To be honest, I didn't pay too much attention to the aidoru groups of the early 1990s although I do possess a few of the decade's "Myojo"(明星)magazine issues that had them within their pages such as ribbon and CoCo. These were the last groups before the so-called Aidoru Winter of that decade when it seemed as if the concept and genre of the female teenybopper singers had been thrown onto the pop music ash heap of history (it really only lasted a few years while the Komuro Steamroller took over the pop culture zeitgeist in the mid-90s before Morning Musume came onto the scene).
Marcos V. was the first KKP writer to bring the aidoru group ribbon onto our humble pages when he posted his thoughts on their 1990 2nd single "Soba ni Iru ne" (そばにいるね...I'm By Your Side) back in 2014. The trio consisted of Hiromi Nagasaku(永作博美), Arimi Matsuno(松野有里巳)and Aiko Sato(佐藤愛子)and I think Nagasaku has been the member that has lasted the longest in Japanese show business since she has gone into acting and appearing on TV programs as a tarento. Above is a popular segment where Nagasaku goes through a rather intense foot massage.
I managed to find my own ribbon song titled "Ai no Diary" (Diary of Love) which is special from a few angles. For one thing, it's one of the group's entries that was never put onto a single or a regular album, only appearing up until that point in their June 1993 BEST compilation "More Delicious ribbon Best II" which peaked at No. 45 on Oricon. Another thing is that "Ai no Diary" had been written and composed by the late Shinji Tanimura(谷村新司)whose tribute I gave a few weeks ago on hearing about his death on October 8th.
Tanimura had created songs for many singers such as the classic "Ii Hi Tabidachi" (いい日旅立ち) for Momoe Yamaguchi(山口百恵)all the way back in 1978, and my impression of him as a songwriter was that he made these elegant ballads that belonged in the New Adult Music realm of Japanese popular music; not enka but not totally pop either. So it was with some surprise to realize that he came up with "Ai no Diary" for an aidoru group like ribbon. Indeed, it's also unusual for the fact that the song is quite long at over 5 1/2 minutes. However, it's worth listening to under Hiroshi Shinkawa's(新川博)arrangement. It's an aidoru song of that decade, to be sure, with the synths and all that, but at the same time, I can actually hear Tanimura's voice (spiritually speaking) in the trio's vocals and his lyrics have that familiar reassuring pat on the shoulder for anyone who's going through tough times. It's almost like a "Subaru"(昴)for aidoru.
I was reading about ribbon's fate on J-Wiki and it seems as if unlike the cases with the other aidoru groups in that decade, Nagasaku and company didn't have any official finale in terms of their songs, albums or concerts or any announcements of a breakup. Basically, their end was characterized by a very long fade beginning at the end of 1993 with what would be their 13th and final single in October, "Yoake Nante Iranai"(夜明けなんていらない...What Do I Need a Sunrise For?). J-Wiki would note the final album, concert and other appearances on TV and such in a timeline which would extend as far as 1994, maybe 1995 with the feeling that not even the members were sure when the end would be or whether it had already happened. 😦
One of the more underappreciated idol groups of my fandom. They never did get that retrospective DVD box set like others in the Pony Canyon stable of idols, despite it actually being planned with a catalog number and all. Best we got were remastered single collections. Worst of all, my laserdisc player is busted and I can't play my collection of discs.
ReplyDeleteDespite all this, the three of them apparently are still friends and keep in touch, via LINE and IRL reunions (Matsuno Arimi, the most visible of the three on social media, is the source for all of this).
Hello, Saburo. It's good to hear that the original members are still good friends keeping in touch. Although it's all water under the bridge now, perhaps if ribbon had debuted a few years earlier, they would have had a bit more appreciation.
DeleteI guess all the Pony Canyon marketing was used on CoCo, their Otomejuku sister group. I thought I read years ago that Nagasaku doesn't like to discuss her ribbon/idol past but that might be me mistranslating an old rumor website.
DeleteWell, the aidoru life can be quite harsh and demanding but I think considering her continuing friendship with her former partners in ribbon, maybe it wasn't all that bad.
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