Heroes or superheroes, whether they be on TV or in movies, need to have their theme songs. The original campy 1960s TV version of "Batman" had that Batusi-inducing go-go boots theme while "Peter Gunn" owned that classic down-&-dirty jazz theme by Henry Mancini in which a young John Williams provided the piano notes that anchored the whole thing. And speaking of the now-legendary Williams, I gather that you must have heard his own compositions for "Superman" and "Star Wars".
As a kid growing up in the 1960s and 1970s (yes, that terrifying and mystifying age decades before the Internet and social media), our family used to watch a lot of Westerns since they provided a huge chunk of prime-time entertainment on the tube back then. And shows like "The Rifleman" and "Gunsmoke" had some great heroic themes, but for me, it was always "Bonanza". I did love that theme song. Even within "Bonanza", the show had variations on the iconic theme. For me, it will always be the version with the full horns in there instead of the twangy guitar.
Back on Tuesday night, on the first "Uta Kon"(うたコン)since the Winter Olympics ended, there was a singer/actor by the name of Tsunehiko Kamijo(上條恒彦)who sang a song that signaled off some hints of remembrance. His "Dareka ga Kaze no Naka de" (Someone in the Wind) had that same feel of those heroic theme songs from American Westerns long past.
But of course, it wasn't about the Western in Japan (although "Rawhide" and maybe "Bonanza" were televised there). It was about the samurai drama, especially on that lone vagabond traveling on the ancient byways of the country, doing good and vanquishing evil for the locals every episode before making his stoic and lonely way again. That description certainly applies to "Kogarashi Monjirō"(木枯し紋次郎), a Fuji-TV show that had its run between 1972 and 1973.
When I think of theme songs for samurai shows, they usually came in the form of the Mexican trumpet leading some urgent Latin music. With "Kogarashi Monjirō", though, it was "Dareka ga Kaze no Naka de" which sounded much more like something that originated north of the US/Mexico border on the lines of the famous theme song for "The Magnificent Seven". But Kamijo's rendition is a bit mellower; no less heroic but it also has a feeling of a lullaby for a lone wolf. Perhaps the Marlboro Man needs to turn in for the night.
Apparently, the song was used in a Toyota commercial in the late 90s which probably explains how I did.
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