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I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Saturday, November 30, 2019

Saeko Suzuki -- Mainichi Christmas dattara(毎日がクリスマスだったら)



Saeko Suzuki(鈴木さえ子)is listed in J-Wiki as a musician and composer proficient on percussion and keyboards. And what I hadn't known until earlier this morning is that she was also the person who came up with one of the most famous commercial jingles on Japanese TV. That would be "Sugu Oishii, Sugoku Oishii"(すぐおいしい、すごくおいしい...Soon Tasty, Really Tasty)for Nisshin's Chicken Ramen that I used to hear over and over again in various ways over the years. In fact, as a ramen fan (instant and restaurant-made), I'm developing a Pavlovian reaction as I hear the jingle right now. 😋


(from 2:58)

Hailing from Tokyo, Suzuki started at a young age on classical piano but was also influenced by her elder sister onto rock music, and then heading into high school, she got into drumming. From 1976 via Aoyama Gakuin University, she got into a number of bands and from 1980, she made her major debut and became a known musician in the New Wave/pop genres. In addition, that's when she started making her mark as a studio musician and a producer of commercial jingles.

1979 was the year that she got to know Keiichi Suzuki(鈴木慶一)of The Moonriders while she was in the band Cinema as the drummer. And several years later in July 1983, the two of them would work together to record and release an album called "I wish it could be Christmas everyday" under the duo name of Psycho Perches, but due to red tape involving the contract, it was put on sale as Saeko's solo debut album.

The title track would also come out as a single in November of that same year. "Mainichi Christmas dattara", written, composed and performed by Saeko,  makes an impression as this quirky and bouncy synthpop Xmas tune that could go well with an adventure in some department store's Toyland. In terms of the arrangement, I think "Mainichi Christmas dattara" tends toward the sound of bands such as PSY-S and even the very early Pizzicato Five rather than that of Yellow Magic Orchestra.


Some years later, Suzuki would cover the song again as a track on her 4th album "Studio Romanticist"(スタジオ・ロマンチスト ...STUDIO ROMANTIC)which was released in June 1987. The title would be extended a bit though into "I wish it could be Christmas everyday in the U.K.". As for the album itself, it peaked at No. 66.

3 comments:

  1. Hi Canuck,

    Saeko was one of the premiere drummers back in the day. She did a lot of work with Haruomi Hosono, playing drums on songs he produced like いけないルージュマジック / Ikenai Rouge Magic by Ryuichi Sakamoto & Kiyoshirou Imawano and ガラスの林檎 / Garasu No Ringo by Seiko Matsuda to name just a couple.

    Studio Romantic was notable in that it was co-produced by Saeko, Keiichi and Andy Partridge of XTC(!!). Andy also plays guitars, percussion and sings backup. The one singing the chorus in I WIsh It Could Be Christmas Everyday In US is him. Andy was just coming off a somewhat stressful recording of XTC's Skylarking album with Todd Rungren and the story goes that he was so smitten by Saeko he not only written songs for her, played/sang for her and co-produced the album, he asked her to join XTC. I'm curious how Keiichi felt about that.

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    Replies
    1. Hi, Kaz.

      I was reading some more of her bio on J-Wiki earlier today and she's definitely got some impressive credentials.

      XTC I remember for their "Senses Working Overtime" back when I was a high school kid. Considering that I just read that Partridge apparently has auditory synesthesia, that title has some more relevance for me now.

      I read that Keiichi and Saeko were married for a few years until the divorce so Partridge's head-over-heels feelings for her makes me want to go "Hmmm...".
      Interesting that J-Wiki notes that Keiichi was influenced by Partridge. Steven Wilson of the band Porcupine Tree was also a fan of Partridge, and my former student just happens to be a drummer for a tribute band to Porcupine Tree in Tokyo.

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  2. She also did a soundtrack from Keroro Gunsou.

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