Before talking about today’s song, I decided to share
a little funny and curious story about a lack of synchrony between the Japanese
mainstream music market and some of the Western blogosphere interested in
J-pop.
There was a time, back in 2008 and 2009, that a door
full of possibilities was opened in the J-pop world. As Perfume became a
national success with “Polyrhythm” (ポリリズム) and the album “GAME”, a lot of
Western observers thought that some sort of “musical changes” were about to occur in
Japan’s mainstream music, with more Technopop artists climbing high on the
Oricon charts. As we see in retrospective, it didn’t happen. Perfume was the
only act of its type that enjoyed mainstream success. Many artists that started their careers at those particular years were also very well known names in the Western J-pop blogosphere. But those artists, like Aira Mitsuki, saori@destiny, Sweet Vacation, Sawa and Mizca, had
their careers fallen apart in 2010/2011, with very few material released since then.
We can only say that Western observers were probably more excited about these
artists than Japanese music buyers themselves.
As I’ve already said before, the success of the genre
simply didn’t happen, and the “musical changes” that we were all waiting for
was just a sweet dream. Things were changing, but not in the direction we
thought they were. 2009, for example, is an important year in recent J-pop
history because marks the first time that aidoru group AKB48 landed in No. 1 on
the weekly Oricon charts with the single “RIVER”, and not because Technopop
became an important mainstream musical genre. In that sense, the Technopop hype
that took over Western Japanese music lovers in 2008 and 2009 was a very
singular phenomenon that I kindly keep in my mind. The reason is simple: as I
was some years away from the J-pop world at the time, this Technopop scene was “THE
THING” to look for when I returned to it. Maybe it was not even a real fad, but
I felt as if it was.
Little stories apart, I’m going to talk about “COSMiC
CHOPPER”, a song from “electropop idol” Aira Mitsuki. The song
was the second b-side of Aira’s fourth official single “Sayonara TECHNOPOLiS” (サヨナラ TECHNOPOLiS),
released in January 2009.
“COSMiC CHOPPER” can be roughly described as a
funk/disco-influenced electropop song. The bassline is very prominent with lots
of slapping, and the disco “synths-trying-to-be-strings” samples used during
the chorus just adds to the whole spacey vibe of the song. Aira’s heavily
processed vocals works very well in this case too.
All in all, “COSMiC CHOPPER” ended as one of my
favorite songs from 2009. I remember that when it was released, I kind of
wished it was a Perfume song, because it sounded THAT good. But I can live
with it being an Aira Mitsuki song. To be honest with her, though, she had a
lot of great songs. Unfortunately, they never reached the success she deserved.
Maybe Aira was not that charismatic, or most of her songs were not poppy enough.
I can’t really find an answer.
As I’ve already said,
“COSMiC CHOPPER” was released as a b-side in the “Sayonara TECHNOPOLiS”
single, released in January 2009. The single reached #27 on the Oricon chart (source:
generasia), but I couldn’t find the number of copies sold. As for lyrics and
music, they were made by TO-WEST. And the whole single was produced by Terukado Onishi (大西輝門), Aira's main producer.
Hi, Marcos.
ReplyDeleteI like this song since it does harken back to those funky disco days of my youth, although I wouldn't step into my first dance club until 1985 :)
Yeah, although Perfume was hitting it big and to an extent, capsule, as well, I never really observed technopop being launched as a new world musical force from Japan, but it still enjoyed (and enjoys) its niche status, and certain songs popped up onto the charts from time to time such as a capsule song or something from Denki Groove.