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This is the eighth article for singer-songwriter Shoko Sawada(沢田聖子)on KKP, and when it comes to her music, my memories always drift to the first song I ever heard from her, the warm and folksy "Ochiba no Heya"(落葉の部屋)from 1981, thanks to that listening on "Sounds of Japan" many moons ago.
On the other hand, Sawada's 11th single from April 1984, "Tokaijin" (Woman of the City) is quite different. For one thing, she had nothing to do with its creation; instead, it was written by veteran lyricist Masao Urino(売野雅勇)and composed by Eiji Nishiki(西木栄二). For another, it's a rumbling pop/rock song about a young lady who gets seduced by the night life of a metropolis despite her friend's increasingly angry and desperate warnings. Although I think Sawada handled the song ably enough, I couldn't help but feel that "Tokaijin" was perhaps not the most perfect fit for her and maybe the powers-that-be above her had wanted to put a bit more boost in her variety of music. Mind you, it's all speculation from me but I also thought that this was something that an aidoru like Akina Nakamori(中森明菜)would have tackled with more energy. The song was also placed as a track on the singer's 6th album "Kaze no Yokan"(風の予感...Presage of the Wind) which was released a month after the single.

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