While searching for working links of the song a couple of days ago, I came across its music video which I've been curious to watch for the longest time because of its background. You see, the year before KAN debuted in 1987, he was asked by the director Nobuhiko Obayashi (大林宣彦) to create background music for his film “The Strange Couple”, officially titled in Japan as “Nihon Junjouden Okashi na Futari Monokuru-hoshiki Hitobito no Mure” (日本殉情伝 おかしなふたり ものくるほしきひとびとの群) that was still in the making to be released in 1988. Obayashi returned the favor by directing the music video for “Bracket”. I don't even know how the two met or how a total freshman like KAN got such an assignment as his first recording work, but according to a magazine account that I can no longer track down, Obayashi thought his light poppy sound with a hidden edge was a perfect fit for his film. For those of you familiar with the director's work like “House” and “Toki wo Kakeru Shoujo”, you'll know that he loves surreal and dreamy visuals and uses them to the max in the “Bracket” video. The set and the concept are pretty simple, but the editing makes it a quirky little clip, which has even got film-like opening and credit sequences. The 25-year old KAN looks like his usual casual self there, making silly faces and playing the piano. The female actress is Aura Lani (オーラ・ラニ), and she has appeared in minor roles in some of Obayashi's films such as his adaptation of “The Drifting Classroom”. Lastly, the credit sequence features an excerpt from another “No-No-Yesman” track, the lovely ballad “All I Know”.
Source: llrecord.music.coocan.jp |
Hi, nikala.
ReplyDeleteI remember seeing that record cover for "Bracket" that you have posted just above in my copy of "Japanese City Pop" and also wondering what the heck KAN was doing in it, considering all those later years seeing him as that adorkable singer behind "Ai wa Katsu".
Listening to "Bracket", though, I think he did acquit himself quite well in City Pop but still sounding like that KAN that I got to know at the turn of the decade. Nice piano riff.