Several weeks ago, I put up an article regarding one of the tracks from Miharu Koshi's(越美晴)1980 2nd album "On The Street: Miharu 2", "Tsuioku"(追憶)with its elegant and dreamy arrangement.
But listening to the synthpop-esque intro and the main body of City Pop (which suddenly gets hit with a wave of horns near the end), I'm left wondering whether "Up Down" was a little hint of the transition that Koshi would make a couple of albums later when she went all high-pitch New Wave and technopop with songs like "Keep On Dancin'".
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