Hiyoshi was originally born Kazuko Koike(小池和子)from Saitama Prefecture just above Tokyo in 1947. She debuted in 1967 under the stage name of Kazuko Ike(池和子)but after her first three singles failed to succeed, there was a career reset with a change in name to Mimi Hiyoshi in 1969. Her 2nd single after the name change (her 5th single overall) was the one that finally got her into the stratosphere. "Otoko to Onna no Ohanashi" was released in May 1970 as this melancholy ballad with Hiyoshi singing from the point of view of the fellow trying to advise a lady on the facts of love (and love lost) after she's just been dumped. After listening to it once, I had thought the fellow was a particularly caring bartender but looking at the lyrics by Kyosuke Kuni(久仁京介), I think Hiyoshi could be playing a regular barfly with the heart of a wannabe Casanova.
Supposedly Hiyoshi was known for her coquettish voice, but I think for this song and even "Osaka Koi Uta" which I heard on the stereo, her vocals were much more commanding (although still high-pitched) in the "I've-been-there-I-know-what-it's-like" tone. Masakazu Mizushima(水島正和)was responsible for the melody whose guitar and strings added that layer of further softness to the singer's advice to the lovelorn.
(excerpt only)
There were a few covers of the ballad over the decades, most notably by Akina Nakamori(中森明菜)for her 2014 album, "All Time Best - Utahime (Covers)"(オールタイム・ベスト 〜歌姫(カヴァー)〜). Her version comes off as a semi-jazz waltz that Akina pulls off admirably; she seems to have that voice for world-weariness down pat on those recent cover albums. I especially like the intro into her cover since it reminds me a bit of Dave Brubeck's "Take Five".
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