Moving on, out of the all the tracks I was formerly unacquainted with, "Chonmage Mambo" (ちょんまげマンボ) and "Zundoko Bushi (Machi no Date Otoko)" were the two I enjoyed the most. The former is absolutely boisterous and the way a young Batayan goes "OSU!!" in every stanza is cute, but I've yet to fully make out what on earth is going on there so I've decided to write about the latter, which is something I'm more familiar with.
A comparison of the "Zundoko Bushi" versions (Hikawa's, Kobayashi's, and Tabata's).
As I had first learnt upon being acquainted with enka, there have been many variations of the "Zundoko Bushi" over the decades, the most popular of which are those by action star Akira Kobayashi (小林旭), enka prince Kiyoshi Hikawa (氷川きよし), and comedy group The Drifters. All have a Latin flavour and the rhythmic "Zun, zun, zundoko" to kick things off, with only the number of "Zun-s" and lyrics varying in each version. On the other hand, Batayan's rendition differed quite a bit from what I had just described. For one, it follows the original war song in the sense that he goes "Toko, zundoko, zundoko" instead. Then there's the just as catchy, happy-go-lucky arrangement fronted by the low twang of Tabata's famous electric guitar that's much more 40's/50's rock'n'roll than it is Latin. I found myself liking this arrangement very much and I tend to listen to it when weary as it never fails to lift my mood. Perhaps it was meant to do just that, considering it was released not long after WWII in 1947.
This "Zundoko Bushi", also called "Machi no Date Otoko" as its lyrics were about a Date Otoko's (dandy guy) love story, was the first pop music take on the naval ditty. According to the J-Wiki, it was a hit back in the day. Sadly though, it doesn't seem to be featured on kayo shows often (if at all) in this day and age. Penning the lyrics to "Zundoko Bushi" was Einosuke/Hanosuke (?) Sasaki (佐々木英之助), and composing it was Hachiro Noshiro (能代八郎).
Hello, Noelle.
ReplyDeleteWhereas I found Kiyoshi's and Akira's tribute to all things Zundoko reminiscent of being in a mambo club, seeing that video of Tabata in that setting and those clothes along with the playing style had me thinking country & western at the Grand Ole Opry.
As for the lyricist, I would probably go with Einosuke Sasaki.