However in 1998, Cheuni took another stab at fame in Japan and (re-)debuted with "Tokyo Twilight" in September 1999. Written by Yuko Natsumi(夏海裕子)and composed by Masato Sugimoto(杉本真人), the song sounded like the 2nd coming of Teresa Teng(テレサテン)although I realize that Cheuni sounds a fair bit different from the late Teng. But there is something about the arrangement of "Tokyo Twilight" that made me think that this would have been a tune that Teng would have tackled. And that same arrangement has a somewhat natsukashii flavour since it feels like something that I would have heard almost a decade before. I would describe it as an urban and wistful melody that could be heard as a turn-of-the-century type of City Pop.
I've been a fan of Japanese popular music for 40 years, and have managed to collect a lot of material during that time. So I decided I wanted to talk about Showa Era music with like-minded fans. My particular era is the 70s and 80s (thus the "kayo kyoku"). The plus part includes a number of songs and artists from the last 30 years and also the early kayo. So, let's talk about New Music, aidoru, City Pop and enka.
Credits
I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.
Wednesday, November 18, 2015
Cheuni -- Tokyo Twilight (トーキョー・トワイライト)
However in 1998, Cheuni took another stab at fame in Japan and (re-)debuted with "Tokyo Twilight" in September 1999. Written by Yuko Natsumi(夏海裕子)and composed by Masato Sugimoto(杉本真人), the song sounded like the 2nd coming of Teresa Teng(テレサテン)although I realize that Cheuni sounds a fair bit different from the late Teng. But there is something about the arrangement of "Tokyo Twilight" that made me think that this would have been a tune that Teng would have tackled. And that same arrangement has a somewhat natsukashii flavour since it feels like something that I would have heard almost a decade before. I would describe it as an urban and wistful melody that could be heard as a turn-of-the-century type of City Pop.
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