Credits

I would like to give credit where credit is due. Videos are from YouTube and other sources such as NicoNico while Oricon rankings and other information are translated from the Japanese Wikipedia unless noted.

Wednesday, January 24, 2024

Yoko Oginome -- The Best(荻野目洋子 ザ・ベスト)

 

Another kind gift from JTM over the Holidays was Yoko Oginome's(荻野目洋子)first BEST compilation, "Yōko Oginome: The Best" which hit the shelves on Christmas Day 1985, so definitely a Merry Christmas to all of those Yoko fans. It's an interesting one to be sure because the final track on this CD is "Dancing Hero"(ダンシング・ヒーロー), the song that I've felt to be the ground zero for my image of Oginome, the angular dancing heroine aidoru of the mid-1980s. So, all of the singles and songs before were still quite new to me although since then, I've become aware of her being one-third of the kiddie aidoru trio Milk in 1980 and then her star turn as the main character in the anime "Miyuki"(みゆき)in 1983. As well, somewhere in my dusty collection of VHS tapes, Oginome was a teenaged assistant in some sort of variety special on television where she was probably known just for "Miyuki" and as the kid sister to actress Keiko Oginome(荻野目慶子).

In any case, I've already covered a quarter of the sixteen tracks on "The Best", and by the way, JTM gave his thoughts on another BEST compilation almost eleven years ago called "Golden Best" from 2009. I don't think I'll be able to cover everything here but let's how many we can take a look at. The ones that I've already posted will have links to their respective articles.

1. "Mirai Kōkai (Sailing)" (未来航海)

2. "Ryūsei Shōjo" (流星少女)

3. "Sayonara kara Hajimaru Monogatari" (さよならから始まる物語)

4. "Natsu no Hohoemi" (夏の微笑)

5. "Teens Romance" (ティーンズ・ロマンス)

6. "December Memory" (ディセンバー・メモリー)

7.     "Ame to Jasmine" (雨とジャスミン)

8. "Mukokuseki Romance" (無国籍ロマンス)

9. "Freesia no Ame" (フリージアの雨)

10. "2B no Enpitsu" (2Bの鉛筆)

11. "Koishite Caribbean" (恋してカリビアン)

12. "Ai no Time Capsule" (愛のタイムカプセル)

13. "Kokoro no Mama ni (I'm Just a Lady)" (心のままに 〜I'm just a lady〜)

14. "Sweet Vacation" (スイート・ヴァケーション)

15.   "Kaigara Terrace" (貝殻テラス)

16. "Dancing Hero (Eat You Up)" (ダンシング・ヒーロー)

"Ryūsei Shōjo" (Meteor Girl) is the B-side to Oginome's debut single "Mirai Kōkai (Sailing)" from April 1984. It's the usual mellow aidoru tune on the flip side of the more active A-side. Written by Yoko Aki(阿木燿子)and composed by Yuuichiro Oda(小田裕一郎), it's got some hints of City Pop or AOR with the instruments involved but Aki's lyrics either talk about that titular meteor girl surreptitiously looking at the boy of her dreams after having a fight with his own girlfriend in the perhaps vain hopes of welcoming him into her arms instead or she really is a girl from outer space observing the surprisingly fragile male ego. Oginome's voice is also just as mellow here, perhaps some months away from gaining that famous nasal tone.

Oginome's 2nd single is "Sayonara kara Hajimaru Monogatari" (A Story That Begins with a Goodbye) from July 1984. Indeed, a story of getting over summertime heartbreak, the lyricist was Chinfa Kan(康珍化)and the composer was Tetsuya Furumoto(古本鉄也)with Mitsuo Hagita(萩田光雄)handling the arrangement. There's some playful drama in the music including that popular electric guitar wailing solo from those days (methinks it's a Hagita thing). I'm getting the impression that the people supporting Oginome at the time really liked to get those music videos with her. I'm not quite sure what child labour laws were like in Japan in 1984 but I certainly wasn't aware that gamine 14 or 15-year-olds were able to work at gas stations. For that matter, I wonder if that fellow at the end was a young Agent Gibbs...or Stringfellow Hawke. Incidentally, "Sayonara kara Hajimaru Monogatari" peaked at No. 29 on Oricon and won the singer a whole slew of awards including those for Best New Artist and Silver prizes.

Ah, nice winter cottage setting there. Then again, we return to the gas station and also a dance studio and even a Japanese music show stage, so I'm guessing that this may have been the wrap-up video for a collection. It's for Oginome's 4th single "Mukokuseki Romance" (A Romance Without Nationality) from February 1985. The lyrics by Fumiko Okada(岡田冨美子)describe a Japanese woman lured into a love affair with a foreigner overseas with the melody being woven by none other than the late Ryuichi Sakamoto(坂本龍一). When I read that, I chuckled a bit since I was reminded of "Medaka no Kyoudai"(めだかの兄妹)from 1982 by the cute-as-all-get-out aidoru trio Warabe(わらべ). Sakamoto was responsible for its arrangement and it did become a hit although at the time, The Professor was perhaps somewhat aghast at the assignment. The J-Wiki article for "Mukokuseki Romance" did note that it was very unusual for him to actually come up with a melody for an aidoru ("What, again?!"), but hey, work is work. The song has that certain je ne sais quoi of exotic mysticism which is right up Sakamoto's alley. It hit No. 35 on the charts.

"Freesia no Ame" (Freesia Rain) is actually the title track from Oginome's 2nd album released in March 1985. At the risk of sounding like the narrator from Canada's "Hinterland Who's Who", the freesia is a flowering plant native to Africa, so I'm gathering that man and woman in Takashi Matsumoto's(松本隆)words are traveling on a train coursing through that continent with the latter figure quietly expressing her love for the big lug. Motoki Funayama(船山基紀)is usually someone that I equate with arrangement but this time, he also came up with the basic happy-go-lucky melody. As for the album, "Freesia no Ame" managed to get as high as No. 26.

My final song here today is "Kokoro no Mama ni (I'm Just a Lady)" (As You Please) which is Oginome's 6th single from August 1985. Hagita was once again on hand to arrange Mai Arai's(あらい舞) melody and words, and this one seems to be reminder of some of the sweeping aidoru ballads from a few years previously as done by folks like singer-songwriter Takao Kisugi(来生たかお). The strings used in the song especially remind me of those earlier days. There seems to be a "poor little rich girl" vibe with "Kokoro no Mama ni" as Oginome sings about being a proper lady and not being able to openly express those emotions such as falling in love. The song reached No. 16 on Oricon and it is the single before Oginome transformed into the dancing Eurobeat aidoru with "Dancing Hero" from November that year.

4 comments:

  1. Love Yoko's music! BTW, the great reissue label Light in the Attic announced a new Japanese compilation album, this one looking at songs from Alfa/Yen Records from 1980-87 that focused on electronic music and other techno songs. Here's the tracklist:

    https://lightintheattic.net/products/alfa-yen-records-1980-1987-techno-pop-and-other-electronic-adventures-in-tokyo

    It would be interesting to see how much you have covered versus songs you haven't done/heard yet.

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  2. Yoko Oginome's transformation was pretty dramatic and maybe shocking! She went from being the cute girl next door to being a sexy pop fashion icon!

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    Replies
    1. Yeah, it was "Dancing Hero" that was a turning point in her career. I'm not sure if too many people even remember or realize that she had been a seiyuu.

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