Tomita Lab -- M-P-C "Mentality, Physicality, Computer" (Part 1)

 

Over the past decade of "Kayo Kyoku Plus", I've really cottoned onto the works of musician, producer and arranger Keiichi Tomita（冨田恵一）, aka Tomita Lab（冨田ラボ）, and I've managed to collect some of the fellow's albums including his early 2000s "Shipbuilding" and "Shiplaunching". Unfortunately, his very first album when he was one-half of the duo KEDGE in the late 1980s, "Complete Samples", remains the rarest of the rare but is a fun release in which his music was very different back then.

During my recent Christmas splurge at CD Japan, I bought Tomita Lab's 6th album from October 2018, "M-P-C 'Mentality, Physicality, Computer'" on the strength of one of the tracks, the poppy and boppy "Let It Ride" as sung by Kento Nagatsuka（長塚健斗）of the soul group WONK. And once more, Tomita has continued the tradition of bringing a number of other singers from all over to help record the album with him.

Regrettably, there's isn't a lot written about what "M-P-C" is all about. In fact, I only had the obi for the album to inform me that Tomita had wanted to address the necessary triumvirate of mentality, physicality and the computer for what is contemporary human life, and so, this 2018 release has that concept. The first track is "Introduction", an instrumental which begins with a metropolis' sounds and then a harp with some accompanying dissonance. Then, a combination of pumping percussion, voices and strings go for some good ol' cacophony for the remainder of the one minute and change.

Track 2 is the title track itself featuring MC and track maker (and lyricist) Ryohu from the hip-hop group KANDYTOWN (which will be ending its time in a couple of months). As Ryohu raps the light fantastic just like the J-R&B folks from the early 2000s, Tomita's warm melody of soulful horns and piano lays the foundation of what life is like in the opening decades of the 21st century: the real vs. the unreal, the analog vs. the digital. It could almost be a musical description of "The Matrix".

Ryosuke Nagaoka（長岡亮介）from Tokyo Jihen（東京事変）joins in for "Password"（パスワード）which strikes me as being a mildly synthpop Track 3. However, the Tomita Lab tropes of grooviness and ASMR-inducing chorus are back here as well. As for the lyrics, I received the impression that a couple's surrounding environment isn't quite as robust as first thought. Maybe they are in a holodeck on the Enterprise?

The final song for Part 1 is "Arpeggio"（アルペジオ）by the rap duo chelmico. Three years ago, I first wrote about Rachel and Mamiko because they had come up with the hyperspeed "Easy Breezy", the opening theme song for the 2020 anime "Eizouken ni wa Te o Dasu na!"（映像研には手を出すな!...Keep Your Hands Off Eizouken!）. Now, buying "M-P-C", I've found out that they had also helped Tomita Lab with another chrome-lined track. As has been the ritual so far, chelmico provided the lyrics which seem to break the fourth wall in that they openly ask Tomita-san about what they should be rapping about. Mind you, Rachel and Mamiko get their bearings extremely quickly as they let folks know that everyone ought to chill, hang out and have a good time.

I ought to have Part 2 of 3 out sometime next week. But so far, I'm getting the feeling that Tomita Lab wanted to add in that "Computer" part of the title via the appropriate instrumentation.