Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Saturday, October 21, 2023

Shogo Hamada -- Indian Summer(インディアンサマー)

 

Yes, indeed, I realize that we're still eleven days away or so from entering November but I wanted to throw up the above thumbnail because usually for us here, that's when we get one last burst of warm weather here in our province of Ontario before the inevitable months-long run of cold weather. In other words, I'm talking about Indian Summer.

Mind you, though, our summer seemed to have extended a fair bit into the first week of October so perhaps we've already celebrated our Indian Summer. It's always hard to tell with our home where the weather is predictably unpredictable.

Regardless, I'd like to present singer-songwriter Shogo Hamada's (浜田省吾)"Indian Summer" from his 4th studio album "Mind Screen" which was released in May 1979. Composed by Hamada, written by Machiko Ryu(竜真知子)and arranged by Kimio Mizutani(水谷公生)with strings arrangement by Jun Sato(佐藤準), "Indian Summer" doesn't strike me as being the typical Shogo rocker. Instead, it's a contemplative pop ballad with a melancholy piano, synthesizer, shimmering strings and a horn accompaniment that has had me thinking of the movie "Love Story", Taeko Ohnuki's(大貫妙子)music, 1960s pop and French pianist Richard Clayderman. Quite the musical potpourri there which is always interesting.

Ryu's lyrics are also a little clever as she calls Indian Summer a mean little trick by the four seasons to have people remember of romantically happier times in the middle of a more desolate reality. As is often the case with the autumn as it pertains to kayo kyoku, the season is the time for love and romance to wither away and die like the brown leaves. In a way, "Indian Summer" reminds me of Hiromi Go's(郷ひろみ)"Aishuu no Casablanca"(哀愁のカサブランカ).

Friday, October 20, 2023

Yutaka Kimura Speaks ~ Japanese City Pop Masterpieces 100: Minako Yoshida -- Koi wa Ryuusei, Part II (恋は流星)

 


Number: 028

Lyricist/Composer: Minako Yoshida

Arrangers: Minako Yoshida and Tatsuro Yamashita

From Yoshida's 1977 single: "Koi wa Ryuusei, Parts I and II"

"Koi wa Ryuusei" is a Tokyo urban soul masterpiece with a connection to Original Love's "Seppun"(接吻). Three versions of the song exist on Yoshida's album "Twilight Zone" and the A & B sides of the single, but the true version which strips everything away except for the hook and focuses on the rhythm has the highest degree of rare groove and its feel-good vibe has an irresistible charm. It's incredible that the combination of Minako(吉田美奈子)and Tatsuro(山下達郎)could create this in 1977.

The above comes from "Disc Collection Japanese City Pop Revised" (2020).

Butter Field -- Make Me Smile

 

I've encountered a couple of videos on YouTube categorizing this particular song as either City Pop or Shibuya-kei. Personally, I think that it hews closer to the former category as a 90s version of the genre  umbrella (or I can just go for groovy pop) but you can all decide at your leisure.

Provided that memory is serving me correctly, I may have first experienced this one via One Step Communicate's "True Paradise". In all likelihood, it popped up on the right side of the YouTube screen while I was listening to that 1994 song. Butter Field was a duo consisting of singer-songwriter Yoshihiko Seki(関美彦)and former 80s aidoru and actress Yoko Kikuchi(菊地陽子). Kikuchi only released a couple of singles in 1983 but she had a fairly good go in front of the camera for several years.

Butter Field, according to Kikuchi's J-Wiki profile, got its start around October 1993, culminating in an October 1995 mini-album, "Early Autumn". The first track is "Make Me Smile" which is indeed a nice slice of groove. Written and composed by Seki, there's something about the song that reminds me of some of the tunes that Original Love was concocting at around the same time. Soon after the album was released though, Butter Field broke up. It's also sad to note that a few years later in December 1999, Kikuchi would lose her battle with leukemia at the age of 32.

Kengo Kurozumi -- My Sweet Lady

 

A bit of an announcement here since Rocket Brown and I will be working together once more on his podcast "Come Along Radio" via Mixcloud for the first time in several months. We'll be going live at 9:30 am Pacific Time/12:30 pm Eastern (provided I finish lunch fast enough) Saturday October 21st 2023. The topics that we will be covering are the legacy of singer-songwriter Shinji Tanimura(谷村新司)who passed away earlier on the 8th, Tetsuji Hayashi's(林哲司)upcoming concert on November 5th, and then we'll be going over singer-composer Kengo Kurozumi's(黒住憲五)October 1982 debut album "Again". Coincidentally, the 21st will mark 41 years exactly since the album was put onto record store shelves.

Unfortunately, I haven't been able to procure my own copy of "Again" but luckily some generous souls have been able to upload the album onto YouTube so I've been doing some listening to all of the tracks in preparation. I've covered some of the tracks, actually, in the past: "Lusia" and "Pastel Love" which was my first KKP posting on Kurozumi.

Well, this Kurozumi article will be on "My Sweet Lady" which was his 1982 single ("Lusia" was the B-side). Composed by the singer, written by Akira Ohtsu(大津あきら)and arranged by Masaki Matsubara(松原正樹), "My Sweet Lady" has had me thinking of some of those 80s West Coast AOR songs, and singers such as Christopher Cross and even Neil Sedaka because of that first verse sounding a bit like "Calendar Girl". There's nothing like a wailing electric guitar to get visions of mullets and skinny ties once more into my head.

Itsuko Nakamura -- Tobitai Onna(翔びたい女)

 

Several weeks ago, one of the commenters recommended this song by singer-songwriter Itsuko Nakamura(中村伊都子)who I hadn't heard about before. I couldn't find a lot of information regarding her aside from the fact that she put out one album in 1980 and then a couple of singles in 1978 and 1981 according to Discogs. She had participated in the 17th Yamaha Popular Song Contest in 1979 with her "Last Night"(ラスト・ナイト)which was arranged by Makoto Matsushita(松下誠).

The one-and-only album was titled "Kassai ga Kikoeru"(喝采が聞える...Can Hear the Applause) and one track that I have for you today is "Tobitai Onna" (The Woman Who Wants to Fly). I love the combination of that playful guitar and the hazy keyboard which starts things off as the lyrics relate the story of a footloose and fancy-free young lady wishing for the good fashionable life, presumably in the metropolis. I gather that "Tobitai Onna" can hover over the dividing line between City Pop and pop, so I've thrown in both names into the Labels.

Kei Ishiguro -- Weekend Love

 

Not that I could ever see myself affording a trip in the area, but this first song for this week's edition of the KKP urban contemporary makes me think of a languid and luxurious vacation along the French Riviera. Have a look at this video from Luxury Travel Trends, though, if you're seeking a getaway.

Listening to Kei (Kay) Ishiguro's(石黒ケイ)"Weekend Love" from her 1989 album "Amant", the luxurious sophisticated pop melody practically weaves its own chaise lounge for listeners and might even call for some champagne. Prolific lyricist Yoshiko Miura(三浦徳子)came up with the lyrics while Masamichi Amano(天野正道)composed the music. Amano's credits include co-producer for the soundtrack of the anime "Miyuki"(みゆき)earlier in that decade and then composer for the cinematic version of "Battle Royale" in 2000.

Ishiguro's "Amant" would be the final album for the singer for several years until her "Live Selection" was released in 2004.

Thursday, October 19, 2023

shami momo -- Tokimeki Rendezvous(ときめきランデヴー)

 

Well, as I had indicated when I wrote up about the bass-crazy ending theme for Season 1 of the anime "Machikado Mazoku"(まちカドまぞく...The Demon Girl Next Door), I was able to get Season 2 which had been broadcast more than a year ago in 2022. I began watching "Machikado Mazoku 2-Chome"(まちカドまぞく 2丁目)last week which continues the humourous trials and tribulations of demon girl Yuko "Shamiko" Yoshida(吉田優子).

Of course, I was paying attention to the opening credits and the opening theme for Season 2 and it's not half-bad either. "Tokimeki Rendezvous" (Joyful Rendezvous) was created and arranged by Miho Tsujibayashi(辻林美穂), the same songwriter and musician behind the opener for Season 1, "Machikado Tangent"(町かどタンジェント). As with that one, "Tokimeki Rendezvous" possesses that feeling of a breezy 1960s pop tune but instead of the Bacharach vibe, it has more of a finger-snapping jazzy bent. And once again, it's the shami momo pairing of main seiyuu Konomi Kohara(小原好美)as Shamiko and Akari Kitō(鬼頭明里)as Momo in the recording booth. The full version has got a nice piano solo.

Will be looking forward to watching Episode 2 tonight. Yup, I'm going at this week-by-week instead of doing the binge watching.