Another surprise regarding kotringo was in store for me on learning that she had been a member of the band Kirinji(キリンジ)between 2013 and 2017, and she joined one of my favourite bands in the same year that founding member Yasuyuki Horigome(堀込泰行)had left for his own solo work. I read one comment underneath one Kirinji YouTube video which stated that when kotringo was with them that the band was truly special back at that time and that she's still missed.
That is indeed high praise considering that I've been very impressed with Kirinji's last two albums, "Ai wo aru dake, Subete"(愛をあるだけ、すべて)and "Cherish" which were produced after kotringo's departure. I can only imagine what Kirinji must have been like back then, but I got a little inspiration just recently on hearing "Koi no Kehai" (The Sign of Love), a track from Kirinji's 12th album "Neo", released in August 2016 and the final album with kotringo as a band member.
Written and composed by Kirinji vocalist Takaki Horigome(堀米孝樹), kotringo is the main vocalist here, and that delicate and breathy voice of hers really helps lift the amazing and soothing melody. The arrangement is also helped by that quirky spacey keyboard that hints at what Kirinji was going to do in the next two albums. Other lovely ingredients are the onomatopoeia used in the lyrics, the whistling and what sounds like a steel pedal guitar. Something undeniably strange and romantic is taking place surrounding the lyrics depicting the classic illustration of autumn being the season of love fading away in Japanese music.
That was my favorite track on that album, Neo. Takaki first wrote that song while participating in something called Home Grown. The lyrics for the original song were assembled by former Pizzicato Five member Yasuharu Konishi and then Takaki constructed a song around the lyrics, as you can watch happen in this video clip.
ReplyDeletehttps://www.youtube.com/watch?v=97ELPXJa4bE
This track was then recorded by another artist before Takaki reworked it to become Koi no Kehai. That's why somewhere in the CD jacket it thanks Home Grown.
Hello, Michael. That was an interesting video on the story of the proto-"Koi no Kehai". It was similar yet different; more 1960s French pop with a bit of Bacharach in there.
Deletehttps://open.spotify.com/track/3O5o1GHYylmf7WjkiS0fHt?si=FegXi1gLQNqb-CFlvXw6sA
Deletefound it.
Naoki Maezono Group released this song in 2011
Thanks kindly, @122fifty.
DeleteHi J-Canuck,
ReplyDeleteYes, that's true. As it so happens, Takaki is very fond of Bacharach's music. He seems to be a music connoisseur of sorts in that he has tremendous breadth of knowledge of music the world over.
The original version was in triplet time and the melody is a tad different, but the chorus remains pretty much intact. Actually, for much of Kirinji's early work, Takaki borrowed ideas he had previously incorporated into his work at Namco, especially for Super Famista 4 & 5 for the SNES. Additionally, he composed music in Pac-Attack and contributed a few songs to the original Klonoa game.
Here is a video which highlights the original game tracks and then follows each with the Kirinji tracks modeled after them. Hope you enjoy.
https://www.nicovideo.jp/watch/sm19756051
Just listened to newer version of this song on Spotify. Mind to share your 2 cents? ;)
ReplyDeletehttps://open.spotify.com/track/07Ks4VDRAJPa9Coaj18dub?si=32cff0c542784287
Hello, @122fifty and thanks for referring me to this new 2021 version. I don't have a Spotify account but it was available on YouTube (https://www.youtube.com/watch?v=0_dSL0Zrr9s) so I could listen to Horigome's take on it. To be honest, I still prefer the original version with kotringo singing it but I think the 2021 version also has a certain interesting poignancy, especially considering Kirinji basically consists of just Horigome now.
DeleteHow do you feel about the newer version?
To be honest, in Kirinji's latest release I really anticipate this track.
DeleteHorigome-san put his effort to this song and it paid off, at least for me. I can feel the song from the man side, dealing with the broken relationship, as the original one is really stand on female side looking for her man to understand her signs.
Both version are great actually.
Uhm, no, I need to replace the original one with the Live at Stellar Ball version where Kotringo and Genichi Tamura played the significant role.