CoCo
became one of my favourite aidoru groups. They are no strangers to me, as I
liked two of their songs, “EQUAL Romance” (EQUALロマンス)
and “Yokohama Boy Style” (横浜Boy Style), for quite a while, but it
wasn’t until some months ago that I decided to seriously listen to their
discography.
Well,
everything was okay for the group, but, in 1992, CoCo lost one of its members,
Azusa Senou (瀬能あづさ), because she wanted to concentrate on
a solo career. Yes, it’s the same old story of leaving your group behind to try
new things in the entertainment world.
The
thing is, Azusa Senou didn’t have to leave the group in order to have a
successful solo career. All of her partners from CoCo had their individual solo
careers, with varied success. Also, the cute Rieko Miura (三浦理恵子),
without having to leave the group, was even more successful than Azusa.
Based
on that, I never really liked Azusa Senou, and the only reason was because she
abandoned the group. However, I ended listening to most of her solo material
and caught myself liking her stuff A LOT. Maybe I was an hypocrite in this
case, but I’m trying to redeem myself here.
“I
Miss You” was Azusa’s fifth single, which was released in February 1993. At the
time of its release, A-chan, as she was called by her fans, was trying to
mature and leave the aidoru days behind. Her first album, “Crystal Eyes”, which
was released one year before, in 1992, was still aidoru-oriented if compared to
the stuff she released for the second album, “Horizon”. With that in mind, “I
Miss You” is a good example of the more pop-rock sound she incorporated for her
second full lenght release.
One
thing to notice is that, although a solid pop release, “I Miss You”, was not
very different from a lot other songs released by more famous artists during
the early 90s. This mixture of pop-rock with synths in the background was a
common place at the time, and I can even remember one song by minor sexy-aidoru
Minako Tanaka (田中美奈子), called “Nemuranai Machi” (眠らない街),
with a similar arrangement.
Reality
is, the early 90s, as we all know very well, was a very hard time for aidoru acts to
establish themselves in the industry. The so-called “Aidoru Fuyu no Jidai” (アイドル冬の時代)
was a problematic reality, so Azusa Senou had to try different things to stay
relevant. She didn’t accomplish that, but, at least, she tried...
“I
Miss You” reached #27 on the Oricon charts. Lyrics were written by Toshihiko
Takamizawa (高見沢俊彦) and Yoshiko Miura (三浦徳子),
while music was composed solely by Toshihiko Takamizawa. As for the
arrangement, it was done by Takebe Satoshi (武部聡志).
Hi, Marcos.
ReplyDeleteThe music and Senou's delivery bring back some of that early 90s nostalgia. Perhaps there was a trend in vocalization during that time among female singers...breathier, more propulsive? (I'm thinking about Wink, Miho Nakayama and Zard at that time)
I Miss You is totally early 90s. And I like that sound a lot, although it can be kind of generic sometimes.
DeleteAbout Azusa's vocalization, I think I understood what you meant. She was probably the only one from CoCo who sang like that (Mikiyo Ohno tried, but Azusa was better).