Number: 098
Lyricist: Minako Yoshida
Composer: Hiroshi Sato
Arranger: Hiroshi Sato
From Sato's 1976 album "Super Market"
Hiroshi Sato's(佐藤博)"Rainbow Sea Line" is a cover of a song that he provided Minako Yoshida(吉田美奈子), but compared to the Yoshida version, it's even mellower and more effervescent. His solo debut album "Super Market" was recorded in Los Angeles through an abrupt decision, but even so, the sense of perfection here is such that I am keenly reminded of how much of a truly talented musician he was, no matter the decade. As the title suggests, it's a number that makes me want to listen to it during a drive while feeling that sea breeze.
The above comes from "Disc Collection Japanese City Pop Revised" (2020).
Hi, J-Canuck here. I do remember posting an article regarding "Rainbow Sea Line" more than a decade ago on "Kayo Kyoku Plus", but despite me putting both Yoshida's and Sato's names on the byline, I actually wrote only about the former's version and threw in the Sato version from "Super Market" as an "emergency measure" because at the time, the only Yoshida version that was on YouTube had gotten taken down by the powers-that-be for the longest time. I didn't really bother writing anything about Sato's indeed truly mellower take which I hadn't thought was possible after first hearing the original take for Yoshida. But Kimura is right; his "Rainbow Sea Line" is ideal as a driving song with the top down on the convertible, and it's a tune that reflects the romanticism of 1970s City Pop regarding the possibilities of finally living the good life for a lot of Japanese.
I'd like to also remind readers of Yutaka Kimura Speaks that some 97 weeks ago, Sato was entry 001 for this series and I'm about to finish the final two entries in as many weeks.
As, you already know I am keenly interested in listening as much as I can from 1976 or Showa 51! So, this post of yours did not let me down. Gosh! I went ahead and listened to both Hiroshi Sato and Minako Yoshida's versions of レインボー・シーライン. They are both chill and groovy, but I think I like Minako Yoshida's cover a little bit more. I like the drum beat and her voice.
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