The Goodbye Look" and "Walk Between Raindrops". Anthony Robustelli, the author of the 2016 Steely Dan biography "Steely Dan FAQ", said that with that final song, "Walk Between Raindrops", although it swings like a jazz number, he felt that it was over-produced and perhaps a more organic approach would have sufficed. According to the Wikipedia article on "The Nightfly", Brian Sweet of another book on the duo of Fagen and Walter Becker, "Reelin' In The Years" mentioned that this final number based on a Jewish folk tale had been thrown in just as an afterthought.
Seems a bit harsh for a song that has now become very comfortable in my mind but it goes to show that even a so-called afterthought song like "Walk Between Raindrops" by Donald Fagen can still sound pretty fine. It's a nice jazzy strut and although it doesn't quite compare to its fellow tracks such as "I.G.Y." and "Maxine", I think it still fits the album and Fagen's love of the genre.
Now, what does all that Fagen preamble have to do with Miki Matsubara(松原みき)? Well, take a listen beyond the sexy sax intro. I'll wait. ⌛ Yeah...I knew that a lot of Japanese songwriters adored and adopted those general Steely Dan riffs but I'd never heard anyone specifically loving the jazz strut of Fagen's "Walk Between Raindrops" so much that it would form the basis of a kayo, but indeed that's what Matsubara did as she composed and arranged "Kanojo no Ichiban Suteki na Yoru" (Her Most Wonderful Night).
Practically every song is influenced by other artists, be it directly or indirectly. In this instance, Miki wears her heart on her sleeve, liberally borrowing the arrangement from Donald's 'Walk Between the Raindrops' for her own song. Some might scorn her for lack of originality but I consider it a playful tribute if little else as her song is otherwise unremarkable. That being said, these musicians did a good job emulating the style and I'd much rather hear a Fagen copycat than the umpteenth contemporary artist with the same mundane-sounding stuff.
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